Pan for Gold
There is more to Benjamin Moore Pan for Gold (181) than the swatch alone: its depth, undertones and setting all shape the final impression. A red undertone may emerge most clearly where the paint meets a cleaner white, stone surface or contrasting textile. Because screens flatten both light and texture, sample the paint beside the finishes that will ultimately surround it.
Hex
#ECB35DLRV
47.63
Coordinating Colors
At LRV 48 vs 16, Pan for Gold is decisively the brighter choice.
Pan for Gold reflects far more light (LRV 48 vs 23), opening up a space where Chelsea Gray encloses it.
At LRV 90 vs 48, Snowfall White is decisively the brighter choice.
At LRV 83 vs 48, Acadia White is decisively the brighter choice.
Similar Colors
Their light reflectance is nearly identical (LRV 49 vs 48), so neither reads brighter in a room.
Corn Husk reads slightly lighter (LRV 53 vs 48), a gap that shows most in low-lit rooms.
Their light reflectance is nearly identical (LRV 48 vs 45), so neither reads brighter in a room.
Their light reflectance is nearly identical (LRV 50 vs 48), so neither reads brighter in a room.
Complementary Colors
A 4-point LRV gap (48 vs 43) makes Pan for Gold the marginally brighter of the two.
Pan for Gold reads slightly lighter (LRV 48 vs 38), a gap that shows most in low-lit rooms.
At LRV 48 vs 8, Pan for Gold is decisively the brighter choice.
With LRVs of 48 and 46, the two reflect almost the same amount of light.
Pan for Gold reflects far more light (LRV 48 vs 16), opening up a space where Santa Monica Blue encloses it.
At LRV 48 vs 22, Pan for Gold is decisively the brighter choice.
Pan for Gold reflects far more light (LRV 48 vs 18), opening up a space where Chicago Blues encloses it.
Lighter Colors
Their light reflectance is nearly identical (LRV 50 vs 48), so neither reads brighter in a room.
Glowing Apricot reflects far more light (LRV 63 vs 48), opening up a space where Pan for Gold encloses it.
At LRV 63 vs 48, Moir Gold is decisively the brighter choice.
A 6-point LRV gap (53 vs 48) makes Soft Marigold the marginally brighter of the two.
A 12-point LRV gap (59 vs 48) makes Beverly Hills the marginally brighter of the two.
Darker Colors
Pan for Gold reads slightly lighter (LRV 48 vs 40), a gap that shows most in low-lit rooms.
A 5-point LRV gap (48 vs 42) makes Pan for Gold the marginally brighter of the two.
A 5-point LRV gap (52 vs 48) makes Luminous Days the marginally brighter of the two.
Color Codes
Manufacturer description
Deep and sumptuous, this golden amber hue also has a playful side.