Old Soul featured
Benjamin Moore • CSP-65

Old Soul

Old Soul begins as a neutral color on paper, then shifts with every surface, shadow and neighboring material. It appears in Color Stories®, placing it within several distinct decorating stories rather than a single fixed look. The manufacturer's description below offers one reading; the room imagery leaves space for your own.

LRV

49.54

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Light Reflectance Value
49.54
Medium
TemperatureWarm
Tone
CalmingCharmingMoodySoft
UseInterior Only
Collection

Coordinating Colors

Old Soul
Old Soul
Strand of Pearls
Strand of Pearls
Old Soul vs Strand of Pearls
Benjamin Moore
Old Soul
CSP-65 · LRV 50
Benjamin Moore
Strand of Pearls
CSP-395 · LRV 72

At LRV 72 vs 50, Strand of Pearls is decisively the brighter choice.

Midnight Navy
Midnight Navy
Old Soul
Old Soul
Midnight Navy vs Old Soul
Benjamin Moore
Midnight Navy
2067-10 · LRV 5
Benjamin Moore
Old Soul
CSP-65 · LRV 50

At LRV 50 vs 5, Old Soul is decisively the brighter choice.

Old Soul
Old Soul
Windy City
Windy City
Old Soul vs Windy City
Benjamin Moore
Old Soul
CSP-65 · LRV 50
Benjamin Moore
Windy City
CSP-150 · LRV 17

At LRV 50 vs 17, Old Soul is decisively the brighter choice.

Old Soul
Old Soul
Steam
Steam
Old Soul vs Steam
Benjamin Moore
Old Soul
CSP-65 · LRV 50
Benjamin Moore
Steam
AF-15 · LRV 84

At LRV 84 vs 50, Steam is decisively the brighter choice.

Similar Colors

Gallery Buff
Gallery Buff
Old Soul
Old Soul
Gallery Buff vs Old Soul
Benjamin Moore
Gallery Buff
CSP-225 · LRV 46
Benjamin Moore
Old Soul
CSP-65 · LRV 50

A 3-point LRV gap (50 vs 46) makes Old Soul the marginally brighter of the two.

Ashen Tan
Ashen Tan
Old Soul
Old Soul
Ashen Tan vs Old Soul
Benjamin Moore
Ashen Tan
996 · LRV 51
Benjamin Moore
Old Soul
CSP-65 · LRV 50

With LRVs of 51 and 50, the two reflect almost the same amount of light.

Old Soul
Old Soul
Stone Hearth
Stone Hearth
Old Soul vs Stone Hearth
Benjamin Moore
Old Soul
CSP-65 · LRV 50
Benjamin Moore
Stone Hearth
984 · LRV 48

With LRVs of 50 and 48, the two reflect almost the same amount of light.

Old Soul
Old Soul
Shale
Shale
Old Soul vs Shale
Benjamin Moore
Old Soul
CSP-65 · LRV 50
Benjamin Moore
Shale
861 · LRV 50

Their light reflectance is nearly identical (LRV 50 vs 50), so neither reads brighter in a room.

Complementary Colors

Blue Spruce
Blue Spruce
Old Soul
Old Soul
Blue Spruce vs Old Soul
Benjamin Moore
Blue Spruce
1637 · LRV 17
Benjamin Moore
Old Soul
CSP-65 · LRV 50

At LRV 50 vs 17, Old Soul is decisively the brighter choice.

Normandy
Normandy
Old Soul
Old Soul
Normandy vs Old Soul
Benjamin Moore
Normandy
2129-40 · LRV 22
Benjamin Moore
Old Soul
CSP-65 · LRV 50

Old Soul reflects far more light (LRV 50 vs 22), opening up a space where Normandy encloses it.

Feather Gray
Feather Gray
Old Soul
Old Soul
Feather Gray vs Old Soul
Benjamin Moore
Feather Gray
2127-60 · LRV 58
Benjamin Moore
Old Soul
CSP-65 · LRV 50

A 9-point LRV gap (58 vs 50) makes Feather Gray the marginally brighter of the two.

Bachelor Blue
Bachelor Blue
Old Soul
Old Soul
Bachelor Blue vs Old Soul
Benjamin Moore
Bachelor Blue
1629 · LRV 24
Benjamin Moore
Old Soul
CSP-65 · LRV 50

Old Soul reflects far more light (LRV 50 vs 24), opening up a space where Bachelor Blue encloses it.

Chiswell Blue
Chiswell Blue
Old Soul
Old Soul
Chiswell Blue vs Old Soul
Benjamin Moore
Chiswell Blue
CW-660 · LRV 30
Benjamin Moore
Old Soul
CSP-65 · LRV 50

Old Soul reflects far more light (LRV 50 vs 30), opening up a space where Chiswell Blue encloses it.

Mineral Alloy
Mineral Alloy
Old Soul
Old Soul
Mineral Alloy vs Old Soul
Benjamin Moore
Mineral Alloy
1622 · LRV 28
Benjamin Moore
Old Soul
CSP-65 · LRV 50

Old Soul reflects far more light (LRV 50 vs 28), opening up a space where Mineral Alloy encloses it.

Coastline
Coastline
Old Soul
Old Soul
Coastline vs Old Soul
Benjamin Moore
Coastline
AF-570 · LRV 34
Benjamin Moore
Old Soul
CSP-65 · LRV 50

At LRV 50 vs 34, Old Soul is decisively the brighter choice.

Lighter Colors

Old Soul
Old Soul
Shale
Shale
Old Soul vs Shale
Benjamin Moore
Old Soul
CSP-65 · LRV 50
Benjamin Moore
Shale
861 · LRV 50

Their light reflectance is nearly identical (LRV 50 vs 50), so neither reads brighter in a room.

London Fog
London Fog
Old Soul
Old Soul
London Fog vs Old Soul
Benjamin Moore
London Fog
1541 · LRV 56
Benjamin Moore
Old Soul
CSP-65 · LRV 50

A 7-point LRV gap (56 vs 50) makes London Fog the marginally brighter of the two.

Old Soul
Old Soul
Picket Fence
Picket Fence
Old Soul vs Picket Fence
Benjamin Moore
Old Soul
CSP-65 · LRV 50
Benjamin Moore
Picket Fence
CSP-370 · LRV 63

Picket Fence reflects far more light (LRV 63 vs 50), opening up a space where Old Soul encloses it.

Collingwood
Collingwood
Old Soul
Old Soul
Collingwood vs Old Soul
Benjamin Moore
Collingwood
OC-28 · LRV 62
Benjamin Moore
Old Soul
CSP-65 · LRV 50

A 12-point LRV gap (62 vs 50) makes Collingwood the marginally brighter of the two.

Darker Colors

Nordic Gray
Nordic Gray
Old Soul
Old Soul
Nordic Gray vs Old Soul
Benjamin Moore
Nordic Gray
CC-576 · LRV 29
Benjamin Moore
Old Soul
CSP-65 · LRV 50

At LRV 50 vs 29, Old Soul is decisively the brighter choice.

Alexandria Beige
Alexandria Beige
Old Soul
Old Soul
Alexandria Beige vs Old Soul
Benjamin Moore
Alexandria Beige
HC-77 · LRV 29
Benjamin Moore
Old Soul
CSP-65 · LRV 50

At LRV 50 vs 29, Old Soul is decisively the brighter choice.

Old Soul
Old Soul
Turret
Turret
Old Soul vs Turret
Benjamin Moore
Old Soul
CSP-65 · LRV 50
Benjamin Moore
Turret
CC-604 · LRV 36

Old Soul reflects far more light (LRV 50 vs 36), opening up a space where Turret encloses it.

Old Soul
Old Soul
Rocky Beach
Rocky Beach
Old Soul vs Rocky Beach
Benjamin Moore
Old Soul
CSP-65 · LRV 50
Benjamin Moore
Rocky Beach
CSP-190 · LRV 38

Old Soul reads slightly lighter (LRV 50 vs 38), a gap that shows most in low-lit rooms.

Indian River
Indian River
Old Soul
Old Soul
Indian River vs Old Soul
Benjamin Moore
Indian River
985 · LRV 37
Benjamin Moore
Old Soul
CSP-65 · LRV 50

At LRV 50 vs 37, Old Soul is decisively the brighter choice.

Color Codes

RGB196, 186, 171
HSL36° 17% 72%
CMYK0 5 13 23
CIE LabL: 75.9 a: 1.0 b: 8.9
XYZX: 0.48 Y: 0.50 Z: 0.46

Manufacturer description

Like an old friend, this color is surprisingly warm and versatile, alone or as a base for more saturated hues.

Attributed to Benjamin Moore catalog data ↗