Going Grey vs Lunar Lite
Both from Sherwin-Williams's palette. Going Grey reads as grey, while Lunar Lite reads as greige-grey — two distinct hue families, not close cousins. Lunar Lite (LRV 73) reflects noticeably more light than Going Grey (LRV 22), a difference of 51 points that becomes especially apparent in rooms with limited natural light. Going Grey runs neutral while Lunar Lite is decidedly warm, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 34.6, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Going Grey vs Lunar Lite in Real Spaces
1 real room side by side. Seeing Going Grey and Lunar Lite in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The LRV gap is large enough that Lunar Lite will make the room feel meaningfully brighter than Going Grey would.
Color Details
Going Grey vs Lunar Lite Simulated Comparison
5 simulated room previews — drag the slider on each to see Going Grey on one side and Lunar Lite on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.