Match Gone Giddy
PPG Gone Giddy is a mid-tone shade with an LRV of 53. The matches below are ranked by ΔE, a perceptual color-difference score.
View full Gone Giddy color page →Closest matches across every brand
One match per brand, ranked by ΔE — a perceptual color difference score calculated from Lab color space values. Lower is closer. Click any card to compare side by side in simulated rooms.


Their light reflectance is nearly identical (LRV 53 vs 52), so neither reads brighter in a room. A ΔE of 2.2 means the difference barely reads in a finished room.
Citrus Spice reads slightly lighter (LRV 63 vs 53), a gap that shows most in low-lit rooms. At ΔE 6.9 they're clearly different, yet close enough to share a room.


Lemon Punch reflects far more light (LRV 65 vs 53), opening up a space where Gone Giddy encloses it. At ΔE 7.2 they're clearly different, yet close enough to share a room.


A 8-point LRV gap (61 vs 53) makes RAL 260-3 the marginally brighter of the two. The ΔE 7.7 gap is real but not dramatic — distinct as a choice, harmonious together.


Gone Giddy reads slightly lighter (LRV 53 vs 47), a gap that shows most in low-lit rooms. At ΔE 8.0 they're clearly different, yet close enough to share a room.


With LRVs of 54 and 53, the two reflect almost the same amount of light. At ΔE 8.4 they're clearly different, yet close enough to share a room.


At LRV 71 vs 53, Sulfur yellow is decisively the brighter choice. A ΔE of 10.7 puts them firmly in different territory — a strong contrast if combined.


A 6-point LRV gap (53 vs 47) makes Gone Giddy the marginally brighter of the two. A ΔE of 11.8 puts them firmly in different territory — a strong contrast if combined.


Citron reflects far more light (LRV 77 vs 53), opening up a space where Gone Giddy encloses it. At ΔE 14.2 these are two genuinely different directions, not variations on a theme.

A 10-point LRV gap (53 vs 43) makes Gone Giddy the marginally brighter of the two. A ΔE of 19.2 puts them firmly in different territory — a strong contrast if combined.


A 4-point LRV gap (57 vs 53) makes Babouche the marginally brighter of the two. A ΔE of 22.5 puts them firmly in different territory — a strong contrast if combined.


Gone Giddy reflects far more light (LRV 53 vs 20), opening up a space where Fickle Pickle encloses it. At ΔE 34.0 these are two genuinely different directions, not variations on a theme.

At LRV 53 vs 35, Gone Giddy is decisively the brighter choice. A ΔE of 42.9 puts them firmly in different territory — a strong contrast if combined.


At LRV 53 vs 33, Gone Giddy is decisively the brighter choice. A ΔE of 47.1 puts them firmly in different territory — a strong contrast if combined.

