Match From the Archives

Benjamin Moore From the Archives is a light-reflective shade, warm in character with an LRV of 61. The matches below are the closest equivalents available across every brand on Pontata, ranked by ΔE — a perceptual color difference score. A ΔE under 3 is subtle; under 10 is noticeable but harmonious; above 25 means genuinely different colors.

View full From the Archives color page →
From the Archives
Benjamin Moore
From the Archives
CSP-1060#E3CEACLRV 61Warm

Closest matches across every brand

One match per brand, ranked by ΔE — a perceptual color difference score calculated from Lab color space values. Lower is closer. Click any card to compare side by side in simulated rooms.

From the Archives
From the Archives
Ivoire
Ivoire
From the Archives vs Ivoire
Benjamin Moore
From the Archives
CSP-1060 · LRV 61
Sherwin-Williams
Ivoire
6127 · LRV 64

With LRVs of 64 and 61, the two reflect almost the same amount of light. At ΔE 0.4 you'd need them side by side to tell them apart.

Compare ↔ΔE 0.4Imperceptible
From the Archives
From the Archives
Family Ties
From the Archives vs Family Ties
Benjamin Moore
From the Archives
CSP-1060 · LRV 61
PPG
Family Ties
PPG12-29 · LRV 62

Their light reflectance is nearly identical (LRV 62 vs 61), so neither reads brighter in a room. A ΔE of 1.3 means the difference barely reads in a finished room.

Compare ↔ΔE 1.3Subtle
From the Archives
From the Archives
Coconut Crumble
Coconut Crumble
From the Archives vs Coconut Crumble
Benjamin Moore
From the Archives
CSP-1060 · LRV 61
Cloverdale Paint
Coconut Crumble
0308 · LRV 63

Their light reflectance is nearly identical (LRV 63 vs 61), so neither reads brighter in a room. A ΔE of 1.4 means the difference barely reads in a finished room.

Compare ↔ΔE 1.4Subtle
From the Archives
From the Archives
Mohave Desert
Benjamin Moore
From the Archives
CSP-1060 · LRV 61
Benjamin Moore
Mohave Desert
1115 · LRV 64

With LRVs of 64 and 61, the two reflect almost the same amount of light. At ΔE 1.5 you'd need them side by side to tell them apart.

Compare ↔ΔE 1.5Subtle
From the Archives
From the Archives
String
String
From the Archives vs String
Benjamin Moore
From the Archives
CSP-1060 · LRV 61
Farrow & Ball
String
8 · LRV 62

Their light reflectance is nearly identical (LRV 62 vs 61), so neither reads brighter in a room. A ΔE of 2.7 means the difference barely reads in a finished room.

Compare ↔ΔE 2.7Subtle
From the Archives
From the Archives
Light ivory
Light ivory
From the Archives vs Light ivory
Benjamin Moore
From the Archives
CSP-1060 · LRV 61
RAL ClassicClassic
Light ivory
RAL 1015 · LRV 68

Light ivory reads slightly lighter (LRV 68 vs 61), a gap that shows most in low-lit rooms. At ΔE 3.1 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 3.1Noticeable
From the Archives
From the Archives
Travertine
Travertine
From the Archives vs Travertine
Benjamin Moore
From the Archives
CSP-1060 · LRV 61
Little Greene
Travertine
319 · LRV 63

Their light reflectance is nearly identical (LRV 63 vs 61), so neither reads brighter in a room. The ΔE 3.1 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 3.1Noticeable
From the Archives
From the Archives
Travertine
From the Archives vs Travertine
Benjamin Moore
From the Archives
CSP-1060 · LRV 61
Tikkurila
Travertine
Y396 · LRV 57

From the Archives reads slightly lighter (LRV 61 vs 57), a gap that shows most in low-lit rooms. At ΔE 3.2 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 3.2Noticeable
From the Archives
From the Archives
Ginseng
Ginseng
From the Archives vs Ginseng
Benjamin Moore
From the Archives
CSP-1060 · LRV 61
Jotun
Ginseng
10245 · LRV 62

Their light reflectance is nearly identical (LRV 62 vs 61), so neither reads brighter in a room. The ΔE 3.3 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 3.3Noticeable
From the Archives
From the Archives
RAL 140-6
RAL 140-6
From the Archives vs RAL 140-6
Benjamin Moore
From the Archives
CSP-1060 · LRV 61
RAL EffectEffect
RAL 140-6
RAL 140-6 · LRV 66

A 5-point LRV gap (66 vs 61) makes RAL 140-6 the marginally brighter of the two. The ΔE 3.6 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 3.6Noticeable
From the Archives
From the Archives
Trench Coat
From the Archives vs Trench Coat
Benjamin Moore
From the Archives
CSP-1060 · LRV 61

With LRVs of 62 and 61, the two reflect almost the same amount of light. At ΔE 3.8 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 3.8Noticeable
Almond Biscuit
From the Archives
From the Archives
Almond Biscuit vs From the Archives
Behr
Almond Biscuit
S250-2 · LRV 62
Benjamin Moore
From the Archives
CSP-1060 · LRV 61

With LRVs of 62 and 61, the two reflect almost the same amount of light. At ΔE 4.6 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 4.6Noticeable
From the Archives
From the Archives
Cinnamon Foam
Cinnamon Foam
From the Archives vs Cinnamon Foam
Benjamin Moore
From the Archives
CSP-1060 · LRV 61
Valspar
Cinnamon Foam
V085-2 · LRV 65

Cinnamon Foam reads slightly lighter (LRV 65 vs 61), a gap that shows most in low-lit rooms. At ΔE 6.1 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 6.1Noticeable
From the Archives
From the Archives
S 2005-Y40R
S 2005-Y40R
From the Archives vs S 2005-Y40R
Benjamin Moore
From the Archives
CSP-1060 · LRV 61
NCS
S 2005-Y40R
S 2005-Y40R · LRV 53

A 8-point LRV gap (61 vs 53) makes From the Archives the marginally brighter of the two. A ΔE of 11.2 puts them firmly in different territory — a strong contrast if combined.

Compare ↔ΔE 11.2Distinct