Match Sea to Shining Sea

Benjamin Moore Sea to Shining Sea is a mid-tone shade, cool in character with an LRV of 44. The matches below are ranked by ΔE, a perceptual color-difference score.

View full Sea to Shining Sea color page →
Sea to Shining Sea
Benjamin Moore
Sea to Shining Sea
789#6DB4DCLRV 44Cool

Closest matches across every brand

One match per brand, ranked by ΔE — a perceptual color difference score calculated from Lab color space values. Lower is closer. Click any card to compare side by side in simulated rooms.

Sea to Shining Sea
Sea to Shining Sea
Xavier Blue
Sea to Shining Sea vs Xavier Blue
Benjamin Moore
Sea to Shining Sea
789 · LRV 44
PPG
Xavier Blue
PPG1240-4 · LRV 44

Their light reflectance is nearly identical (LRV 44 vs 44), so neither reads brighter in a room. A ΔE of 2.2 means the difference barely reads in a finished room.

Compare ↔ΔE 2.2Subtle
Costa Rica Blue
Sea to Shining Sea
Sea to Shining Sea
Costa Rica Blue vs Sea to Shining Sea
Benjamin Moore
Costa Rica Blue
2064-50 · LRV 46
Benjamin Moore
Sea to Shining Sea
789 · LRV 44

Their light reflectance is nearly identical (LRV 46 vs 44), so neither reads brighter in a room. A ΔE of 2.3 means the difference barely reads in a finished room.

Compare ↔ΔE 2.3Subtle
Sea to Shining Sea
Sea to Shining Sea
Acapulco Dive
Acapulco Dive
Sea to Shining Sea vs Acapulco Dive
Benjamin Moore
Sea to Shining Sea
789 · LRV 44
Cloverdale Paint
Acapulco Dive
0639 · LRV 37

Sea to Shining Sea reads slightly lighter (LRV 44 vs 37), a gap that shows most in low-lit rooms. At ΔE 3.5 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 3.5Noticeable
Sea to Shining Sea
Sea to Shining Sea
RAL 650-1
RAL 650-1
Sea to Shining Sea vs RAL 650-1
Benjamin Moore
Sea to Shining Sea
789 · LRV 44
RAL EffectEffect
RAL 650-1
RAL 650-1 · LRV 36

Sea to Shining Sea reads slightly lighter (LRV 44 vs 36), a gap that shows most in low-lit rooms. At ΔE 5.1 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 5.1Noticeable
Sea to Shining Sea
Sea to Shining Sea
Flyway
Flyway
Sea to Shining Sea vs Flyway
Benjamin Moore
Sea to Shining Sea
789 · LRV 44
Sherwin-Williams
Flyway
6794 · LRV 39

Sea to Shining Sea reads slightly lighter (LRV 44 vs 39), a gap that shows most in low-lit rooms. At ΔE 5.9 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 5.9Noticeable
Bluebird
Bluebird
Sea to Shining Sea
Sea to Shining Sea
Bluebird vs Sea to Shining Sea
Behr
Bluebird
PPU15-12 · LRV 40
Benjamin Moore
Sea to Shining Sea
789 · LRV 44

Sea to Shining Sea reads slightly lighter (LRV 44 vs 40), a gap that shows most in low-lit rooms. At ΔE 8.4 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 8.4Noticeable
Sea to Shining Sea
St Giles Blue
Sea to Shining Sea
St Giles Blue
Benjamin Moore
Sea to Shining Sea
789 · LRV 44
Farrow & Ball
St Giles Blue
280 · LRV 30

At LRV 44 vs 30, Sea to Shining Sea is decisively the brighter choice. The ΔE 8.6 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 8.6Noticeable
Sea to Shining Sea
Sea to Shining Sea
Delicate Cornflower
Delicate Cornflower
Sea to Shining Sea vs Delicate Cornflower
Benjamin Moore
Sea to Shining Sea
789 · LRV 44
Dulux
Delicate Cornflower
25BB 32/310 · LRV 32

A 12-point LRV gap (44 vs 32) makes Sea to Shining Sea the marginally brighter of the two. A ΔE of 10.9 puts them firmly in different territory — a strong contrast if combined.

Compare ↔ΔE 10.9Distinct
Sea to Shining Sea
Sea to Shining Sea
H356
Sea to Shining Sea vs H356
Benjamin Moore
Sea to Shining Sea
789 · LRV 44
Tikkurila
H356
H356 · LRV 51

H356 reads slightly lighter (LRV 51 vs 44), a gap that shows most in low-lit rooms. At ΔE 11.9 these are two genuinely different directions, not variations on a theme.

Compare ↔ΔE 11.9Distinct
Sea to Shining Sea
Sea to Shining Sea
Blue Verditer
Blue Verditer
Sea to Shining Sea vs Blue Verditer
Benjamin Moore
Sea to Shining Sea
789 · LRV 44
Little Greene
Blue Verditer
104 · LRV 29

At LRV 44 vs 29, Sea to Shining Sea is decisively the brighter choice. A ΔE of 13.0 puts them firmly in different territory — a strong contrast if combined.

Compare ↔ΔE 13.0Distinct
Sea to Shining Sea
Sea to Shining Sea
Pastel blue
Pastel blue
Sea to Shining Sea vs Pastel blue
Benjamin Moore
Sea to Shining Sea
789 · LRV 44
RAL ClassicClassic
Pastel blue
RAL 5024 · LRV 29

Sea to Shining Sea reflects far more light (LRV 44 vs 29), opening up a space where Pastel blue encloses it. At ΔE 14.7 these are two genuinely different directions, not variations on a theme.

Compare ↔ΔE 14.7Distinct
Sea to Shining Sea
Sea to Shining Sea
Teal Zen
Teal Zen
Sea to Shining Sea vs Teal Zen
Benjamin Moore
Sea to Shining Sea
789 · LRV 44
Jotun
Teal Zen
4423 · LRV 47

With LRVs of 47 and 44, the two reflect almost the same amount of light. At ΔE 21.9 these are two genuinely different directions, not variations on a theme.

Compare ↔ΔE 21.9Distinct
Sea to Shining Sea
Sea to Shining Sea
S 3010-R80B
S 3010-R80B
Sea to Shining Sea vs S 3010-R80B
Benjamin Moore
Sea to Shining Sea
789 · LRV 44
NCS
S 3010-R80B
S 3010-R80B · LRV 36

A 8-point LRV gap (44 vs 36) makes Sea to Shining Sea the marginally brighter of the two. A ΔE of 22.5 puts them firmly in different territory — a strong contrast if combined.

Compare ↔ΔE 22.5Distinct
Sea to Shining Sea
Sea to Shining Sea
Driftwood Blues
Driftwood Blues
Sea to Shining Sea vs Driftwood Blues
Benjamin Moore
Sea to Shining Sea
789 · LRV 44
Valspar
Driftwood Blues
V138-3 · LRV 46

Their light reflectance is nearly identical (LRV 46 vs 44), so neither reads brighter in a room. A ΔE of 23.3 puts them firmly in different territory — a strong contrast if combined.

Compare ↔ΔE 23.3Distinct