Match In the Midnight Hour

Benjamin Moore In the Midnight Hour is a deep, low-reflectance shade, cool in character with an LRV of 10. The matches below are the closest equivalents available across every brand on Pontata, ranked by ΔE — a perceptual color difference score. A ΔE under 3 is subtle; under 10 is noticeable but harmonious; above 25 means genuinely different colors.

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In the Midnight Hour
Benjamin Moore
In the Midnight Hour
1666#415663LRV 10Cool

Closest matches across every brand

One match per brand, ranked by ΔE — a perceptual color difference score calculated from Lab color space values. Lower is closer. Click any card to compare side by side in simulated rooms.

In the Midnight Hour
Midnight Teal
In the Midnight Hour vs Midnight Teal
In the Midnight Hour
Midnight Teal
Benjamin Moore
In the Midnight Hour
1666 · LRV 10
Dulux
Midnight Teal
90BG 11/101 · LRV 11

Their light reflectance is nearly identical (LRV 11 vs 10), so neither reads brighter in a room. A ΔE of 1.8 means the difference barely reads in a finished room.

Compare ↔ΔE 1.8Subtle
In the Midnight Hour
Estate
In the Midnight Hour vs Estate
In the Midnight Hour
Estate
Benjamin Moore
In the Midnight Hour
1666 · LRV 10
Cloverdale Paint
Estate
EX040 · LRV 9

Their light reflectance is nearly identical (LRV 10 vs 9), so neither reads brighter in a room. A ΔE of 2.1 means the difference barely reads in a finished room.

Compare ↔ΔE 2.1Subtle
In the Midnight Hour
In the Midnight Hour vs Oceania
In the Midnight Hour
Oceania
Benjamin Moore
In the Midnight Hour
1666 · LRV 10
PPG
Oceania
PPG10-01 · LRV 10

Their light reflectance is nearly identical (LRV 10 vs 10), so neither reads brighter in a room. A ΔE of 2.3 means the difference barely reads in a finished room.

Compare ↔ΔE 2.3Subtle
In the Midnight Hour
Newburg Green
In the Midnight Hour vs Newburg Green
In the Midnight Hour
Newburg Green
Benjamin Moore
In the Midnight Hour
1666 · LRV 10
Benjamin Moore
Newburg Green
HC-158 · LRV 11

With LRVs of 11 and 10, the two reflect almost the same amount of light. At ΔE 2.8 you'd need them side by side to tell them apart.

Compare ↔ΔE 2.8Subtle
Restless Sea
In the Midnight Hour
Restless Sea vs In the Midnight Hour
Restless Sea
In the Midnight Hour
Behr
Restless Sea
PPU13-20 · LRV 7
Benjamin Moore
In the Midnight Hour
1666 · LRV 10

With LRVs of 10 and 7, the two reflect almost the same amount of light. At ΔE 2.9 you'd need them side by side to tell them apart.

Compare ↔ΔE 2.9Subtle
In the Midnight Hour
In the Midnight Hour vs Royal
In the Midnight Hour
Royal
Benjamin Moore
In the Midnight Hour
1666 · LRV 10
Tikkurila
Royal
M436 · LRV 9

Their light reflectance is nearly identical (LRV 10 vs 9), so neither reads brighter in a room. The ΔE 3.6 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 3.6Noticeable
In the Midnight Hour
RAL 620-4
In the Midnight Hour vs RAL 620-4
In the Midnight Hour
RAL 620-4
Benjamin Moore
In the Midnight Hour
1666 · LRV 10
RAL EffectEffect
RAL 620-4
RAL 620-4 · LRV 9

With LRVs of 10 and 9, the two reflect almost the same amount of light. At ΔE 3.9 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 3.9Noticeable
In the Midnight Hour
Stiffkey Blue
In the Midnight Hour vs Stiffkey Blue
In the Midnight Hour
Stiffkey Blue
Benjamin Moore
In the Midnight Hour
1666 · LRV 10
Farrow & Ball
Stiffkey Blue
281 · LRV 10

With LRVs of 10 and 10, the two reflect almost the same amount of light. At ΔE 3.9 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 3.9Noticeable
In the Midnight Hour
Indigo Batik
In the Midnight Hour vs Indigo Batik
In the Midnight Hour
Indigo Batik
Benjamin Moore
In the Midnight Hour
1666 · LRV 10
Sherwin-Williams
Indigo Batik
7602 · LRV 8

With LRVs of 10 and 8, the two reflect almost the same amount of light. At ΔE 4.7 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 4.7Noticeable
In the Midnight Hour
Industrial Blue
In the Midnight Hour vs Industrial Blue
In the Midnight Hour
Industrial Blue
Benjamin Moore
In the Midnight Hour
1666 · LRV 10
Jotun
Industrial Blue
5455 · LRV 11

With LRVs of 11 and 10, the two reflect almost the same amount of light. At ΔE 4.9 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 4.9Noticeable
In the Midnight Hour
Grey Blue
In the Midnight Hour vs Grey Blue
In the Midnight Hour
Grey Blue
Benjamin Moore
In the Midnight Hour
1666 · LRV 10
RAL ClassicClassic
Grey Blue
RAL 5008 · LRV 7

With LRVs of 10 and 7, the two reflect almost the same amount of light. At ΔE 6.5 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 6.5Noticeable
In the Midnight Hour
Royal Navy
In the Midnight Hour vs Royal Navy
In the Midnight Hour
Royal Navy
Benjamin Moore
In the Midnight Hour
1666 · LRV 10
Little Greene
Royal Navy
257 · LRV 5

A 5-point LRV gap (10 vs 5) makes In the Midnight Hour the marginally brighter of the two. The ΔE 9.3 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 9.3Noticeable
In the Midnight Hour
Passageway
In the Midnight Hour vs Passageway
In the Midnight Hour
Passageway
Benjamin Moore
In the Midnight Hour
1666 · LRV 10
Valspar
Passageway
V137-6 · LRV 14

Passageway reads slightly lighter (LRV 14 vs 10), a gap that shows most in low-lit rooms. At ΔE 9.3 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 9.3Noticeable
In the Midnight Hour
S 6010-B50G
In the Midnight Hour vs S 6010-B50G
In the Midnight Hour
S 6010-B50G
Benjamin Moore
In the Midnight Hour
1666 · LRV 10
NCS
S 6010-B50G
S 6010-B50G · LRV 13

With LRVs of 13 and 10, the two reflect almost the same amount of light. At ΔE 11.5 these are two genuinely different directions, not variations on a theme.

Compare ↔ΔE 11.5Distinct