
Custis Salmon
Benjamin Moore Custis Salmon (CW-215) carries the measured structure of its color data and the less predictable beauty of paint in a finished space. Its warm classification can bring a gentle glow to the color, particularly beside natural wood and softer whites. Treat the digital swatch as an opening note, then watch a physical sample from morning light through evening lamps.
Hex
#DE9C8DLRV
41.28
Coordinating Colors



At LRV 85 vs 41, Cloud White is decisively the brighter choice.



Randolph Bisque reflects far more light (LRV 67 vs 41), opening up a space where Custis Salmon encloses it.



At LRV 79 vs 41, Franklin White is decisively the brighter choice.



Custis Salmon reflects far more light (LRV 41 vs 10), opening up a space where New London Burgundy encloses it.
Complementary Colors



Custis Salmon reflects far more light (LRV 41 vs 15), opening up a space where Polished Slate encloses it.



Gossamer Blue reflects far more light (LRV 55 vs 41), opening up a space where Custis Salmon encloses it.



At LRV 56 vs 41, Yarmouth Blue is decisively the brighter choice.



Silver Cloud reflects far more light (LRV 74 vs 41), opening up a space where Custis Salmon encloses it.



Custis Salmon reflects far more light (LRV 41 vs 22), opening up a space where Alfresco encloses it.



Blue Heather reads slightly lighter (LRV 51 vs 41), a gap that shows most in low-lit rooms.



With LRVs of 41 and 41, the two reflect almost the same amount of light.
Darker Colors



Custis Salmon reflects far more light (LRV 41 vs 28), opening up a space where Golden Gate encloses it.



At LRV 41 vs 24, Custis Salmon is decisively the brighter choice.



A 11-point LRV gap (41 vs 31) makes Custis Salmon the marginally brighter of the two.



A 10-point LRV gap (41 vs 31) makes Custis Salmon the marginally brighter of the two.



At LRV 41 vs 25, Custis Salmon is decisively the brighter choice.
Color Codes
Manufacturer description
This rich salmon color was discovered by researchers on the exterior of an 18th century home near Williamsburg and was re-created by handmixing white and red iron oxide pigments.