Antimony vs Willow Tree paint color comparison

Antimony vs Willow Tree

AntimonySherwin-WilliamsvsWillow TreeSherwin-WilliamsΔE 11.7Distinct difference

Both are Sherwin-Williams colors. These are both greys, so the question isn't which hue to choose — it's where within grey to land. At LRV 57 vs 41, Antimony will read as the brighter of the two — a 16-point gap that matters most in north-facing or low-light rooms. They share a neutral quality — useful to know if you're layering them in the same space. At ΔE 11.7, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.

Antimony vs Willow Tree in Real Spaces

1 real room side by side. Seeing Antimony and Willow Tree in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.

Living Room

Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. Antimony returns significantly more light to the room — in a smaller or darker space, that difference in perceived brightness is hard to miss.

AntimonyA organic modern living room painted in Antimony

@mybudgetrecipes

Willow TreeSherwin Williams Willow Tree Living Room

@duck_thepainterman

Color Details

Antimony
Sherwin-Williams · 9552
Hex#C7C8C1
LRV57.2
BrandSherwin-Williams
Number9552
Undertone
TemperatureNeutral
BrightnessLight
Willow Tree
Sherwin-Williams · 7741
Hex#AAAD9C
LRV41.0
BrandSherwin-Williams
Number7741
Undertone
TemperatureNeutral
BrightnessMedium

Antimony vs Willow Tree Simulated Comparison

5 simulated room previews — drag the slider on each to see Antimony on one side and Willow Tree on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Antimony comparisons

See how Antimony stacks up against other well-photographed colors across different brands and tones.

White Dove
Antimony
White Dove
Antimony
Sherwin-Williams
Antimony
9552 · LRV 57

White Dove reflects far more light (LRV 83 vs 57), opening up a space where Antimony encloses it.

Ammonite
Antimony
Ammonite
Antimony
Farrow & Ball
Ammonite
LRV 69
Sherwin-Williams
Antimony
9552 · LRV 57

A 12-point LRV gap (69 vs 57) makes Ammonite the marginally brighter of the two.

Antimony
Iron Ore
Antimony
Iron Ore
Sherwin-Williams
Antimony
9552 · LRV 57

Antimony reflects far more light (LRV 57 vs 6), opening up a space where Iron Ore encloses it.

Purbeck Stone
Antimony
Purbeck Stone
Antimony
Sherwin-Williams
Antimony
9552 · LRV 57

A 5-point LRV gap (57 vs 52) makes Antimony the marginally brighter of the two.

Antimony
Evergreen Fog
Antimony vs Evergreen Fog
Antimony
Evergreen Fog
Sherwin-Williams
Antimony
9552 · LRV 57

At LRV 57 vs 30, Antimony is decisively the brighter choice.

Mizzle
Antimony
Mizzle
Antimony
Farrow & Ball
Mizzle
LRV 52
Sherwin-Williams
Antimony
9552 · LRV 57

Antimony reads slightly lighter (LRV 57 vs 52), a gap that shows most in low-lit rooms.

Agreeable Gray
Antimony
Agreeable Gray
Antimony
Sherwin-Williams
Antimony
9552 · LRV 57

A 3-point LRV gap (60 vs 57) makes Agreeable Gray the marginally brighter of the two.

Accessible Beige
Antimony
Accessible Beige
Antimony
Sherwin-Williams
Antimony
9552 · LRV 57

With LRVs of 58 and 57, the two reflect almost the same amount of light.

Denim Drift
Antimony
Denim Drift
Antimony
Sherwin-Williams
Antimony
9552 · LRV 57

Antimony reflects far more light (LRV 57 vs 27), opening up a space where Denim Drift encloses it.

French Gray
Antimony
French Gray
Antimony
Sherwin-Williams
Antimony
9552 · LRV 57

At LRV 57 vs 43, Antimony is decisively the brighter choice.

Antimony
Naval
Antimony
Naval
Sherwin-Williams
Antimony
9552 · LRV 57
Sherwin-Williams
Naval
LRV 4

At LRV 57 vs 4, Antimony is decisively the brighter choice.

Tranquil Dawn
Antimony
Tranquil Dawn
Antimony
Sherwin-Williams
Antimony
9552 · LRV 57

With LRVs of 57 and 55, the two reflect almost the same amount of light.

Bancha
Antimony
Bancha
Antimony
Farrow & Ball
Bancha
LRV 13
Sherwin-Williams
Antimony
9552 · LRV 57

Antimony reflects far more light (LRV 57 vs 13), opening up a space where Bancha encloses it.

Hardwick White
Antimony
Hardwick White
Antimony
Sherwin-Williams
Antimony
9552 · LRV 57

Antimony reflects far more light (LRV 57 vs 44), opening up a space where Hardwick White encloses it.

Antimony
Pure White
Antimony
Pure White
Sherwin-Williams
Antimony
9552 · LRV 57

At LRV 84 vs 57, Pure White is decisively the brighter choice.

Antimony
Artichoke
Antimony
Artichoke
Sherwin-Williams
Antimony
9552 · LRV 57
Sherwin-Williams
Artichoke
LRV 21

At LRV 57 vs 21, Antimony is decisively the brighter choice.

Balboa Mist
Antimony
Balboa Mist
Antimony
Sherwin-Williams
Antimony
9552 · LRV 57

Balboa Mist reads slightly lighter (LRV 66 vs 57), a gap that shows most in low-lit rooms.

Antimony
Shoji White
Antimony
Shoji White
Sherwin-Williams
Antimony
9552 · LRV 57

Shoji White reflects far more light (LRV 74 vs 57), opening up a space where Antimony encloses it.

Antimony
Snowbound
Antimony
Snowbound
Sherwin-Williams
Antimony
9552 · LRV 57
Sherwin-Williams
Snowbound
LRV 83

Snowbound reflects far more light (LRV 83 vs 57), opening up a space where Antimony encloses it.

Antimony
Pewter Green
Antimony
Pewter Green
Sherwin-Williams
Antimony
9552 · LRV 57

Antimony reflects far more light (LRV 57 vs 12), opening up a space where Pewter Green encloses it.

Skimming Stone
Antimony
Skimming Stone
Antimony
Sherwin-Williams
Antimony
9552 · LRV 57

Skimming Stone reads slightly lighter (LRV 68 vs 57), a gap that shows most in low-lit rooms.

Dix Blue
Antimony
Dix Blue
Antimony
Farrow & Ball
Dix Blue
LRV 41
Sherwin-Williams
Antimony
9552 · LRV 57

At LRV 57 vs 41, Antimony is decisively the brighter choice.

Calamine
Antimony
Calamine
Antimony
Farrow & Ball
Calamine
LRV 68
Sherwin-Williams
Antimony
9552 · LRV 57

A 10-point LRV gap (68 vs 57) makes Calamine the marginally brighter of the two.

Treron
Antimony
Treron
Antimony
Farrow & Ball
Treron
LRV 25
Sherwin-Williams
Antimony
9552 · LRV 57

At LRV 57 vs 25, Antimony is decisively the brighter choice.

Vintage Vogue
Antimony
Vintage Vogue
Antimony
Sherwin-Williams
Antimony
9552 · LRV 57

Antimony reflects far more light (LRV 57 vs 12), opening up a space where Vintage Vogue encloses it.

Saybrook Sage
Antimony
Saybrook Sage
Antimony
Sherwin-Williams
Antimony
9552 · LRV 57

Antimony reads slightly lighter (LRV 57 vs 45), a gap that shows most in low-lit rooms.

Pale Green
Antimony
Pale Green
Antimony
RAL ClassicClassic
Pale Green
LRV 31
Sherwin-Williams
Antimony
9552 · LRV 57

At LRV 57 vs 31, Antimony is decisively the brighter choice.

Pine Needle
Antimony
Pine Needle
Antimony
Sherwin-Williams
Antimony
9552 · LRV 57

At LRV 57 vs 7, Antimony is decisively the brighter choice.

Cement grey
Antimony
Cement grey
Antimony
RAL ClassicClassic
Cement grey
LRV 24
Sherwin-Williams
Antimony
9552 · LRV 57

At LRV 57 vs 24, Antimony is decisively the brighter choice.

Guilford Green
Antimony
Guilford Green
Antimony
Sherwin-Williams
Antimony
9552 · LRV 57

Their light reflectance is nearly identical (LRV 57 vs 57), so neither reads brighter in a room.