Bryan Ochre featured
Benjamin MooreCW-390

Bryan Ochre

Benjamin Moore Bryan Ochre (CW-390) carries the measured structure of its color data and the less predictable beauty of paint in a finished space. Its beige classifications hint at the directions it may take as daylight, lamps and neighboring colors move around it. Move between the room imagery, color measurements and coordinating shades to build a fuller sense of how it might live in your space.

LRV

28.79

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Light Reflectance Value
28.79
Medium
TemperatureWarm
Tone
Timeless
UseInterior & Exterior

Coordinating Colors

Bryan Ochre
Bryan Ochre
Cloud White
Cloud White
Bryan Ochre vs Cloud White
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29
Benjamin Moore
Cloud White
OC-130 · LRV 85

At LRV 85 vs 29, Cloud White is decisively the brighter choice.

Bryan Ochre
Bryan Ochre
Randolph Gray
Randolph Gray
Bryan Ochre vs Randolph Gray
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29
Benjamin Moore
Randolph Gray
CW-85 · LRV 11

At LRV 29 vs 11, Bryan Ochre is decisively the brighter choice.

Bryan Ochre
Bryan Ochre
Lime White
Lime White
Bryan Ochre vs Lime White
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29
Benjamin Moore
Lime White
CW-95 · LRV 75

At LRV 75 vs 29, Lime White is decisively the brighter choice.

Bryan Ochre
Bryan Ochre
Wedgewood Gray
Wedgewood Gray
Bryan Ochre vs Wedgewood Gray
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29
Benjamin Moore
Wedgewood Gray
HC-146 · LRV 50

At LRV 50 vs 29, Wedgewood Gray is decisively the brighter choice.

Complementary Colors

Bryan Ochre
Bryan Ochre
Van Courtland Blue
Van Courtland Blue
Bryan Ochre vs Van Courtland Blue
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29
Benjamin Moore
Van Courtland Blue
HC-145 · LRV 31

With LRVs of 31 and 29, the two reflect almost the same amount of light.

Bryan Ochre
Bryan Ochre
Nocturnal Gray
Nocturnal Gray
Bryan Ochre vs Nocturnal Gray
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29
Benjamin Moore
Nocturnal Gray
2135-30 · LRV 14

Bryan Ochre reflects far more light (LRV 29 vs 14), opening up a space where Nocturnal Gray encloses it.

Blue Spruce
Blue Spruce
Bryan Ochre
Bryan Ochre
Blue Spruce vs Bryan Ochre
Benjamin Moore
Blue Spruce
1637 · LRV 17
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29

A 12-point LRV gap (29 vs 17) makes Bryan Ochre the marginally brighter of the two.

Bryan Ochre
Bryan Ochre
Normandy
Normandy
Bryan Ochre vs Normandy
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29
Benjamin Moore
Normandy
2129-40 · LRV 22

Bryan Ochre reads slightly lighter (LRV 29 vs 22), a gap that shows most in low-lit rooms.

Bryan Ochre
Bryan Ochre
Feather Gray
Feather Gray
Bryan Ochre vs Feather Gray
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29
Benjamin Moore
Feather Gray
2127-60 · LRV 58

At LRV 58 vs 29, Feather Gray is decisively the brighter choice.

Bachelor Blue
Bachelor Blue
Bryan Ochre
Bryan Ochre
Bachelor Blue vs Bryan Ochre
Benjamin Moore
Bachelor Blue
1629 · LRV 24
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29

Bryan Ochre reads slightly lighter (LRV 29 vs 24), a gap that shows most in low-lit rooms.

Bryan Ochre
Bryan Ochre
Chiswell Blue
Chiswell Blue
Bryan Ochre vs Chiswell Blue
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29
Benjamin Moore
Chiswell Blue
CW-660 · LRV 30

With LRVs of 30 and 29, the two reflect almost the same amount of light.

Lighter Colors

Autumn Leaf
Autumn Leaf
Bryan Ochre
Bryan Ochre
Autumn Leaf vs Bryan Ochre
Benjamin Moore
Autumn Leaf
1131 · LRV 31
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29

With LRVs of 31 and 29, the two reflect almost the same amount of light.

Baked Cumin
Baked Cumin
Bryan Ochre
Bryan Ochre
Baked Cumin vs Bryan Ochre
Benjamin Moore
Baked Cumin
1062 · LRV 32
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29

Baked Cumin reads slightly lighter (LRV 32 vs 29), a gap that shows most in low-lit rooms.

Bryan Ochre
Bryan Ochre
Toasted Almond
Toasted Almond
Bryan Ochre vs Toasted Almond
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29
Benjamin Moore
Toasted Almond
1098 · LRV 32

A 3-point LRV gap (32 vs 29) makes Toasted Almond the marginally brighter of the two.

Brunswick Beige
Brunswick Beige
Bryan Ochre
Bryan Ochre
Brunswick Beige vs Bryan Ochre
Benjamin Moore
Brunswick Beige
1061 · LRV 39
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29

Brunswick Beige reads slightly lighter (LRV 39 vs 29), a gap that shows most in low-lit rooms.

Bryan Ochre
Bryan Ochre
Decatur Buff
Decatur Buff
Bryan Ochre vs Decatur Buff
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29
Benjamin Moore
Decatur Buff
HC-38 · LRV 40

Decatur Buff reads slightly lighter (LRV 40 vs 29), a gap that shows most in low-lit rooms.

Darker Colors

Bryan Ochre
Bryan Ochre
Gettysburgh Gold
Gettysburgh Gold
Bryan Ochre vs Gettysburgh Gold
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29
Benjamin Moore
Gettysburgh Gold
1064 · LRV 19

A 10-point LRV gap (29 vs 19) makes Bryan Ochre the marginally brighter of the two.

Bryan Ochre
Bryan Ochre
Warm Tan
Warm Tan
Bryan Ochre vs Warm Tan
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29
Benjamin Moore
Warm Tan
2162-30 · LRV 19

A 10-point LRV gap (29 vs 19) makes Bryan Ochre the marginally brighter of the two.

Bryan Ochre
Bryan Ochre
Toasted Marshmallow
Toasted Marshmallow
Bryan Ochre vs Toasted Marshmallow
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29
Benjamin Moore
Toasted Marshmallow
1049 · LRV 17

At LRV 29 vs 17, Bryan Ochre is decisively the brighter choice.

Bryan Ochre
Bryan Ochre
Graham Cracker
Graham Cracker
Bryan Ochre vs Graham Cracker
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29
Benjamin Moore
Graham Cracker
1113 · LRV 22

A 7-point LRV gap (29 vs 22) makes Bryan Ochre the marginally brighter of the two.

Bryan Ochre
Bryan Ochre
Dark Mustard
Dark Mustard
Bryan Ochre vs Dark Mustard
Benjamin Moore
Bryan Ochre
CW-390 · LRV 29
Benjamin Moore
Dark Mustard
2161-30 · LRV 24

Bryan Ochre reads slightly lighter (LRV 29 vs 24), a gap that shows most in low-lit rooms.

Color Codes

RGB178, 138, 89
HSL33° 37% 52%
CMYK0 22 50 30
CIE LabL: 60.2 a: 9.1 b: 32.0
XYZX: 0.29 Y: 0.28 Z: 0.13

Manufacturer description

A brown-gold hybrid, this deep shade captures the mood of a bygone era. It is based on the late 18th century color found by researchers at the Robert Carter house in Colonial Williamsburg.

Attributed to Benjamin Moore catalog data ↗