Sweet Innocence featured
Benjamin Moore2125-50

Sweet Innocence

Benjamin Moore Sweet Innocence (2125-50) carries the measured structure of its color data and the less predictable beauty of paint in a finished space. It appears in Color Preview®, placing it within several distinct decorating stories rather than a single fixed look. Treat the digital swatch as an opening note, then watch a physical sample from morning light through evening lamps.

LRV

59.99

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Light Reflectance Value
59.99
Light
TemperatureCool
Tone
CalmingCharmingPaleSoft
UseInterior & Exterior
Collection

Sweet Innocence in Rooms

Follow Sweet Innocence from one space to another and watch how light, scale and surrounding materials reshape its character. 1 sourced room photo offers a closer look at the color in lived-in settings.

1 Bathroom Photo

1 bathroom image trace Sweet Innocence (2125-50) through the contrast between bright mornings and quieter evening light. Catalog words such as Calming, Charming, Pale offer another lens on its character.

Benjamin Moore Sweet Innocence bathroom color

Bathroom walls in Sweet Innocence deliver a soft, serene aesthetic.

@monarchdesign_mp

Coordinating Colors

Intrigue
Intrigue
Sweet Innocence
Sweet Innocence
Intrigue vs Sweet Innocence
Benjamin Moore
Intrigue
1580 · LRV 24
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60

Sweet Innocence reflects far more light (LRV 60 vs 24), opening up a space where Intrigue encloses it.

Sweet Innocence
Sweet Innocence
Wrought Iron
Wrought Iron
Sweet Innocence vs Wrought Iron
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60
Benjamin Moore
Wrought Iron
2124-10 · LRV 8

At LRV 60 vs 8, Sweet Innocence is decisively the brighter choice.

Sweet Innocence
Sweet Innocence
Winter White
Winter White
Sweet Innocence vs Winter White
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60
Benjamin Moore
Winter White
OC-21 · LRV 80

Winter White reflects far more light (LRV 80 vs 60), opening up a space where Sweet Innocence encloses it.

Distant Gray
Distant Gray
Sweet Innocence
Sweet Innocence
Distant Gray vs Sweet Innocence
Benjamin Moore
Distant Gray
OC-68 · LRV 88
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60

At LRV 88 vs 60, Distant Gray is decisively the brighter choice.

Similar Colors

Silver Lining
Silver Lining
Sweet Innocence
Sweet Innocence
Silver Lining vs Sweet Innocence
Benjamin Moore
Silver Lining
2119-60 · LRV 58
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60

With LRVs of 60 and 58, the two reflect almost the same amount of light.

Metallic Silver
Metallic Silver
Sweet Innocence
Sweet Innocence
Metallic Silver vs Sweet Innocence
Benjamin Moore
Metallic Silver
2132-60 · LRV 57
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60

Their light reflectance is nearly identical (LRV 60 vs 57), so neither reads brighter in a room.

Sweet Innocence
Sweet Innocence
White Water
White Water
Sweet Innocence vs White Water
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60
Benjamin Moore
White Water
2120-60 · LRV 59

With LRVs of 60 and 59, the two reflect almost the same amount of light.

Feather Gray
Feather Gray
Sweet Innocence
Sweet Innocence
Feather Gray vs Sweet Innocence
Benjamin Moore
Feather Gray
2127-60 · LRV 58
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60

Their light reflectance is nearly identical (LRV 60 vs 58), so neither reads brighter in a room.

Complementary Colors

Desert Shadows
Desert Shadows
Sweet Innocence
Sweet Innocence
Desert Shadows vs Sweet Innocence
Benjamin Moore
Desert Shadows
2114-30 · LRV 12
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60

Sweet Innocence reflects far more light (LRV 60 vs 12), opening up a space where Desert Shadows encloses it.

Hint of Violet
Hint of Violet
Sweet Innocence
Sweet Innocence
Hint of Violet vs Sweet Innocence
Benjamin Moore
Hint of Violet
2114-60 · LRV 66
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60

A 6-point LRV gap (66 vs 60) makes Hint of Violet the marginally brighter of the two.

Antique Pearl
Antique Pearl
Sweet Innocence
Sweet Innocence
Antique Pearl vs Sweet Innocence
Benjamin Moore
Antique Pearl
2113-70 · LRV 72
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60

Antique Pearl reflects far more light (LRV 72 vs 60), opening up a space where Sweet Innocence encloses it.

Night Shade
Night Shade
Sweet Innocence
Sweet Innocence
Night Shade vs Sweet Innocence
Benjamin Moore
Night Shade
2116-10 · LRV 6
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60

At LRV 60 vs 6, Sweet Innocence is decisively the brighter choice.

Sweet Innocence
Sweet Innocence
Woodcliff Lake
Woodcliff Lake
Sweet Innocence vs Woodcliff Lake
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60
Benjamin Moore
Woodcliff Lake
980 · LRV 17

At LRV 60 vs 17, Sweet Innocence is decisively the brighter choice.

Silver Fox
Silver Fox
Sweet Innocence
Sweet Innocence
Silver Fox vs Sweet Innocence
Benjamin Moore
Silver Fox
2108-50 · LRV 44
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60

At LRV 60 vs 44, Sweet Innocence is decisively the brighter choice.

Sweet Innocence
Sweet Innocence
Upper West Side
Upper West Side
Sweet Innocence vs Upper West Side
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60
Benjamin Moore
Upper West Side
CSP-70 · LRV 39

At LRV 60 vs 39, Sweet Innocence is decisively the brighter choice.

Lighter Colors

Early Frost
Early Frost
Sweet Innocence
Sweet Innocence
Early Frost vs Sweet Innocence
Benjamin Moore
Early Frost
CSP-590 · LRV 61
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60

With LRVs of 61 and 60, the two reflect almost the same amount of light.

Lavender Wash
Lavender Wash
Sweet Innocence
Sweet Innocence
Lavender Wash vs Sweet Innocence
Benjamin Moore
Lavender Wash
CSP-515 · LRV 65
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60

Lavender Wash reads slightly lighter (LRV 65 vs 60), a gap that shows most in low-lit rooms.

Seattle Gray
Seattle Gray
Sweet Innocence
Sweet Innocence
Seattle Gray vs Sweet Innocence
Benjamin Moore
Seattle Gray
2130-70 · LRV 73
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60

At LRV 73 vs 60, Seattle Gray is decisively the brighter choice.

First Snowfall
First Snowfall
Sweet Innocence
Sweet Innocence
First Snowfall vs Sweet Innocence
Benjamin Moore
First Snowfall
1618 · LRV 74
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60

First Snowfall reflects far more light (LRV 74 vs 60), opening up a space where Sweet Innocence encloses it.

Darker Colors

Gray Timber Wolf
Gray Timber Wolf
Sweet Innocence
Sweet Innocence
Gray Timber Wolf vs Sweet Innocence
Benjamin Moore
Gray Timber Wolf
2126-50 · LRV 52
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60

Sweet Innocence reads slightly lighter (LRV 60 vs 52), a gap that shows most in low-lit rooms.

Metallic Silver
Metallic Silver
Sweet Innocence
Sweet Innocence
Metallic Silver vs Sweet Innocence
Benjamin Moore
Metallic Silver
2132-60 · LRV 57
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60

Their light reflectance is nearly identical (LRV 60 vs 57), so neither reads brighter in a room.

Pilgrim Haze
Pilgrim Haze
Sweet Innocence
Sweet Innocence
Pilgrim Haze vs Sweet Innocence
Benjamin Moore
Pilgrim Haze
2132-50 · LRV 38
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60

Sweet Innocence reflects far more light (LRV 60 vs 38), opening up a space where Pilgrim Haze encloses it.

Feather Gray
Feather Gray
Sweet Innocence
Sweet Innocence
Feather Gray vs Sweet Innocence
Benjamin Moore
Feather Gray
2127-60 · LRV 58
Benjamin Moore
Sweet Innocence
2125-50 · LRV 60

Their light reflectance is nearly identical (LRV 60 vs 58), so neither reads brighter in a room.

Color Codes

RGB199, 205, 209
HSL204° 10% 80%
CMYK5 2 0 18
CIE LabL: 82.1 a: -1.3 b: -2.7
XYZX: 0.57 Y: 0.60 Z: 0.69

Manufacturer description

A hint of blue brings a luminous, airy quality to this pale gray.

Attributed to Benjamin Moore catalog data ↗