Ancient Marble vs Sedate Gray
Both from Sherwin-Williams's palette. These are both beige-greiges, so the question isn't which hue to choose — it's where within beige-greige to land. They have nearly identical light reflectance values (60 vs 61), so they'll read as similarly Light in most lighting conditions. Both lean warm, so they'll behave similarly in mixed or changing light conditions. At ΔE 2.7, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Ancient Marble vs Sedate Gray Simulated Comparison
5 simulated room previews — drag the slider on each to see Ancient Marble on one side and Sedate Gray on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Ancient Marble comparisons
See how Ancient Marble stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 60, White Dove is decisively the brighter choice.
Ammonite reads slightly lighter (LRV 69 vs 60), a gap that shows most in low-lit rooms.
At LRV 60 vs 6, Ancient Marble is decisively the brighter choice.
Ancient Marble reads slightly lighter (LRV 60 vs 52), a gap that shows most in low-lit rooms.
Ancient Marble reflects far more light (LRV 60 vs 30), opening up a space where Evergreen Fog encloses it.
A 9-point LRV gap (60 vs 52) makes Ancient Marble the marginally brighter of the two.
With LRVs of 60 and 60, the two reflect almost the same amount of light.
Their light reflectance is nearly identical (LRV 60 vs 58), so neither reads brighter in a room.
At LRV 60 vs 27, Ancient Marble is decisively the brighter choice.
Ancient Marble reflects far more light (LRV 60 vs 43), opening up a space where French Gray encloses it.
Ancient Marble reflects far more light (LRV 60 vs 4), opening up a space where Naval encloses it.
A 5-point LRV gap (60 vs 55) makes Ancient Marble the marginally brighter of the two.
At LRV 60 vs 13, Ancient Marble is decisively the brighter choice.
At LRV 60 vs 44, Ancient Marble is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 60), opening up a space where Ancient Marble encloses it.
Ancient Marble reflects far more light (LRV 60 vs 21), opening up a space where Artichoke encloses it.
A 5-point LRV gap (66 vs 60) makes Balboa Mist the marginally brighter of the two.
At LRV 74 vs 60, Shoji White is decisively the brighter choice.
At LRV 83 vs 60, Snowbound is decisively the brighter choice.
At LRV 60 vs 12, Ancient Marble is decisively the brighter choice.
A 8-point LRV gap (68 vs 60) makes Skimming Stone the marginally brighter of the two.
Ancient Marble reflects far more light (LRV 60 vs 41), opening up a space where Dix Blue encloses it.
Calamine reads slightly lighter (LRV 68 vs 60), a gap that shows most in low-lit rooms.
Ancient Marble reflects far more light (LRV 60 vs 25), opening up a space where Treron encloses it.
At LRV 60 vs 12, Ancient Marble is decisively the brighter choice.
At LRV 60 vs 45, Ancient Marble is decisively the brighter choice.
Ancient Marble reflects far more light (LRV 60 vs 31), opening up a space where Pale Green encloses it.
Ancient Marble reflects far more light (LRV 60 vs 7), opening up a space where Pine Needle encloses it.
Ancient Marble reflects far more light (LRV 60 vs 24), opening up a space where Cement grey encloses it.
Ancient Marble reads slightly lighter (LRV 60 vs 57), a gap that shows most in low-lit rooms.