Bedrock vs Tin Lizzie
Both from Sherwin-Williams's palette. Both sit in the grey family, which is useful context if you're narrowing within a single hue direction. Bedrock (LRV 34) reflects noticeably more light than Tin Lizzie (LRV 30), a difference of 4 points that becomes especially apparent in rooms with limited natural light. Both lean neutral, so they'll behave similarly in mixed or changing light conditions. The ΔE 3.5 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below you'll find 2 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Bedrock vs Tin Lizzie in Real Spaces
2 real rooms side by side. Bedrock and Tin Lizzie are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The brightness difference is modest but present — Bedrock gives the walls a little more lift.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. Bedrock reads slightly lighter here — a subtle but real difference in how open the space feels.
Color Details
Bedrock vs Tin Lizzie Simulated Comparison
5 simulated room previews — drag the slider on each to see Bedrock on one side and Tin Lizzie on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Bedrock comparisons
See how Bedrock stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 34, White Dove is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 34), opening up a space where Bedrock encloses it.
Bedrock reads slightly lighter (LRV 34 vs 30), a gap that shows most in low-lit rooms.
Agreeable Gray reflects far more light (LRV 60 vs 34), opening up a space where Bedrock encloses it.
At LRV 58 vs 34, Accessible Beige is decisively the brighter choice.
A 7-point LRV gap (34 vs 27) makes Bedrock the marginally brighter of the two.
French Gray reads slightly lighter (LRV 43 vs 34), a gap that shows most in low-lit rooms.
At LRV 55 vs 34, Tranquil Dawn is decisively the brighter choice.
A 10-point LRV gap (44 vs 34) makes Hardwick White the marginally brighter of the two.
Pure White reflects far more light (LRV 84 vs 34), opening up a space where Bedrock encloses it.
At LRV 66 vs 34, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 34, Shoji White is decisively the brighter choice.
At LRV 34 vs 12, Bedrock is decisively the brighter choice.
At LRV 68 vs 34, Skimming Stone is decisively the brighter choice.
At LRV 34 vs 12, Bedrock is decisively the brighter choice.
A 12-point LRV gap (45 vs 34) makes Saybrook Sage the marginally brighter of the two.
With LRVs of 34 and 31, the two reflect almost the same amount of light.
Bedrock reflects far more light (LRV 34 vs 7), opening up a space where Pine Needle encloses it.
Bedrock reads slightly lighter (LRV 34 vs 24), a gap that shows most in low-lit rooms.
Guilford Green reflects far more light (LRV 57 vs 34), opening up a space where Bedrock encloses it.