
Constellation vs Repose Gray
Both from Sherwin-Williams's palette. These are both greige-greys, so the question isn't which hue to choose — it's where within greige-grey to land. They have nearly identical light reflectance values (60 vs 58), so they'll read as similarly Light in most lighting conditions. Both lean warm, so they'll behave similarly in mixed or changing light conditions. At ΔE 1.2, these are close — the kind of difference that matters when choosing between them, but doesn't read strongly in a finished room. Below you'll find 4 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Constellation vs Repose Gray in Real Spaces
4 real rooms side by side. Constellation and Repose Gray are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Bedroom
The context that matters most in a bedroom is how a color reads under a bedside lamp at night, not under noon daylight. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Bathroom
Bathrooms are one of the few spaces where you're genuinely enclosed by the paint color, which makes the choice between these two more consequential. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Color Details
Constellation vs Repose Gray Simulated Comparison
5 simulated room previews — drag the slider on each to see Constellation on one side and Repose Gray on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Constellation comparisons
See how Constellation stacks up against other well-photographed colors across different brands and tones.


White Dove reflects far more light (LRV 83 vs 60), opening up a space where Constellation encloses it.


A 9-point LRV gap (69 vs 60) makes Ammonite the marginally brighter of the two.


Constellation reflects far more light (LRV 60 vs 6), opening up a space where Iron Ore encloses it.


A 8-point LRV gap (60 vs 52) makes Constellation the marginally brighter of the two.


At LRV 60 vs 30, Constellation is decisively the brighter choice.


Constellation reads slightly lighter (LRV 60 vs 52), a gap that shows most in low-lit rooms.


Their light reflectance is nearly identical (LRV 60 vs 60), so neither reads brighter in a room.


With LRVs of 60 and 58, the two reflect almost the same amount of light.


Constellation reflects far more light (LRV 60 vs 27), opening up a space where Denim Drift encloses it.


At LRV 60 vs 43, Constellation is decisively the brighter choice.


At LRV 60 vs 4, Constellation is decisively the brighter choice.


Constellation reads slightly lighter (LRV 60 vs 55), a gap that shows most in low-lit rooms.


Constellation reflects far more light (LRV 60 vs 13), opening up a space where Bancha encloses it.


Constellation reflects far more light (LRV 60 vs 44), opening up a space where Hardwick White encloses it.


At LRV 84 vs 60, Pure White is decisively the brighter choice.


At LRV 60 vs 21, Constellation is decisively the brighter choice.


Balboa Mist reads slightly lighter (LRV 66 vs 60), a gap that shows most in low-lit rooms.


Shoji White reflects far more light (LRV 74 vs 60), opening up a space where Constellation encloses it.


Snowbound reflects far more light (LRV 83 vs 60), opening up a space where Constellation encloses it.


Constellation reflects far more light (LRV 60 vs 12), opening up a space where Pewter Green encloses it.


Skimming Stone reads slightly lighter (LRV 68 vs 60), a gap that shows most in low-lit rooms.


At LRV 60 vs 41, Constellation is decisively the brighter choice.


A 7-point LRV gap (68 vs 60) makes Calamine the marginally brighter of the two.


At LRV 60 vs 25, Constellation is decisively the brighter choice.


Constellation reflects far more light (LRV 60 vs 12), opening up a space where Vintage Vogue encloses it.


Constellation reflects far more light (LRV 60 vs 45), opening up a space where Saybrook Sage encloses it.


At LRV 60 vs 31, Constellation is decisively the brighter choice.


At LRV 60 vs 7, Constellation is decisively the brighter choice.


At LRV 60 vs 24, Constellation is decisively the brighter choice.


A 3-point LRV gap (60 vs 57) makes Constellation the marginally brighter of the two.
















