Antique Red vs Rave Red paint color comparison

Antique Red vs Rave Red

Antique RedSherwin-WilliamsvsRave RedSherwin-WilliamsΔE 8.0Noticeable difference

Antique Red and Rave Red come from the same Sherwin-Williams collection. These are both pink-reds, so the question isn't which hue to choose — it's where within pink-red to land. Their light reflectance values are nearly the same — 12 vs 11 — so neither will read significantly brighter or darker than the other. Both share a warm character, which means they'll respond to light and surrounding materials in similar ways. ΔE 8.0 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.

Antique Red vs Rave Red in Real Spaces

1 real room side by side. Antique Red and Rave Red are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.

Front Door

On a front door, the color is both the first and last thing you see — a context where even a modest tonal difference reads clearly. The distinction reads clearly at room scale, making the choice between them concrete.

Antique Redbold front door featuring Antique Red by Sherwin-Williams

@mybudgetrecipes

Rave RedSherwin Williams Rave Red Door

@skeersconstruction

Color Details

Antique Red
Sherwin-Williams · 7587
Hex#9F4442
LRV11.9
BrandSherwin-Williams
Number7587
Undertone
TemperatureWarm
BrightnessDark
Rave Red
Sherwin-Williams · 6608
Hex#A13B34
LRV11.0
BrandSherwin-Williams
Number6608
Undertone
TemperatureWarm
BrightnessDark

Antique Red vs Rave Red Simulated Comparison

5 simulated room previews — drag the slider on each to see Antique Red on one side and Rave Red on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Antique Red comparisons

See how Antique Red stacks up against other well-photographed colors across different brands and tones.

White Dove
Antique Red
White Dove
Antique Red
Sherwin-Williams
Antique Red
7587 · LRV 12

White Dove reflects far more light (LRV 83 vs 12), opening up a space where Antique Red encloses it.

Ammonite
Antique Red
Ammonite
Antique Red
Farrow & Ball
Ammonite
LRV 69
Sherwin-Williams
Antique Red
7587 · LRV 12

At LRV 69 vs 12, Ammonite is decisively the brighter choice.

Antique Red
Iron Ore
Antique Red
Iron Ore
Sherwin-Williams
Antique Red
7587 · LRV 12

Antique Red reads slightly lighter (LRV 12 vs 6), a gap that shows most in low-lit rooms.

Purbeck Stone
Antique Red
Purbeck Stone
Antique Red
Sherwin-Williams
Antique Red
7587 · LRV 12

At LRV 52 vs 12, Purbeck Stone is decisively the brighter choice.

Antique Red
Evergreen Fog
Antique Red
Evergreen Fog
Sherwin-Williams
Antique Red
7587 · LRV 12

At LRV 30 vs 12, Evergreen Fog is decisively the brighter choice.

Mizzle
Antique Red
Mizzle
Antique Red
Farrow & Ball
Mizzle
LRV 52
Sherwin-Williams
Antique Red
7587 · LRV 12

Mizzle reflects far more light (LRV 52 vs 12), opening up a space where Antique Red encloses it.

Agreeable Gray
Antique Red
Agreeable Gray
Antique Red
Sherwin-Williams
Antique Red
7587 · LRV 12

At LRV 60 vs 12, Agreeable Gray is decisively the brighter choice.

Accessible Beige
Antique Red
Accessible Beige
Antique Red
Sherwin-Williams
Antique Red
7587 · LRV 12

Accessible Beige reflects far more light (LRV 58 vs 12), opening up a space where Antique Red encloses it.

Denim Drift
Antique Red
Denim Drift
Antique Red
Sherwin-Williams
Antique Red
7587 · LRV 12

Denim Drift reflects far more light (LRV 27 vs 12), opening up a space where Antique Red encloses it.

French Gray
Antique Red
French Gray
Antique Red
Sherwin-Williams
Antique Red
7587 · LRV 12

At LRV 43 vs 12, French Gray is decisively the brighter choice.

Antique Red
Naval
Antique Red
Naval
Sherwin-Williams
Antique Red
7587 · LRV 12
Sherwin-Williams
Naval
LRV 4

A 7-point LRV gap (12 vs 4) makes Antique Red the marginally brighter of the two.

Tranquil Dawn
Antique Red
Tranquil Dawn
Antique Red
Sherwin-Williams
Antique Red
7587 · LRV 12

Tranquil Dawn reflects far more light (LRV 55 vs 12), opening up a space where Antique Red encloses it.

Bancha
Antique Red
Bancha
Antique Red
Farrow & Ball
Bancha
LRV 13
Sherwin-Williams
Antique Red
7587 · LRV 12

With LRVs of 13 and 12, the two reflect almost the same amount of light.

Hardwick White
Antique Red
Hardwick White
Antique Red
Sherwin-Williams
Antique Red
7587 · LRV 12

Hardwick White reflects far more light (LRV 44 vs 12), opening up a space where Antique Red encloses it.

Antique Red
Pure White
Antique Red
Pure White
Sherwin-Williams
Antique Red
7587 · LRV 12

At LRV 84 vs 12, Pure White is decisively the brighter choice.

Antique Red
Artichoke
Antique Red
Artichoke
Sherwin-Williams
Antique Red
7587 · LRV 12
Sherwin-Williams
Artichoke
LRV 21

A 10-point LRV gap (21 vs 12) makes Artichoke the marginally brighter of the two.

Balboa Mist
Antique Red
Balboa Mist
Antique Red
Sherwin-Williams
Antique Red
7587 · LRV 12

Balboa Mist reflects far more light (LRV 66 vs 12), opening up a space where Antique Red encloses it.

Antique Red
Shoji White
Antique Red
Shoji White
Sherwin-Williams
Antique Red
7587 · LRV 12

Shoji White reflects far more light (LRV 74 vs 12), opening up a space where Antique Red encloses it.

Antique Red
Snowbound
Antique Red
Snowbound
Sherwin-Williams
Antique Red
7587 · LRV 12
Sherwin-Williams
Snowbound
LRV 83

Snowbound reflects far more light (LRV 83 vs 12), opening up a space where Antique Red encloses it.

Antique Red
Pewter Green
Antique Red
Pewter Green
Sherwin-Williams
Antique Red
7587 · LRV 12

With LRVs of 12 and 12, the two reflect almost the same amount of light.

Skimming Stone
Antique Red
Skimming Stone
Antique Red
Sherwin-Williams
Antique Red
7587 · LRV 12

Skimming Stone reflects far more light (LRV 68 vs 12), opening up a space where Antique Red encloses it.

Dix Blue
Antique Red
Dix Blue
Antique Red
Farrow & Ball
Dix Blue
LRV 41
Sherwin-Williams
Antique Red
7587 · LRV 12

At LRV 41 vs 12, Dix Blue is decisively the brighter choice.

Calamine
Antique Red
Calamine
Antique Red
Farrow & Ball
Calamine
LRV 68
Sherwin-Williams
Antique Red
7587 · LRV 12

At LRV 68 vs 12, Calamine is decisively the brighter choice.

Treron
Antique Red
Treron
Antique Red
Farrow & Ball
Treron
LRV 25
Sherwin-Williams
Antique Red
7587 · LRV 12

At LRV 25 vs 12, Treron is decisively the brighter choice.

Vintage Vogue
Antique Red
Vintage Vogue
Antique Red
Sherwin-Williams
Antique Red
7587 · LRV 12

With LRVs of 12 and 12, the two reflect almost the same amount of light.

Saybrook Sage
Antique Red
Saybrook Sage
Antique Red
Sherwin-Williams
Antique Red
7587 · LRV 12

Saybrook Sage reflects far more light (LRV 45 vs 12), opening up a space where Antique Red encloses it.

Pale Green
Antique Red
Pale Green
Antique Red
RAL ClassicClassic
Pale Green
LRV 31
Sherwin-Williams
Antique Red
7587 · LRV 12

At LRV 31 vs 12, Pale Green is decisively the brighter choice.

Pine Needle
Antique Red
Pine Needle
Antique Red
Sherwin-Williams
Antique Red
7587 · LRV 12

A 5-point LRV gap (12 vs 7) makes Antique Red the marginally brighter of the two.

Cement grey
Antique Red
Cement grey
Antique Red
RAL ClassicClassic
Cement grey
LRV 24
Sherwin-Williams
Antique Red
7587 · LRV 12

At LRV 24 vs 12, Cement grey is decisively the brighter choice.

Guilford Green
Antique Red
Guilford Green
Antique Red
Sherwin-Williams
Antique Red
7587 · LRV 12

At LRV 57 vs 12, Guilford Green is decisively the brighter choice.