After the Rain vs Surfin' paint color comparison

After the Rain vs Surfin'

Both from Sherwin-Williams's palette. These are both blues, so the question isn't which hue to choose — it's where within blue to land. After the Rain (LRV 49) reflects noticeably more light than Surfin' (LRV 46), a difference of 3 points that becomes especially apparent in rooms with limited natural light. Both lean cool, so they'll behave similarly in mixed or changing light conditions. The ΔE 6.1 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.

After the Rain vs Surfin' in Real Spaces

1 real room side by side. After the Rain and Surfin' are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.

Bedroom

The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. After the Rain reads slightly lighter here — a subtle but real difference in how open the space feels.

After the RainA cozy bedroom painted in After the Rain

@mybudgetrecipes

Surfin'Sherwin Williams Surfin' bedroom

@pitcher_perfect_painting

Color Details

After the Rain
Sherwin-Williams · 9047
Hex#8BC4D1
LRV49.4
BrandSherwin-Williams
Number9047
Undertone
TemperatureCool
BrightnessMedium
Surfin'
Sherwin-Williams · 9048
Hex#73C0D2
LRV46.2
BrandSherwin-Williams
Number9048
Undertone
TemperatureCool
BrightnessMedium

After the Rain vs Surfin' Simulated Comparison

5 simulated room previews — drag the slider on each to see After the Rain on one side and Surfin' on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More After the Rain comparisons

See how After the Rain stacks up against other well-photographed colors across different brands and tones.

White Dove
After the Rain
White Dove
After the Rain
Sherwin-Williams
After the Rain
9047 · LRV 49

White Dove reflects far more light (LRV 83 vs 49), opening up a space where After the Rain encloses it.

Ammonite
After the Rain
Ammonite
After the Rain
Farrow & Ball
Ammonite
LRV 69
Sherwin-Williams
After the Rain
9047 · LRV 49

At LRV 69 vs 49, Ammonite is decisively the brighter choice.

After the Rain
Iron Ore
After the Rain
Iron Ore
Sherwin-Williams
After the Rain
9047 · LRV 49

After the Rain reflects far more light (LRV 49 vs 6), opening up a space where Iron Ore encloses it.

Purbeck Stone
After the Rain
Purbeck Stone
After the Rain
Sherwin-Williams
After the Rain
9047 · LRV 49

Their light reflectance is nearly identical (LRV 52 vs 49), so neither reads brighter in a room.

After the Rain
Evergreen Fog
After the Rain
Evergreen Fog
Sherwin-Williams
After the Rain
9047 · LRV 49

At LRV 49 vs 30, After the Rain is decisively the brighter choice.

Mizzle
After the Rain
Mizzle
After the Rain
Farrow & Ball
Mizzle
LRV 52
Sherwin-Williams
After the Rain
9047 · LRV 49

With LRVs of 52 and 49, the two reflect almost the same amount of light.

After the Rain
Agreeable Gray
After the Rain
Agreeable Gray
Sherwin-Williams
After the Rain
9047 · LRV 49

A 11-point LRV gap (60 vs 49) makes Agreeable Gray the marginally brighter of the two.

Accessible Beige
After the Rain
Accessible Beige
After the Rain
Sherwin-Williams
After the Rain
9047 · LRV 49

Accessible Beige reads slightly lighter (LRV 58 vs 49), a gap that shows most in low-lit rooms.

Denim Drift
After the Rain
Denim Drift
After the Rain
Sherwin-Williams
After the Rain
9047 · LRV 49

After the Rain reflects far more light (LRV 49 vs 27), opening up a space where Denim Drift encloses it.

French Gray
After the Rain
French Gray
After the Rain
Sherwin-Williams
After the Rain
9047 · LRV 49

A 6-point LRV gap (49 vs 43) makes After the Rain the marginally brighter of the two.

After the Rain
Naval
After the Rain
Naval
Sherwin-Williams
After the Rain
9047 · LRV 49
Sherwin-Williams
Naval
LRV 4

At LRV 49 vs 4, After the Rain is decisively the brighter choice.

Tranquil Dawn
After the Rain
Tranquil Dawn
After the Rain
Sherwin-Williams
After the Rain
9047 · LRV 49

Tranquil Dawn reads slightly lighter (LRV 55 vs 49), a gap that shows most in low-lit rooms.

Bancha
After the Rain
Bancha
After the Rain
Farrow & Ball
Bancha
LRV 13
Sherwin-Williams
After the Rain
9047 · LRV 49

After the Rain reflects far more light (LRV 49 vs 13), opening up a space where Bancha encloses it.

Hardwick White
After the Rain
Hardwick White
After the Rain
Sherwin-Williams
After the Rain
9047 · LRV 49

After the Rain reads slightly lighter (LRV 49 vs 44), a gap that shows most in low-lit rooms.

After the Rain
Pure White
After the Rain
Pure White
Sherwin-Williams
After the Rain
9047 · LRV 49

At LRV 84 vs 49, Pure White is decisively the brighter choice.

After the Rain
Artichoke
After the Rain
Artichoke
Sherwin-Williams
After the Rain
9047 · LRV 49
Sherwin-Williams
Artichoke
LRV 21

At LRV 49 vs 21, After the Rain is decisively the brighter choice.

Balboa Mist
After the Rain
Balboa Mist
After the Rain
Sherwin-Williams
After the Rain
9047 · LRV 49

Balboa Mist reflects far more light (LRV 66 vs 49), opening up a space where After the Rain encloses it.

After the Rain
Shoji White
After the Rain
Shoji White
Sherwin-Williams
After the Rain
9047 · LRV 49

Shoji White reflects far more light (LRV 74 vs 49), opening up a space where After the Rain encloses it.

After the Rain
Snowbound
After the Rain
Snowbound
Sherwin-Williams
After the Rain
9047 · LRV 49
Sherwin-Williams
Snowbound
LRV 83

Snowbound reflects far more light (LRV 83 vs 49), opening up a space where After the Rain encloses it.

After the Rain
Pewter Green
After the Rain
Pewter Green
Sherwin-Williams
After the Rain
9047 · LRV 49

After the Rain reflects far more light (LRV 49 vs 12), opening up a space where Pewter Green encloses it.

Skimming Stone
After the Rain
Skimming Stone
After the Rain
Sherwin-Williams
After the Rain
9047 · LRV 49

Skimming Stone reflects far more light (LRV 68 vs 49), opening up a space where After the Rain encloses it.

Dix Blue
After the Rain
Dix Blue
After the Rain
Farrow & Ball
Dix Blue
LRV 41
Sherwin-Williams
After the Rain
9047 · LRV 49

A 8-point LRV gap (49 vs 41) makes After the Rain the marginally brighter of the two.

Calamine
After the Rain
Calamine
After the Rain
Farrow & Ball
Calamine
LRV 68
Sherwin-Williams
After the Rain
9047 · LRV 49

At LRV 68 vs 49, Calamine is decisively the brighter choice.

Treron
After the Rain
Treron
After the Rain
Farrow & Ball
Treron
LRV 25
Sherwin-Williams
After the Rain
9047 · LRV 49

At LRV 49 vs 25, After the Rain is decisively the brighter choice.

Vintage Vogue
After the Rain
Vintage Vogue
After the Rain
Sherwin-Williams
After the Rain
9047 · LRV 49

After the Rain reflects far more light (LRV 49 vs 12), opening up a space where Vintage Vogue encloses it.

Saybrook Sage
After the Rain
Saybrook Sage
After the Rain
Sherwin-Williams
After the Rain
9047 · LRV 49

After the Rain reads slightly lighter (LRV 49 vs 45), a gap that shows most in low-lit rooms.

Pale Green
After the Rain
Pale Green
After the Rain
RAL ClassicClassic
Pale Green
LRV 31
Sherwin-Williams
After the Rain
9047 · LRV 49

At LRV 49 vs 31, After the Rain is decisively the brighter choice.

Pine Needle
After the Rain
Pine Needle
After the Rain
Sherwin-Williams
After the Rain
9047 · LRV 49

At LRV 49 vs 7, After the Rain is decisively the brighter choice.

Cement grey
After the Rain
Cement grey
After the Rain
RAL ClassicClassic
Cement grey
LRV 24
Sherwin-Williams
After the Rain
9047 · LRV 49

At LRV 49 vs 24, After the Rain is decisively the brighter choice.

Guilford Green
After the Rain
Guilford Green
After the Rain
Sherwin-Williams
After the Rain
9047 · LRV 49

A 8-point LRV gap (57 vs 49) makes Guilford Green the marginally brighter of the two.