Match Cut The Mustard

Sherwin-Williams Cut The Mustard is a mid-tone shade, warm in character with an LRV of 26. The matches below are the closest equivalents available across every brand on Pontata, ranked by ΔE — a perceptual color difference score. A ΔE under 3 is subtle; under 10 is noticeable but harmonious; above 25 means genuinely different colors.

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Cut The Mustard
Sherwin-Williams
Cut The Mustard
6384#BA7F38LRV 26Warm

Closest matches across every brand

One match per brand, ranked by ΔE — a perceptual color difference score calculated from Lab color space values. Lower is closer. Click any card to compare side by side in simulated rooms.

RAL 290-M
Cut The Mustard
RAL 290-M vs Cut The Mustard
RAL 290-M
Cut The Mustard
RAL EffectEffect
RAL 290-M
RAL 290-M · LRV 24
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

Their light reflectance is nearly identical (LRV 26 vs 24), so neither reads brighter in a room. A ΔE of 2.3 means the difference barely reads in a finished room.

Compare ↔ΔE 2.3Subtle
Cut The Mustard
Cider Toddy vs Cut The Mustard
Cider Toddy
Cut The Mustard
PPG
Cider Toddy
PPG1207-7 · LRV 24
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

With LRVs of 26 and 24, the two reflect almost the same amount of light. At ΔE 2.7 you'd need them side by side to tell them apart.

Compare ↔ΔE 2.7Subtle
Cut The Mustard
Dried Mustard vs Cut The Mustard
Dried Mustard
Cut The Mustard
Benjamin Moore
Dried Mustard
2158-10 · LRV 26
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

With LRVs of 26 and 26, the two reflect almost the same amount of light. At ΔE 3.1 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 3.1Noticeable
Butterscotch
Cut The Mustard
Butterscotch vs Cut The Mustard
Butterscotch
Cut The Mustard
Sherwin-Williams
Butterscotch
6377 · LRV 25
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

Their light reflectance is nearly identical (LRV 26 vs 25), so neither reads brighter in a room. The ΔE 3.3 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 3.3Noticeable
Middle Buff
Cut The Mustard
Middle Buff vs Cut The Mustard
Middle Buff
Cut The Mustard
Little Greene
Middle Buff
122 · LRV 22
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

A 4-point LRV gap (26 vs 22) makes Cut The Mustard the marginally brighter of the two. The ΔE 4.7 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 4.7Noticeable
Child of the Moon
Cut The Mustard
Child of the Moon vs Cut The Mustard
Child of the Moon
Cut The Mustard
Cloverdale Paint
Child of the Moon
0914 · LRV 33
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

Child of the Moon reads slightly lighter (LRV 33 vs 26), a gap that shows most in low-lit rooms. At ΔE 4.9 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 4.9Noticeable
Cut The Mustard
Sweet Mustard vs Cut The Mustard
Sweet Mustard
Cut The Mustard
Behr
Sweet Mustard
M260-6 · LRV 34
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

A 8-point LRV gap (34 vs 26) makes Sweet Mustard the marginally brighter of the two. The ΔE 7.6 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 7.6Noticeable
Cut The Mustard
Cut The Mustard vs Brazen
Cut The Mustard
Brazen
Sherwin-Williams
Cut The Mustard
6384 · LRV 26
Valspar
Brazen
V054-6 · LRV 19

Cut The Mustard reads slightly lighter (LRV 26 vs 19), a gap that shows most in low-lit rooms. At ΔE 11.7 these are two genuinely different directions, not variations on a theme.

Compare ↔ΔE 11.7Distinct
Cut The Mustard
Ochre brown vs Cut The Mustard
Ochre brown
Cut The Mustard
RAL ClassicClassic
Ochre brown
RAL 8001 · LRV 19
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

A 7-point LRV gap (26 vs 19) makes Cut The Mustard the marginally brighter of the two. A ΔE of 12.9 puts them firmly in different territory — a strong contrast if combined.

Compare ↔ΔE 12.9Distinct
Cut The Mustard
Cut The Mustard vs Beeswax
Cut The Mustard
Beeswax
Sherwin-Williams
Cut The Mustard
6384 · LRV 26
Tikkurila
Beeswax
L396 · LRV 31

Beeswax reads slightly lighter (LRV 31 vs 26), a gap that shows most in low-lit rooms. At ΔE 12.9 these are two genuinely different directions, not variations on a theme.

Compare ↔ΔE 12.9Distinct
Mustard Blanket
Cut The Mustard
Mustard Blanket vs Cut The Mustard
Mustard Blanket
Cut The Mustard
Dulux
Mustard Blanket
40YY 34/446 · LRV 34
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

A 8-point LRV gap (34 vs 26) makes Mustard Blanket the marginally brighter of the two. A ΔE of 13.1 puts them firmly in different territory — a strong contrast if combined.

Compare ↔ΔE 13.1Distinct
India Yellow
Cut The Mustard
India Yellow vs Cut The Mustard
India Yellow
Cut The Mustard
Farrow & Ball
India Yellow
66 · LRV 37
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

A 11-point LRV gap (37 vs 26) makes India Yellow the marginally brighter of the two. A ΔE of 13.2 puts them firmly in different territory — a strong contrast if combined.

Compare ↔ΔE 13.2Distinct
S 3030-Y30R
Cut The Mustard
S 3030-Y30R vs Cut The Mustard
S 3030-Y30R
Cut The Mustard
NCS
S 3030-Y30R
S 3030-Y30R · LRV 33
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

S 3030-Y30R reads slightly lighter (LRV 33 vs 26), a gap that shows most in low-lit rooms. At ΔE 16.3 these are two genuinely different directions, not variations on a theme.

Compare ↔ΔE 16.3Distinct
Bella
Cut The Mustard
Bella vs Cut The Mustard
Bella
Cut The Mustard
Jotun
Bella
2489 · LRV 37
Sherwin-Williams
Cut The Mustard
6384 · LRV 26

A 11-point LRV gap (37 vs 26) makes Bella the marginally brighter of the two. A ΔE of 19.5 puts them firmly in different territory — a strong contrast if combined.

Compare ↔ΔE 19.5Distinct