After the Rain vs Oyster Bay
Both are Sherwin-Williams colors. Hue-wise, After the Rain belongs to the blue family and Oyster Bay to the green-grey family. At LRV 49 vs 44, After the Rain will read as the brighter of the two — a 5-point gap that matters most in north-facing or low-light rooms. The tonal difference — After the Rain's cool character against Oyster Bay's neutral — becomes most visible against white trim or in morning light. At ΔE 20.8, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 7 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
After the Rain vs Oyster Bay in Real Spaces
7 real rooms side by side. Seeing After the Rain and Oyster Bay in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. After the Rain has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The brightness difference is modest but present — After the Rain gives the walls a little more lift.
Kitchen
Kitchen lighting tends to be bright and directional, which sharpens contrast and makes undertone differences more apparent. The brightness difference is modest but present — After the Rain gives the walls a little more lift.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The brightness difference is modest but present — After the Rain gives the walls a little more lift.
Home Office
In a home office, wall color sits in your peripheral vision for hours at a time, so temperature and undertone matter more than you might expect. The brightness difference is modest but present — After the Rain gives the walls a little more lift.
House
At full exterior scale, the difference between these two colors becomes much easier to judge than from a small chip. The brightness difference is modest but present — After the Rain gives the walls a little more lift.
Front Door
Front doors are seen in isolation against the rest of the facade, which makes them a high-stakes surface where even subtle differences matter. After the Rain has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Color Details
After the Rain vs Oyster Bay Simulated Comparison
5 simulated room previews — drag the slider on each to see After the Rain on one side and Oyster Bay on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More After the Rain comparisons
See how After the Rain stacks up against other well-photographed colors across different brands and tones.
White Dove reflects far more light (LRV 83 vs 49), opening up a space where After the Rain encloses it.
At LRV 69 vs 49, Ammonite is decisively the brighter choice.
After the Rain reflects far more light (LRV 49 vs 6), opening up a space where Iron Ore encloses it.
Their light reflectance is nearly identical (LRV 52 vs 49), so neither reads brighter in a room.
At LRV 49 vs 30, After the Rain is decisively the brighter choice.
With LRVs of 52 and 49, the two reflect almost the same amount of light.
A 11-point LRV gap (60 vs 49) makes Agreeable Gray the marginally brighter of the two.
Accessible Beige reads slightly lighter (LRV 58 vs 49), a gap that shows most in low-lit rooms.
After the Rain reflects far more light (LRV 49 vs 27), opening up a space where Denim Drift encloses it.
A 6-point LRV gap (49 vs 43) makes After the Rain the marginally brighter of the two.
At LRV 49 vs 4, After the Rain is decisively the brighter choice.
Tranquil Dawn reads slightly lighter (LRV 55 vs 49), a gap that shows most in low-lit rooms.
After the Rain reflects far more light (LRV 49 vs 13), opening up a space where Bancha encloses it.
After the Rain reads slightly lighter (LRV 49 vs 44), a gap that shows most in low-lit rooms.
At LRV 84 vs 49, Pure White is decisively the brighter choice.
At LRV 49 vs 21, After the Rain is decisively the brighter choice.
Balboa Mist reflects far more light (LRV 66 vs 49), opening up a space where After the Rain encloses it.
Shoji White reflects far more light (LRV 74 vs 49), opening up a space where After the Rain encloses it.
Snowbound reflects far more light (LRV 83 vs 49), opening up a space where After the Rain encloses it.
After the Rain reflects far more light (LRV 49 vs 12), opening up a space where Pewter Green encloses it.
Skimming Stone reflects far more light (LRV 68 vs 49), opening up a space where After the Rain encloses it.
A 8-point LRV gap (49 vs 41) makes After the Rain the marginally brighter of the two.
At LRV 68 vs 49, Calamine is decisively the brighter choice.
At LRV 49 vs 25, After the Rain is decisively the brighter choice.
After the Rain reflects far more light (LRV 49 vs 12), opening up a space where Vintage Vogue encloses it.
After the Rain reads slightly lighter (LRV 49 vs 45), a gap that shows most in low-lit rooms.
At LRV 49 vs 31, After the Rain is decisively the brighter choice.
At LRV 49 vs 7, After the Rain is decisively the brighter choice.
At LRV 49 vs 24, After the Rain is decisively the brighter choice.
A 8-point LRV gap (57 vs 49) makes Guilford Green the marginally brighter of the two.