Beverly Hills vs Pan for Gold
Both from Benjamin Moore's palette. These are both beiges, so the question isn't which hue to choose — it's where within beige to land. Beverly Hills (LRV 59) reflects noticeably more light than Pan for Gold (LRV 48), a difference of 12 points that becomes especially apparent in rooms with limited natural light. Both lean red, so they'll behave similarly in mixed or changing light conditions. With a ΔE of 13.1, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Beverly Hills vs Pan for Gold Simulated Comparison
5 simulated room previews — drag the slider on each to see Beverly Hills on one side and Pan for Gold on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Beverly Hills comparisons
See how Beverly Hills stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 59), opening up a space where Beverly Hills encloses it.
A 10-point LRV gap (69 vs 59) makes Ammonite the marginally brighter of the two.
Beverly Hills reflects far more light (LRV 59 vs 6), opening up a space where Iron Ore encloses it.
A 7-point LRV gap (59 vs 52) makes Beverly Hills the marginally brighter of the two.
At LRV 59 vs 30, Beverly Hills is decisively the brighter choice.
Beverly Hills reads slightly lighter (LRV 59 vs 52), a gap that shows most in low-lit rooms.
Their light reflectance is nearly identical (LRV 60 vs 59), so neither reads brighter in a room.
With LRVs of 59 and 58, the two reflect almost the same amount of light.
Beverly Hills reflects far more light (LRV 59 vs 27), opening up a space where Denim Drift encloses it.
At LRV 59 vs 43, Beverly Hills is decisively the brighter choice.
At LRV 59 vs 4, Beverly Hills is decisively the brighter choice.
Beverly Hills reads slightly lighter (LRV 59 vs 55), a gap that shows most in low-lit rooms.
Beverly Hills reflects far more light (LRV 59 vs 13), opening up a space where Bancha encloses it.
Beverly Hills reflects far more light (LRV 59 vs 44), opening up a space where Hardwick White encloses it.
At LRV 84 vs 59, Pure White is decisively the brighter choice.
At LRV 59 vs 21, Beverly Hills is decisively the brighter choice.
Balboa Mist reads slightly lighter (LRV 66 vs 59), a gap that shows most in low-lit rooms.
Shoji White reflects far more light (LRV 74 vs 59), opening up a space where Beverly Hills encloses it.
Snowbound reflects far more light (LRV 83 vs 59), opening up a space where Beverly Hills encloses it.
Beverly Hills reflects far more light (LRV 59 vs 12), opening up a space where Pewter Green encloses it.
Skimming Stone reads slightly lighter (LRV 68 vs 59), a gap that shows most in low-lit rooms.
At LRV 59 vs 41, Beverly Hills is decisively the brighter choice.
A 8-point LRV gap (68 vs 59) makes Calamine the marginally brighter of the two.
At LRV 59 vs 25, Beverly Hills is decisively the brighter choice.
Beverly Hills reflects far more light (LRV 59 vs 12), opening up a space where Vintage Vogue encloses it.
Beverly Hills reflects far more light (LRV 59 vs 45), opening up a space where Saybrook Sage encloses it.
At LRV 59 vs 31, Beverly Hills is decisively the brighter choice.
At LRV 59 vs 7, Beverly Hills is decisively the brighter choice.
At LRV 59 vs 24, Beverly Hills is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 59 vs 57), so neither reads brighter in a room.