Going Grey featured
Sherwin-Williams9554

Going Grey

We've categorized Going Grey as a versatile Neutral because of its unique LRV profile. We have documented it across our network because it can add character and warmth to any space so effectively. Explore our collection of 10 room photos to see how it looks alongside coordinating accent choices.

Hex

#83807A

LRV

21.63

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Light Reflectance Value
21.63
Medium
TemperatureNeutral

Going Grey in Real Rooms

Going Grey has a medium LRV of 21.63 — it adds real depth and will read noticeably darker as natural light fades. It's neutral in temperature, making it adaptable across different lighting conditions and room orientations. Grouped in the Neutral family, the photos below show it applied in a bathroom, home office, dining room, bedroom, front door, mudroom, patio, house, kitchen and living room.

1 Bathroom Photo

The interaction between Going Grey and steam or humidity creates a beautiful, diffused atmosphere in a bathroom. It's a color that feels "alive," shifting slightly in character as the environment changes during a hot shower or a long soak.

Going Grey — moody bathroom

Going Grey — moody bathroom

@mybudgetrecipes

1 Home Office Photo

For those who spend their day on camera, Going Grey is a highly flattering background color. It doesn't wash out skin tones or create weird reflections, providing a professional and "expensive" look for virtual meetings and presentations.

Sherwin-Williams Going Grey in a mid century home office

Sherwin-Williams Going Grey in a mid century home office

@mybudgetrecipes

1 Dining Room Photo

Using Going Grey in the dining room allows you to go bold with your lighting fixtures. An oversized chandelier or a modern sculptural pendant will look even more dramatic against the rich, steady background of this particular shade.

Going Grey paint in a boho dining room

Going Grey paint in a boho dining room

@mybudgetrecipes

1 Bedroom Photo

For guest bedrooms, Going Grey is a welcoming embrace. It's a universally appealing tone that feels clean and fresh for new arrivals, yet has enough "personality" to make their stay feel special and considered. It works across all seasons, feeling cool in summer and cozy in winter.

A industrial bedroom painted in Going Grey

A industrial bedroom painted in Going Grey

@mybudgetrecipes

1 Front Door Photo

There's a psychological sense of "arrival" when you step up to a door painted in Going Grey. It feels solid, grounded, and permanent, giving both residents and guests a sense of stability as they cross the threshold.

cottagecore front door featuring Going Grey by Sherwin-Williams

cottagecore front door featuring Going Grey by Sherwin-Williams

@mybudgetrecipes

1 Mudroom Photo

Going Grey in the mudroom earns its keep. It's a color that can handle the traffic — grounding enough to hide the daily chaos, and intentional enough to make the transition from outside feel considered and high-end.

Going Grey paint in a tiny mudroom

Going Grey paint in a tiny mudroom

@mybudgetrecipes

1 Patio Photo

Exterior color behaves differently than interior — there's more bleaching, more weather, and more competition from the natural surroundings. Going Grey holds its character in open light and tends to look even better after a few seasons than it does fresh from the can.

warm patio featuring Going Grey by Sherwin-Williams

warm patio featuring Going Grey by Sherwin-Williams

@mybudgetrecipes

1 House Photo

Going Grey on an exterior reads differently at different scales: approachable up close, commanding from the street. It works especially well on houses with good trim detail, where the contrast between wall and trim can do real visual work.

Going Grey color — aesthetic house inspiration

Going Grey color — aesthetic house inspiration

@mybudgetrecipes

1 Kitchen Photo

In a modern kitchen, Going Grey provides the necessary "organic" touch to offset stainless steel appliances and glass backsplashes. It prevents the kitchen from feeling like a laboratory, injecting a much-needed sense of domestic warmth and culinary inspiration.

Going Grey — bold kitchen

Going Grey — bold kitchen

@mybudgetrecipes

1 Living Room Photo

When applied to living room walls, Going Grey creates a sense of "visual quiet." It eliminates the erratic shadows found in busier spaces, instead providing a steady, rhythmic tone that ties together disparate furniture styles. It's the common thread that makes a room full of heirlooms and modern pieces feel like a cohesive collection.

A organic modern living room painted in Going Grey

A organic modern living room painted in Going Grey

@mybudgetrecipes

Coordinating Colors

Cheviot
Cheviot
Going Grey
Going Grey
Cheviot vs Going Grey
Sherwin-Williams
Cheviot
9503 · LRV 89
Sherwin-Williams
Going Grey
9554 · LRV 22

Cheviot reflects far more light (LRV 89 vs 22), opening up a space where Going Grey encloses it.

Accolade
Accolade
Going Grey
Going Grey
Accolade vs Going Grey
Sherwin-Williams
Accolade
9516 · LRV 62
Sherwin-Williams
Going Grey
9554 · LRV 22

Accolade reflects far more light (LRV 62 vs 22), opening up a space where Going Grey encloses it.

Going Grey
Going Grey
Westhaven
Westhaven
Going Grey vs Westhaven
Sherwin-Williams
Going Grey
9554 · LRV 22
Sherwin-Williams
Westhaven
9675 · LRV 5

At LRV 22 vs 5, Going Grey is decisively the brighter choice.

Similar Colors

Classic French Gray
Classic French Gray
Going Grey
Going Grey
Classic French Gray vs Going Grey
Sherwin-Williams
Classic French Gray
0077 · LRV 24
Sherwin-Williams
Going Grey
9554 · LRV 22

Their light reflectance is nearly identical (LRV 24 vs 22), so neither reads brighter in a room.

Cityscape
Cityscape
Going Grey
Going Grey
Cityscape vs Going Grey
Sherwin-Williams
Cityscape
7067 · LRV 22
Sherwin-Williams
Going Grey
9554 · LRV 22

Their light reflectance is nearly identical (LRV 22 vs 22), so neither reads brighter in a room.

Going Grey
Going Grey
Settlement
Going Grey vs Settlement
Sherwin-Williams
Going Grey
9554 · LRV 22
Sherwin-Williams
Settlement
9594 · LRV 19

Their light reflectance is nearly identical (LRV 22 vs 19), so neither reads brighter in a room.

Attitude Gray
Attitude Gray
Going Grey
Going Grey
Attitude Gray vs Going Grey
Sherwin-Williams
Attitude Gray
7060 · LRV 20
Sherwin-Williams
Going Grey
9554 · LRV 22

With LRVs of 22 and 20, the two reflect almost the same amount of light.

Going Grey
Going Grey
Link Gray
Link Gray
Going Grey vs Link Gray
Sherwin-Williams
Going Grey
9554 · LRV 22
Sherwin-Williams
Link Gray
6200 · LRV 21

With LRVs of 22 and 21, the two reflect almost the same amount of light.

Anonymous
Anonymous
Going Grey
Going Grey
Anonymous vs Going Grey
Sherwin-Williams
Anonymous
7046 · LRV 20
Sherwin-Williams
Going Grey
9554 · LRV 22

Their light reflectance is nearly identical (LRV 22 vs 20), so neither reads brighter in a room.

Alloy
Alloy
Going Grey
Going Grey
Alloy vs Going Grey
Sherwin-Williams
Alloy
9569 · LRV 25
Sherwin-Williams
Going Grey
9554 · LRV 22

A 4-point LRV gap (25 vs 22) makes Alloy the marginally brighter of the two.

Going Grey
Going Grey
Westchester Gray
Westchester Gray
Going Grey vs Westchester Gray
Sherwin-Williams
Going Grey
9554 · LRV 22
Sherwin-Williams
Westchester Gray
2849 · LRV 19

Their light reflectance is nearly identical (LRV 22 vs 19), so neither reads brighter in a room.

Going Grey
Going Grey
Solitary Slate
Going Grey vs Solitary Slate
Sherwin-Williams
Going Grey
9554 · LRV 22
Sherwin-Williams
Solitary Slate
9598 · LRV 19

Their light reflectance is nearly identical (LRV 22 vs 19), so neither reads brighter in a room.

Going Grey
Going Grey
Mink
Mink
Going Grey vs Mink
Sherwin-Williams
Going Grey
9554 · LRV 22
Sherwin-Williams
Mink
6004 · LRV 20

Their light reflectance is nearly identical (LRV 22 vs 20), so neither reads brighter in a room.

Complementary Colors

Going Grey
Going Grey
Sea Mariner
Sea Mariner
Going Grey vs Sea Mariner
Sherwin-Williams
Going Grey
9554 · LRV 22
Sherwin-Williams
Sea Mariner
9640 · LRV 7

Going Grey reflects far more light (LRV 22 vs 7), opening up a space where Sea Mariner encloses it.

Going Grey
Going Grey
Starry Night
Starry Night
Going Grey vs Starry Night
Sherwin-Williams
Going Grey
9554 · LRV 22
Sherwin-Williams
Starry Night
6540 · LRV 69

Starry Night reflects far more light (LRV 69 vs 22), opening up a space where Going Grey encloses it.

Going Grey
Going Grey
Soulful Blue
Soulful Blue
Going Grey vs Soulful Blue
Sherwin-Williams
Going Grey
9554 · LRV 22
Sherwin-Williams
Soulful Blue
6543 · LRV 20

Their light reflectance is nearly identical (LRV 22 vs 20), so neither reads brighter in a room.

Dusty Heather
Dusty Heather
Going Grey
Going Grey
Dusty Heather vs Going Grey
Sherwin-Williams
Dusty Heather
9073 · LRV 28
Sherwin-Williams
Going Grey
9554 · LRV 22

A 6-point LRV gap (28 vs 22) makes Dusty Heather the marginally brighter of the two.

Going Grey
Going Grey
Lakeside
Lakeside
Going Grey vs Lakeside
Sherwin-Williams
Going Grey
9554 · LRV 22
Sherwin-Williams
Lakeside
9683 · LRV 47

Lakeside reflects far more light (LRV 47 vs 22), opening up a space where Going Grey encloses it.

After the Storm
After the Storm
Going Grey
Going Grey
After the Storm vs Going Grey
Sherwin-Williams
After the Storm
9685 · LRV 3
Sherwin-Williams
Going Grey
9554 · LRV 22

Going Grey reflects far more light (LRV 22 vs 3), opening up a space where After the Storm encloses it.

Going Grey
Going Grey
Lavender Wisp
Going Grey vs Lavender Wisp
Sherwin-Williams
Going Grey
9554 · LRV 22
Sherwin-Williams
Lavender Wisp
7138 · LRV 83

At LRV 83 vs 22, Lavender Wisp is decisively the brighter choice.

Lighter Colors

Going Grey
Going Grey
Summit Gray
Summit Gray
Going Grey vs Summit Gray
Sherwin-Williams
Going Grey
9554 · LRV 22
Sherwin-Williams
Summit Gray
7669 · LRV 30

A 8-point LRV gap (30 vs 22) makes Summit Gray the marginally brighter of the two.

Bedrock
Bedrock
Going Grey
Going Grey
Bedrock vs Going Grey
Sherwin-Williams
Bedrock
9563 · LRV 34
Sherwin-Williams
Going Grey
9554 · LRV 22

Bedrock reflects far more light (LRV 34 vs 22), opening up a space where Going Grey encloses it.

Going Grey
Going Grey
Pewter Cast
Pewter Cast
Going Grey vs Pewter Cast
Sherwin-Williams
Going Grey
9554 · LRV 22
Sherwin-Williams
Pewter Cast
7673 · LRV 31

A 10-point LRV gap (31 vs 22) makes Pewter Cast the marginally brighter of the two.

Alloy
Alloy
Going Grey
Going Grey
Alloy vs Going Grey
Sherwin-Williams
Alloy
9569 · LRV 25
Sherwin-Williams
Going Grey
9554 · LRV 22

A 4-point LRV gap (25 vs 22) makes Alloy the marginally brighter of the two.

Darker Colors

Going Grey
Going Grey
Settlement
Going Grey vs Settlement
Sherwin-Williams
Going Grey
9554 · LRV 22
Sherwin-Williams
Settlement
9594 · LRV 19

Their light reflectance is nearly identical (LRV 22 vs 19), so neither reads brighter in a room.

Going Grey
Going Grey
Limestone
Going Grey vs Limestone
Sherwin-Williams
Going Grey
9554 · LRV 22
Sherwin-Williams
Limestone
9599 · LRV 13

Going Grey reads slightly lighter (LRV 22 vs 13), a gap that shows most in low-lit rooms.

Going Grey
Going Grey
Thunder Gray
Thunder Gray
Going Grey vs Thunder Gray
Sherwin-Williams
Going Grey
9554 · LRV 22
Sherwin-Williams
Thunder Gray
7645 · LRV 9

Going Grey reflects far more light (LRV 22 vs 9), opening up a space where Thunder Gray encloses it.

Going Grey
Going Grey
Urbane Bronze
Urbane Bronze
Going Grey vs Urbane Bronze
Sherwin-Williams
Going Grey
9554 · LRV 22
Sherwin-Williams
Urbane Bronze
7048 · LRV 8

Going Grey reflects far more light (LRV 22 vs 8), opening up a space where Urbane Bronze encloses it.

Going Grey
Going Grey
Solitary Slate
Going Grey vs Solitary Slate
Sherwin-Williams
Going Grey
9554 · LRV 22
Sherwin-Williams
Solitary Slate
9598 · LRV 19

Their light reflectance is nearly identical (LRV 22 vs 19), so neither reads brighter in a room.

Color Codes

HEX#83807A
RGB131, 128, 122
HSL40° 4% 50%
CMYK0 2 7 49
CIE LabL: 53.7 a: -0.0 b: 3.6
XYZX: 20.59 Y: 21.67 Z: 21.51