Going Grey vs Ironclad
Both from Sherwin-Williams's palette. Both sit in the grey family, which is useful context if you're narrowing within a single hue direction. Going Grey (LRV 22) reflects noticeably more light than Ironclad (LRV 11), a difference of 11 points that becomes especially apparent in rooms with limited natural light. Both lean neutral, so they'll behave similarly in mixed or changing light conditions. With a ΔE of 14.4, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Going Grey vs Ironclad Simulated Comparison
5 simulated room previews — drag the slider on each to see Going Grey on one side and Ironclad on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Going Grey comparisons
See how Going Grey stacks up against other well-photographed colors across different brands and tones.
