Match Sharon Rose
Benjamin Moore Sharon Rose is a mid-tone shade, warm in character with an LRV of 39. The matches below are ranked by ΔE, a perceptual color-difference score.
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Closest matches across every brand
One match per brand, ranked by ΔE — a perceptual color difference score calculated from Lab color space values. Lower is closer. Click any card to compare side by side in simulated rooms.
With LRVs of 39 and 39, the two reflect almost the same amount of light. At ΔE 2.2 you'd need them side by side to tell them apart.
With LRVs of 40 and 39, the two reflect almost the same amount of light. At ΔE 2.6 you'd need them side by side to tell them apart.
Sharon Rose reads slightly lighter (LRV 39 vs 36), a gap that shows most in low-lit rooms. At ΔE 3.8 they're clearly different, yet close enough to share a room.
Sharon Rose reads slightly lighter (LRV 39 vs 35), a gap that shows most in low-lit rooms. At ΔE 4.0 they're clearly different, yet close enough to share a room.
Sharon Rose reads slightly lighter (LRV 39 vs 34), a gap that shows most in low-lit rooms. At ΔE 5.8 they're clearly different, yet close enough to share a room.
A 3-point LRV gap (39 vs 36) makes Sharon Rose the marginally brighter of the two. The ΔE 6.3 gap is real but not dramatic — distinct as a choice, harmonious together.
With LRVs of 42 and 39, the two reflect almost the same amount of light. At ΔE 7.2 they're clearly different, yet close enough to share a room.
RAL 420-1 reflects far more light (LRV 52 vs 39), opening up a space where Sharon Rose encloses it. At ΔE 8.1 they're clearly different, yet close enough to share a room.
A 8-point LRV gap (48 vs 39) makes Toasted Beige the marginally brighter of the two. A ΔE of 10.4 puts them firmly in different territory — a strong contrast if combined.
Light pink reads slightly lighter (LRV 44 vs 39), a gap that shows most in low-lit rooms. At ΔE 10.7 these are two genuinely different directions, not variations on a theme.
Siesta reads slightly lighter (LRV 51 vs 39), a gap that shows most in low-lit rooms. At ΔE 11.0 these are two genuinely different directions, not variations on a theme.
Delightful Pink reads slightly lighter (LRV 45 vs 39), a gap that shows most in low-lit rooms. At ΔE 12.0 these are two genuinely different directions, not variations on a theme.
With LRVs of 42 and 39, the two reflect almost the same amount of light. At ΔE 12.5 these are two genuinely different directions, not variations on a theme.
A 9-point LRV gap (39 vs 30) makes Sharon Rose the marginally brighter of the two. A ΔE of 15.5 puts them firmly in different territory — a strong contrast if combined.