Auric vs Cut The Mustard
Both from Sherwin-Williams's palette. Both sit in the beige family, which is useful context if you're narrowing within a single hue direction. Auric (LRV 30) reflects noticeably more light than Cut The Mustard (LRV 26), a difference of 4 points that becomes especially apparent in rooms with limited natural light. Both lean warm, so they'll behave similarly in mixed or changing light conditions. With a ΔE of 16.0, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 10 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Auric vs Cut The Mustard in Real Spaces
10 real rooms side by side. Seeing Auric and Cut The Mustard in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The brightness difference is modest but present — Auric gives the walls a little more lift.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. Auric reads slightly lighter here — a subtle but real difference in how open the space feels.
Kitchen
In a kitchen, colors are seen under bright task lighting that amplifies undertones — what reads neutral elsewhere can show its hand here. Auric reads slightly lighter here — a subtle but real difference in how open the space feels.
Dining Room
A dining room lit by a dimmed pendant or candles is one of the most forgiving environments for paint — warm light softens almost everything. Auric has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Auric reads slightly lighter here — a subtle but real difference in how open the space feels.
Home Office
The test for a home office color isn't how it looks in a quick glance — it's whether it still feels right after a full day of work. Auric reads slightly lighter here — a subtle but real difference in how open the space feels.
Mudroom
Mudrooms are seen in passing, often under whatever light comes through the door — a context that favors colors with some depth. Auric has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
Patio
Outside, paint color competes with sky, landscaping, and direct sun — all of which shift how both of these read compared to an indoor chip. Auric has the edge in reflectance, which shows as a quiet sense of added space rather than an obvious contrast.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. Auric reads slightly lighter here — a subtle but real difference in how open the space feels.
Front Door
A front door is a focal point — small color differences read clearly at this concentrated scale. The brightness difference is modest but present — Auric gives the walls a little more lift.
Color Details
Auric vs Cut The Mustard Simulated Comparison
5 simulated room previews — drag the slider on each to see Auric on one side and Cut The Mustard on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Auric comparisons
See how Auric stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 30, White Dove is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 30), opening up a space where Auric encloses it.
With LRVs of 30 and 30, the two reflect almost the same amount of light.
Agreeable Gray reflects far more light (LRV 60 vs 30), opening up a space where Auric encloses it.
At LRV 58 vs 30, Accessible Beige is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 30 vs 27), so neither reads brighter in a room.
French Gray reflects far more light (LRV 43 vs 30), opening up a space where Auric encloses it.
At LRV 55 vs 30, Tranquil Dawn is decisively the brighter choice.
At LRV 44 vs 30, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 30), opening up a space where Auric encloses it.
At LRV 66 vs 30, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 30, Shoji White is decisively the brighter choice.
At LRV 30 vs 12, Auric is decisively the brighter choice.
At LRV 68 vs 30, Skimming Stone is decisively the brighter choice.
At LRV 30 vs 12, Auric is decisively the brighter choice.
At LRV 45 vs 30, Saybrook Sage is decisively the brighter choice.
With LRVs of 31 and 30, the two reflect almost the same amount of light.
Auric reflects far more light (LRV 30 vs 7), opening up a space where Pine Needle encloses it.
Auric reads slightly lighter (LRV 30 vs 24), a gap that shows most in low-lit rooms.
Guilford Green reflects far more light (LRV 57 vs 30), opening up a space where Auric encloses it.