Bed of Ferns featured
Benjamin Moore1511

Bed of Ferns

There is more to Benjamin Moore Bed of Ferns (1511) than the swatch alone: its depth, undertones and setting all shape the final impression. Its warm classification can bring a gentle glow to the color, particularly beside natural wood and softer whites. Because screens flatten both light and texture, sample the paint beside the finishes that will ultimately surround it.

LRV

28.14

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Light Reflectance Value
28.14
Medium
TemperatureWarm
UseInterior & Exterior

Bed of Ferns in Rooms

Follow Bed of Ferns from one space to another and watch how light, scale and surrounding materials reshape its character. 4 sourced room photos offer a closer look at the color in lived-in settings.

4 Living Room Photos

Viewed across 4 living room images in a space shaped by conversation, quiet evenings and changing daylight, Bed of Ferns (1511) reveals how much color depends on scale, surface and shadow. An LRV of 28.1 lets the color hold its identity across both brighter and more shaded parts of the room.

Bed of Ferns hallway paint review

Hallway painted Bed of Ferns evokes natural garden serenity.

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Benjamin Moore Bed of Ferns hallway paint review

Walls in Bed of Ferns create hallway garden atmosphere.

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Benjamin Moore Bed of Ferns hallway makeover

Hallway walls Bed of Ferns bring nature-inspired tranquility.

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Benjamin Moore Bed of Ferns hallway color

Hallway color Bed of Ferns establishes sophisticated green flow.

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Coordinating Colors

Ashwood
Ashwood
Bed of Ferns
Bed of Ferns
Ashwood vs Bed of Ferns
Benjamin Moore
Ashwood
OC-47 · LRV 67
Benjamin Moore
Bed of Ferns
1511 · LRV 28

At LRV 67 vs 28, Ashwood is decisively the brighter choice.

Bed of Ferns
Bed of Ferns
Seaspray
Seaspray
Bed of Ferns vs Seaspray
Benjamin Moore
Bed of Ferns
1511 · LRV 28
Benjamin Moore
Seaspray
941 · LRV 68

Seaspray reflects far more light (LRV 68 vs 28), opening up a space where Bed of Ferns encloses it.

Bed of Ferns
Bed of Ferns
Cloud White
Cloud White
Bed of Ferns vs Cloud White
Benjamin Moore
Bed of Ferns
1511 · LRV 28
Benjamin Moore
Cloud White
OC-130 · LRV 85

Cloud White reflects far more light (LRV 85 vs 28), opening up a space where Bed of Ferns encloses it.

Bed of Ferns
Bed of Ferns
Swiss Coffee
Swiss Coffee
Bed of Ferns vs Swiss Coffee
Benjamin Moore
Bed of Ferns
1511 · LRV 28
Benjamin Moore
Swiss Coffee
OC-45 · LRV 82

Swiss Coffee reflects far more light (LRV 82 vs 28), opening up a space where Bed of Ferns encloses it.

Similar Colors

At Home with Nature
At Home with Nature
Bed of Ferns
Bed of Ferns
At Home with Nature vs Bed of Ferns
Benjamin Moore
At Home with Nature
1518 · LRV 30
Benjamin Moore
Bed of Ferns
1511 · LRV 28

Their light reflectance is nearly identical (LRV 30 vs 28), so neither reads brighter in a room.

Bed of Ferns
Bed of Ferns
Hancock Gray
Hancock Gray
Bed of Ferns vs Hancock Gray
Benjamin Moore
Bed of Ferns
1511 · LRV 28
Benjamin Moore
Hancock Gray
HC-97 · LRV 27

Their light reflectance is nearly identical (LRV 28 vs 27), so neither reads brighter in a room.

Bed of Ferns
Bed of Ferns
Old Salem Gray
Old Salem Gray
Bed of Ferns vs Old Salem Gray
Benjamin Moore
Bed of Ferns
1511 · LRV 28
Benjamin Moore
Old Salem Gray
HC-94 · LRV 32

A 4-point LRV gap (32 vs 28) makes Old Salem Gray the marginally brighter of the two.

Bed of Ferns
Bed of Ferns
Wethersfield Moss
Wethersfield Moss
Bed of Ferns vs Wethersfield Moss
Benjamin Moore
Bed of Ferns
1511 · LRV 28
Benjamin Moore
Wethersfield Moss
HC-110 · LRV 26

Their light reflectance is nearly identical (LRV 28 vs 26), so neither reads brighter in a room.

Complementary Colors

Bachelor Blue
Bachelor Blue
Bed of Ferns
Bed of Ferns
Bachelor Blue vs Bed of Ferns
Benjamin Moore
Bachelor Blue
1629 · LRV 24
Benjamin Moore
Bed of Ferns
1511 · LRV 28

A 5-point LRV gap (28 vs 24) makes Bed of Ferns the marginally brighter of the two.

Approaching Storm
Approaching Storm
Bed of Ferns
Bed of Ferns
Approaching Storm vs Bed of Ferns
Benjamin Moore
Approaching Storm
CSP-535 · LRV 9
Benjamin Moore
Bed of Ferns
1511 · LRV 28

Bed of Ferns reflects far more light (LRV 28 vs 9), opening up a space where Approaching Storm encloses it.

Bed of Ferns
Bed of Ferns
Comet
Comet
Bed of Ferns vs Comet
Benjamin Moore
Bed of Ferns
1511 · LRV 28
Benjamin Moore
Comet
1628 · LRV 36

A 8-point LRV gap (36 vs 28) makes Comet the marginally brighter of the two.

Andes Summit
Andes Summit
Bed of Ferns
Bed of Ferns
Andes Summit vs Bed of Ferns
Benjamin Moore
Andes Summit
CSP-600 · LRV 14
Benjamin Moore
Bed of Ferns
1511 · LRV 28

Bed of Ferns reflects far more light (LRV 28 vs 14), opening up a space where Andes Summit encloses it.

Bed of Ferns
Bed of Ferns
Evening Dove
Evening Dove
Bed of Ferns vs Evening Dove
Benjamin Moore
Bed of Ferns
1511 · LRV 28
Benjamin Moore
Evening Dove
2128-30 · LRV 12

Bed of Ferns reflects far more light (LRV 28 vs 12), opening up a space where Evening Dove encloses it.

Bed of Ferns
Bed of Ferns
Hale Navy
Hale Navy
Bed of Ferns vs Hale Navy
Benjamin Moore
Bed of Ferns
1511 · LRV 28
Benjamin Moore
Hale Navy
HC-154 · LRV 8

At LRV 28 vs 8, Bed of Ferns is decisively the brighter choice.

Bed of Ferns
Bed of Ferns
Luxe
Luxe
Bed of Ferns vs Luxe
Benjamin Moore
Bed of Ferns
1511 · LRV 28
Benjamin Moore
Luxe
AF-580 · LRV 22

A 6-point LRV gap (28 vs 22) makes Bed of Ferns the marginally brighter of the two.

Lighter Colors

Bed of Ferns
Bed of Ferns
River Gorge Gray
River Gorge Gray
Bed of Ferns vs River Gorge Gray
Benjamin Moore
Bed of Ferns
1511 · LRV 28
Benjamin Moore
River Gorge Gray
1537 · LRV 33

A 5-point LRV gap (33 vs 28) makes River Gorge Gray the marginally brighter of the two.

Bed of Ferns
Bed of Ferns
Herbal Escape
Herbal Escape
Bed of Ferns vs Herbal Escape
Benjamin Moore
Bed of Ferns
1511 · LRV 28
Benjamin Moore
Herbal Escape
1487 · LRV 40

Herbal Escape reads slightly lighter (LRV 40 vs 28), a gap that shows most in low-lit rooms.

Bed of Ferns
Bed of Ferns
Chateau
Chateau
Bed of Ferns vs Chateau
Benjamin Moore
Bed of Ferns
1511 · LRV 28
Benjamin Moore
Chateau
CSP-140 · LRV 37

A 9-point LRV gap (37 vs 28) makes Chateau the marginally brighter of the two.

Bed of Ferns
Bed of Ferns
Jockey Hollow Gray
Jockey Hollow Gray
Bed of Ferns vs Jockey Hollow Gray
Benjamin Moore
Bed of Ferns
1511 · LRV 28
Benjamin Moore
Jockey Hollow Gray
HC-108 · LRV 39

Jockey Hollow Gray reads slightly lighter (LRV 39 vs 28), a gap that shows most in low-lit rooms.

Bed of Ferns
Bed of Ferns
Texas Sage
Texas Sage
Bed of Ferns vs Texas Sage
Benjamin Moore
Bed of Ferns
1511 · LRV 28
Benjamin Moore
Texas Sage
1503 · LRV 34

A 6-point LRV gap (34 vs 28) makes Texas Sage the marginally brighter of the two.

Darker Colors

Bed of Ferns
Bed of Ferns
Pine Grove
Pine Grove
Bed of Ferns vs Pine Grove
Benjamin Moore
Bed of Ferns
1511 · LRV 28
Benjamin Moore
Pine Grove
511 · LRV 19

A 9-point LRV gap (28 vs 19) makes Bed of Ferns the marginally brighter of the two.

Bed of Ferns
Bed of Ferns
Hancock Gray
Hancock Gray
Bed of Ferns vs Hancock Gray
Benjamin Moore
Bed of Ferns
1511 · LRV 28
Benjamin Moore
Hancock Gray
HC-97 · LRV 27

Their light reflectance is nearly identical (LRV 28 vs 27), so neither reads brighter in a room.

Bed of Ferns
Bed of Ferns
Pining for You
Pining for You
Bed of Ferns vs Pining for You
Benjamin Moore
Bed of Ferns
1511 · LRV 28
Benjamin Moore
Pining for You
1512 · LRV 20

Bed of Ferns reads slightly lighter (LRV 28 vs 20), a gap that shows most in low-lit rooms.

Bed of Ferns
Bed of Ferns
Sterling Forest
Sterling Forest
Bed of Ferns vs Sterling Forest
Benjamin Moore
Bed of Ferns
1511 · LRV 28
Benjamin Moore
Sterling Forest
518 · LRV 14

Bed of Ferns reflects far more light (LRV 28 vs 14), opening up a space where Sterling Forest encloses it.

Bed of Ferns
Bed of Ferns
Mountain Moss
Mountain Moss
Bed of Ferns vs Mountain Moss
Benjamin Moore
Bed of Ferns
1511 · LRV 28
Benjamin Moore
Mountain Moss
2142-30 · LRV 18

A 11-point LRV gap (28 vs 18) makes Bed of Ferns the marginally brighter of the two.

Color Codes

RGB153, 146, 117
HSL48° 15% 53%
CMYK0 5 24 40
CIE LabL: 60.4 a: -2.3 b: 16.3
XYZX: 0.27 Y: 0.29 Z: 0.21

Manufacturer description

A rich mix of green, brown and gray that immediately conjures the fragrance of fresh-cut grass and a cleansing rainfall.

Attributed to Benjamin Moore catalog data ↗