Match Irises
Benjamin Moore Irises is a mid-tone shade, cool in character with an LRV of 26. The matches below are ranked by ΔE, a perceptual color-difference score.
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Closest matches across every brand
One match per brand, ranked by ΔE — a perceptual color difference score calculated from Lab color space values. Lower is closer. Click any card to compare side by side in simulated rooms.



Their light reflectance is nearly identical (LRV 26 vs 26), so neither reads brighter in a room. A ΔE of 1.9 means the difference barely reads in a finished room.



A 3-point LRV gap (29 vs 26) makes Faded Violet the marginally brighter of the two. A ΔE of 2.9 means the difference barely reads in a finished room.



Their light reflectance is nearly identical (LRV 28 vs 26), so neither reads brighter in a room. A ΔE of 2.9 means the difference barely reads in a finished room.



With LRVs of 26 and 25, the two reflect almost the same amount of light. At ΔE 3.1 they're clearly different, yet close enough to share a room.



Lilac Fields reads slightly lighter (LRV 29 vs 26), a gap that shows most in low-lit rooms. At ΔE 5.5 they're clearly different, yet close enough to share a room.



A 4-point LRV gap (26 vs 22) makes Irises the marginally brighter of the two. The ΔE 6.2 gap is real but not dramatic — distinct as a choice, harmonious together.



A 4-point LRV gap (30 vs 26) makes Smoke Grey the marginally brighter of the two. The ΔE 6.7 gap is real but not dramatic — distinct as a choice, harmonious together.



Their light reflectance is nearly identical (LRV 26 vs 26), so neither reads brighter in a room. The ΔE 7.4 gap is real but not dramatic — distinct as a choice, harmonious together.


Irises reads slightly lighter (LRV 26 vs 19), a gap that shows most in low-lit rooms. At ΔE 7.5 they're clearly different, yet close enough to share a room.



Made in the Shade reads slightly lighter (LRV 33 vs 26), a gap that shows most in low-lit rooms. At ΔE 11.8 these are two genuinely different directions, not variations on a theme.








