Match In the Twilight
Benjamin Moore In the Twilight is a deep, low-reflectance shade, cool in character with an LRV of 22. The matches below are ranked by ΔE, a perceptual color-difference score.
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Closest matches across every brand
One match per brand, ranked by ΔE — a perceptual color difference score calculated from Lab color space values. Lower is closer. Click any card to compare side by side in simulated rooms.
Their light reflectance is nearly identical (LRV 22 vs 22), so neither reads brighter in a room. A ΔE of 0.0 means the difference barely reads in a finished room.
Their light reflectance is nearly identical (LRV 22 vs 22), so neither reads brighter in a room. A ΔE of 2.8 means the difference barely reads in a finished room.
Their light reflectance is nearly identical (LRV 22 vs 21), so neither reads brighter in a room. The ΔE 4.7 gap is real but not dramatic — distinct as a choice, harmonious together.
In the Twilight reads slightly lighter (LRV 22 vs 17), a gap that shows most in low-lit rooms. At ΔE 4.8 they're clearly different, yet close enough to share a room.
A 3-point LRV gap (22 vs 19) makes In the Twilight the marginally brighter of the two. The ΔE 4.8 gap is real but not dramatic — distinct as a choice, harmonious together.
Their light reflectance is nearly identical (LRV 22 vs 20), so neither reads brighter in a room. The ΔE 4.9 gap is real but not dramatic — distinct as a choice, harmonious together.
With LRVs of 22 and 22, the two reflect almost the same amount of light. At ΔE 6.1 they're clearly different, yet close enough to share a room.
A 4-point LRV gap (22 vs 18) makes In the Twilight the marginally brighter of the two. The ΔE 6.3 gap is real but not dramatic — distinct as a choice, harmonious together.
With LRVs of 22 and 19, the two reflect almost the same amount of light. At ΔE 6.6 they're clearly different, yet close enough to share a room.
Their light reflectance is nearly identical (LRV 22 vs 22), so neither reads brighter in a room. The ΔE 7.4 gap is real but not dramatic — distinct as a choice, harmonious together.
A 5-point LRV gap (22 vs 17) makes In the Twilight the marginally brighter of the two. The ΔE 7.7 gap is real but not dramatic — distinct as a choice, harmonious together.
In the Twilight reads slightly lighter (LRV 22 vs 13), a gap that shows most in low-lit rooms. At ΔE 9.9 they're clearly different, yet close enough to share a room.
In the Twilight reads slightly lighter (LRV 22 vs 14), a gap that shows most in low-lit rooms. At ΔE 10.5 these are two genuinely different directions, not variations on a theme.