Match Pretty in Pink
Benjamin Moore Pretty in Pink is a mid-tone shade, warm in character with an LRV of 41. The matches below are ranked by ΔE, a perceptual color-difference score.
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Closest matches across every brand
One match per brand, ranked by ΔE — a perceptual color difference score calculated from Lab color space values. Lower is closer. Click any card to compare side by side in simulated rooms.



With LRVs of 41 and 41, the two reflect almost the same amount of light. At ΔE 0.9 you'd need them side by side to tell them apart.


With LRVs of 42 and 41, the two reflect almost the same amount of light. At ΔE 2.2 you'd need them side by side to tell them apart.


With LRVs of 42 and 41, the two reflect almost the same amount of light. At ΔE 2.5 you'd need them side by side to tell them apart.



Their light reflectance is nearly identical (LRV 41 vs 41), so neither reads brighter in a room. The ΔE 3.3 gap is real but not dramatic — distinct as a choice, harmonious together.



With LRVs of 41 and 41, the two reflect almost the same amount of light. At ΔE 4.2 they're clearly different, yet close enough to share a room.



Pretty in Pink reads slightly lighter (LRV 41 vs 36), a gap that shows most in low-lit rooms. At ΔE 11.0 these are two genuinely different directions, not variations on a theme.



At LRV 41 vs 28, Pretty in Pink is decisively the brighter choice. A ΔE of 13.3 puts them firmly in different territory — a strong contrast if combined.


A 7-point LRV gap (41 vs 34) makes Pretty in Pink the marginally brighter of the two. A ΔE of 13.3 puts them firmly in different territory — a strong contrast if combined.



Pretty in Pink reads slightly lighter (LRV 41 vs 33), a gap that shows most in low-lit rooms. At ΔE 15.0 these are two genuinely different directions, not variations on a theme.



At LRV 41 vs 29, Pretty in Pink is decisively the brighter choice. A ΔE of 16.5 puts them firmly in different territory — a strong contrast if combined.



Pretty in Pink reflects far more light (LRV 41 vs 25), opening up a space where Carmine encloses it. At ΔE 18.3 these are two genuinely different directions, not variations on a theme.



At LRV 41 vs 26, Pretty in Pink is decisively the brighter choice. A ΔE of 19.1 puts them firmly in different territory — a strong contrast if combined.



At LRV 41 vs 27, Pretty in Pink is decisively the brighter choice. A ΔE of 21.5 puts them firmly in different territory — a strong contrast if combined.



Pretty in Pink reads slightly lighter (LRV 41 vs 30), a gap that shows most in low-lit rooms. At ΔE 29.8 these are two genuinely different directions, not variations on a theme.

