
Blue Refrain vs Something Blue
Both are Sherwin-Williams colors. Both sit in the blue family, which is useful context if you're narrowing within a single hue direction. With LRVs of 64 and 63, they'll behave almost identically in terms of how much light they reflect back into a room. They share a cool quality — useful to know if you're layering them in the same space. With a ΔE of 1.0, the difference is subtle — you'd need them side by side to reliably tell them apart. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Blue Refrain vs Something Blue in Real Spaces
1 real room side by side. Blue Refrain and Something Blue are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Front Door
Front doors are seen in isolation against the rest of the facade, which makes them a high-stakes surface where even subtle differences matter. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Color Details
Blue Refrain vs Something Blue Simulated Comparison
5 simulated room previews — drag the slider on each to see Blue Refrain on one side and Something Blue on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Blue Refrain comparisons
See how Blue Refrain stacks up against other well-photographed colors across different brands and tones.


Ammonite reads slightly lighter (LRV 69 vs 64), a gap that shows most in low-lit rooms.


At LRV 83 vs 64, White Dove is decisively the brighter choice.


At LRV 64 vs 6, Blue Refrain is decisively the brighter choice.


Blue Refrain reflects far more light (LRV 64 vs 52), opening up a space where Purbeck Stone encloses it.


Blue Refrain reflects far more light (LRV 64 vs 30), opening up a space where Evergreen Fog encloses it.


At LRV 64 vs 52, Blue Refrain is decisively the brighter choice.


Blue Refrain reads slightly lighter (LRV 64 vs 60), a gap that shows most in low-lit rooms.


A 7-point LRV gap (64 vs 58) makes Blue Refrain the marginally brighter of the two.


At LRV 64 vs 27, Blue Refrain is decisively the brighter choice.


Blue Refrain reflects far more light (LRV 64 vs 43), opening up a space where French Gray encloses it.


Blue Refrain reflects far more light (LRV 64 vs 4), opening up a space where Naval encloses it.


A 9-point LRV gap (64 vs 55) makes Blue Refrain the marginally brighter of the two.


At LRV 64 vs 13, Blue Refrain is decisively the brighter choice.


At LRV 64 vs 44, Blue Refrain is decisively the brighter choice.


Pure White reflects far more light (LRV 84 vs 64), opening up a space where Blue Refrain encloses it.


Blue Refrain reflects far more light (LRV 64 vs 21), opening up a space where Artichoke encloses it.


Their light reflectance is nearly identical (LRV 66 vs 64), so neither reads brighter in a room.


A 10-point LRV gap (74 vs 64) makes Shoji White the marginally brighter of the two.


At LRV 83 vs 64, Snowbound is decisively the brighter choice.


Blue Refrain reflects far more light (LRV 64 vs 51), opening up a space where Pigeon encloses it.


At LRV 64 vs 12, Blue Refrain is decisively the brighter choice.


At LRV 64 vs 8, Blue Refrain is decisively the brighter choice.


A 4-point LRV gap (68 vs 64) makes Skimming Stone the marginally brighter of the two.


Blue Refrain reflects far more light (LRV 64 vs 41), opening up a space where Dix Blue encloses it.


At LRV 64 vs 12, Blue Refrain is decisively the brighter choice.


At LRV 64 vs 45, Blue Refrain is decisively the brighter choice.


Blue Refrain reflects far more light (LRV 64 vs 31), opening up a space where Pale Green encloses it.














