Going Grey vs Ironclad
Both from Sherwin-Williams's palette. Both sit in the grey family, which is useful context if you're narrowing within a single hue direction. Going Grey (LRV 22) reflects noticeably more light than Ironclad (LRV 11), a difference of 11 points that becomes especially apparent in rooms with limited natural light. Both lean neutral, so they'll behave similarly in mixed or changing light conditions. With a ΔE of 14.4, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Going Grey vs Ironclad in Real Spaces
1 real room side by side. Seeing Going Grey and Ironclad in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
House
Seen across an entire facade, subtle tonal differences become pronounced. What reads as nearly the same on a chip often reads as clearly different at scale. Going Grey reflects noticeably more light off the walls, making the space read more open than Ironclad.
Color Details
Going Grey vs Ironclad Simulated Comparison
5 simulated room previews — drag the slider on each to see Going Grey on one side and Ironclad on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.