Craftsman Brown vs Double Latte
Both are Sherwin-Williams colors. Both sit in the beige-greige family, which is useful context if you're narrowing within a single hue direction. At LRV 31 vs 28, Craftsman Brown will read as the brighter of the two — a 3-point gap that matters most in north-facing or low-light rooms. They share a warm quality — useful to know if you're layering them in the same space. With a ΔE of 2.5, the difference is subtle — you'd need them side by side to reliably tell them apart. Below you'll find 10 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Craftsman Brown vs Double Latte in Real Spaces
10 real rooms side by side. Craftsman Brown and Double Latte are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Bedroom
Bedroom walls are often seen under warm artificial light, a context that shifts both colors from how they look on a chip. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Kitchen
Kitchen lighting tends to be bright and directional, which sharpens contrast and makes undertone differences more apparent. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Dining Room
Dining room light is typically the warmest in the house, which shifts both colors toward the red end of the spectrum compared to daylight. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Home Office
In a home office, wall color sits in your peripheral vision for hours at a time, so temperature and undertone matter more than you might expect. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Mudroom
A mudroom color needs to hold up under the most casual scrutiny: a glance as you're coming and going, often in mixed or artificial light. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
Patio
Patio colors are seen under changing outdoor light throughout the day — morning, midday, and golden hour each reveal different qualities. At this scale the difference is subtle — you'd need them side by side, as shown here, to reliably tell them apart.
House
At full exterior scale, the difference between these two colors becomes much easier to judge than from a small chip. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Front Door
Front doors are seen in isolation against the rest of the facade, which makes them a high-stakes surface where even subtle differences matter. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Color Details
Craftsman Brown vs Double Latte Simulated Comparison
5 simulated room previews — drag the slider on each to see Craftsman Brown on one side and Double Latte on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Craftsman Brown comparisons
See how Craftsman Brown stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 31, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 31), opening up a space where Craftsman Brown encloses it.
At LRV 31 vs 6, Craftsman Brown is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 31), opening up a space where Craftsman Brown encloses it.
With LRVs of 31 and 30, the two reflect almost the same amount of light.
At LRV 52 vs 31, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 31), opening up a space where Craftsman Brown encloses it.
At LRV 58 vs 31, Accessible Beige is decisively the brighter choice.
A 4-point LRV gap (31 vs 27) makes Craftsman Brown the marginally brighter of the two.
French Gray reflects far more light (LRV 43 vs 31), opening up a space where Craftsman Brown encloses it.
Craftsman Brown reflects far more light (LRV 31 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 31, Tranquil Dawn is decisively the brighter choice.
At LRV 31 vs 13, Craftsman Brown is decisively the brighter choice.
At LRV 44 vs 31, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 31), opening up a space where Craftsman Brown encloses it.
Craftsman Brown reads slightly lighter (LRV 31 vs 21), a gap that shows most in low-lit rooms.
At LRV 66 vs 31, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 31, Shoji White is decisively the brighter choice.
At LRV 83 vs 31, Snowbound is decisively the brighter choice.
At LRV 31 vs 12, Craftsman Brown is decisively the brighter choice.
At LRV 68 vs 31, Skimming Stone is decisively the brighter choice.
Dix Blue reads slightly lighter (LRV 41 vs 31), a gap that shows most in low-lit rooms.
Calamine reflects far more light (LRV 68 vs 31), opening up a space where Craftsman Brown encloses it.
Craftsman Brown reads slightly lighter (LRV 31 vs 25), a gap that shows most in low-lit rooms.
At LRV 31 vs 12, Craftsman Brown is decisively the brighter choice.
At LRV 45 vs 31, Saybrook Sage is decisively the brighter choice.
With LRVs of 31 and 31, the two reflect almost the same amount of light.
Craftsman Brown reflects far more light (LRV 31 vs 7), opening up a space where Pine Needle encloses it.
Craftsman Brown reads slightly lighter (LRV 31 vs 24), a gap that shows most in low-lit rooms.
Guilford Green reflects far more light (LRV 57 vs 31), opening up a space where Craftsman Brown encloses it.