Man on the Moon
Man on the Moon is a bright and airy White from Benjamin Moore. Our real-world data shows it is a primary choice when homeowners need to maximize natural light while maintaining a clean, neutral backdrop. Below, you'll find suggested color relationships and detailed color data.
Hex
#F5EDCD
LRV
80.76
Coordinating Colors
At LRV 81 vs 53, Man on the Moon is decisively the brighter choice.
Man on the Moon reflects far more light (LRV 81 vs 48), opening up a space where Coventry Gray encloses it.
Lemon Chiffon reads slightly lighter (LRV 86 vs 81), a gap that shows most in low-lit rooms.
Simply White reads slightly lighter (LRV 90 vs 81), a gap that shows most in low-lit rooms.
Similar Colors
With LRVs of 81 and 79, the two reflect almost the same amount of light.
Complementary Colors
Man on the Moon reflects far more light (LRV 81 vs 6), opening up a space where North Sea encloses it.
A 8-point LRV gap (81 vs 73) makes Man on the Moon the marginally brighter of the two.
At LRV 81 vs 35, Man on the Moon is decisively the brighter choice.
Man on the Moon reflects far more light (LRV 81 vs 12), opening up a space where Scandinavian Blue encloses it.
Man on the Moon reflects far more light (LRV 81 vs 7), opening up a space where Grape Gum encloses it.
Man on the Moon reflects far more light (LRV 81 vs 48), opening up a space where Sunrise encloses it.
Man on the Moon reflects far more light (LRV 81 vs 61), opening up a space where Spring Flowers encloses it.
Lighter Colors
A 3-point LRV gap (84 vs 81) makes Windswept the marginally brighter of the two.
Their light reflectance is nearly identical (LRV 81 vs 80), so neither reads brighter in a room.
Mayonnaise reads slightly lighter (LRV 88 vs 81), a gap that shows most in low-lit rooms.
Their light reflectance is nearly identical (LRV 84 vs 81), so neither reads brighter in a room.
Their light reflectance is nearly identical (LRV 81 vs 81), so neither reads brighter in a room.
Darker Colors
A 4-point LRV gap (81 vs 77) makes Man on the Moon the marginally brighter of the two.
Man on the Moon reflects far more light (LRV 81 vs 67), opening up a space where Cambridge Heights encloses it.
At LRV 81 vs 64, Man on the Moon is decisively the brighter choice.
Man on the Moon reflects far more light (LRV 81 vs 66), opening up a space where Valley View encloses it.
Man on the Moon reads slightly lighter (LRV 81 vs 70), a gap that shows most in low-lit rooms.