Match True Pink

Benjamin Moore True Pink is a mid-tone shade, warm in character with an LRV of 36. The matches below are ranked by ΔE, a perceptual color-difference score.

View full True Pink color page →
True Pink
Benjamin Moore
True Pink
2003-40#ED7E8ELRV 36Warm

Closest matches across every brand

One match per brand, ranked by ΔE — a perceptual color difference score calculated from Lab color space values. Lower is closer. Click any card to compare side by side in simulated rooms.

Pink Popsicle
True Pink
True Pink
Pink Popsicle vs True Pink
Benjamin Moore
Pink Popsicle
2001-40 · LRV 37
Benjamin Moore
True Pink
2003-40 · LRV 36

Their light reflectance is nearly identical (LRV 37 vs 36), so neither reads brighter in a room. The ΔE 3.5 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 3.5Noticeable
True Pink
True Pink
Zany Pink
True Pink vs Zany Pink
Benjamin Moore
True Pink
2003-40 · LRV 36
Sherwin-Williams
Zany Pink
6858 · LRV 31

True Pink reads slightly lighter (LRV 36 vs 31), a gap that shows most in low-lit rooms. At ΔE 3.6 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 3.6Noticeable
True Pink
True Pink
Pink Explosion
Pink Explosion
True Pink vs Pink Explosion
Benjamin Moore
True Pink
2003-40 · LRV 36
Cloverdale Paint
Pink Explosion
1108 · LRV 33

With LRVs of 36 and 33, the two reflect almost the same amount of light. At ΔE 4.1 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 4.1Noticeable
True Pink
True Pink
RAL 470-3
RAL 470-3
True Pink vs RAL 470-3
Benjamin Moore
True Pink
2003-40 · LRV 36
RAL EffectEffect
RAL 470-3
RAL 470-3 · LRV 30

A 6-point LRV gap (36 vs 30) makes True Pink the marginally brighter of the two. The ΔE 4.6 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 4.6Noticeable
True Pink
True Pink
Cherry Brandy
True Pink vs Cherry Brandy
Benjamin Moore
True Pink
2003-40 · LRV 36
PPG
Cherry Brandy
PPG1184-5 · LRV 28

True Pink reads slightly lighter (LRV 36 vs 28), a gap that shows most in low-lit rooms. At ΔE 7.0 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 7.0Noticeable
True Pink
True Pink
Carmine
Carmine
True Pink vs Carmine
Benjamin Moore
True Pink
2003-40 · LRV 36
Little Greene
Carmine
189 · LRV 25

A 11-point LRV gap (36 vs 25) makes True Pink the marginally brighter of the two. A ΔE of 11.1 puts them firmly in different territory — a strong contrast if combined.

Compare ↔ΔE 11.1Distinct
True Pink
True Pink
Flamingo
True Pink vs Flamingo
Benjamin Moore
True Pink
2003-40 · LRV 36
Tikkurila
Flamingo
K319 · LRV 34

With LRVs of 36 and 34, the two reflect almost the same amount of light. At ΔE 11.9 these are two genuinely different directions, not variations on a theme.

Compare ↔ΔE 11.9Distinct
True Pink
True Pink
Antique pink
Antique pink
True Pink vs Antique pink
Benjamin Moore
True Pink
2003-40 · LRV 36
RAL ClassicClassic
Antique pink
RAL 3014 · LRV 28

True Pink reads slightly lighter (LRV 36 vs 28), a gap that shows most in low-lit rooms. At ΔE 12.4 these are two genuinely different directions, not variations on a theme.

Compare ↔ΔE 12.4Distinct
Watermelon Punch
Watermelon Punch
True Pink
True Pink
Watermelon Punch vs True Pink
Behr
Watermelon Punch
PPU1-04A · LRV 36
Benjamin Moore
True Pink
2003-40 · LRV 36

Their light reflectance is nearly identical (LRV 36 vs 36), so neither reads brighter in a room. A ΔE of 14.0 puts them firmly in different territory — a strong contrast if combined.

Compare ↔ΔE 14.0Distinct
True Pink
True Pink
Rangwali
Rangwali
True Pink vs Rangwali
Benjamin Moore
True Pink
2003-40 · LRV 36
Farrow & Ball
Rangwali
296 · LRV 29

True Pink reads slightly lighter (LRV 36 vs 29), a gap that shows most in low-lit rooms. At ΔE 19.3 these are two genuinely different directions, not variations on a theme.

Compare ↔ΔE 19.3Distinct
True Pink
True Pink
Blood Orange
Blood Orange
True Pink vs Blood Orange
Benjamin Moore
True Pink
2003-40 · LRV 36

True Pink reads slightly lighter (LRV 36 vs 25), a gap that shows most in low-lit rooms. At ΔE 20.5 these are two genuinely different directions, not variations on a theme.

Compare ↔ΔE 20.5Distinct
True Pink
True Pink
Cooing Doves
Cooing Doves
True Pink vs Cooing Doves
Benjamin Moore
True Pink
2003-40 · LRV 36
Valspar
Cooing Doves
M234 · LRV 33

A 3-point LRV gap (36 vs 33) makes True Pink the marginally brighter of the two. A ΔE of 21.4 puts them firmly in different territory — a strong contrast if combined.

Compare ↔ΔE 21.4Distinct
True Pink
True Pink
Statement Red
Statement Red
True Pink vs Statement Red
Benjamin Moore
True Pink
2003-40 · LRV 36
Jotun
Statement Red
20207 · LRV 15

True Pink reflects far more light (LRV 36 vs 15), opening up a space where Statement Red encloses it. At ΔE 25.4 these are two genuinely different directions, not variations on a theme.

Compare ↔ΔE 25.4Very different
True Pink
True Pink
S 3030-Y30R
S 3030-Y30R
True Pink vs S 3030-Y30R
Benjamin Moore
True Pink
2003-40 · LRV 36
NCS
S 3030-Y30R
S 3030-Y30R · LRV 33

True Pink reads slightly lighter (LRV 36 vs 33), a gap that shows most in low-lit rooms. At ΔE 36.6 these are two genuinely different directions, not variations on a theme.

Compare ↔ΔE 36.6Very different