Going Grey vs Winsome Grey
Both from Sherwin-Williams's palette. Going Grey reads as grey, while Winsome Grey reads as grey-white — two distinct hue families, not close cousins. Winsome Grey (LRV 81) reflects noticeably more light than Going Grey (LRV 22), a difference of 59 points that becomes especially apparent in rooms with limited natural light. Both lean neutral, so they'll behave similarly in mixed or changing light conditions. With a ΔE of 38.6, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Going Grey vs Winsome Grey Simulated Comparison
5 simulated room previews — drag the slider on each to see Going Grey on one side and Winsome Grey on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Going Grey comparisons
See how Going Grey stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 22, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 22), opening up a space where Going Grey encloses it.
At LRV 22 vs 6, Going Grey is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 22), opening up a space where Going Grey encloses it.
Evergreen Fog reads slightly lighter (LRV 30 vs 22), a gap that shows most in low-lit rooms.
At LRV 52 vs 22, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 22), opening up a space where Going Grey encloses it.
At LRV 58 vs 22, Accessible Beige is decisively the brighter choice.
A 5-point LRV gap (27 vs 22) makes Denim Drift the marginally brighter of the two.
French Gray reflects far more light (LRV 43 vs 22), opening up a space where Going Grey encloses it.
Going Grey reflects far more light (LRV 22 vs 4), opening up a space where Naval encloses it.
At LRV 55 vs 22, Tranquil Dawn is decisively the brighter choice.
A 8-point LRV gap (22 vs 13) makes Going Grey the marginally brighter of the two.
At LRV 44 vs 22, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 22), opening up a space where Going Grey encloses it.
With LRVs of 22 and 21, the two reflect almost the same amount of light.
At LRV 66 vs 22, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 22, Shoji White is decisively the brighter choice.
At LRV 83 vs 22, Snowbound is decisively the brighter choice.
A 10-point LRV gap (22 vs 12) makes Going Grey the marginally brighter of the two.
At LRV 68 vs 22, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 22), opening up a space where Going Grey encloses it.
Calamine reflects far more light (LRV 68 vs 22), opening up a space where Going Grey encloses it.
Treron reads slightly lighter (LRV 25 vs 22), a gap that shows most in low-lit rooms.
A 10-point LRV gap (22 vs 12) makes Going Grey the marginally brighter of the two.
At LRV 45 vs 22, Saybrook Sage is decisively the brighter choice.
Pale Green reads slightly lighter (LRV 31 vs 22), a gap that shows most in low-lit rooms.
Going Grey reflects far more light (LRV 22 vs 7), opening up a space where Pine Needle encloses it.
With LRVs of 24 and 22, the two reflect almost the same amount of light.
Guilford Green reflects far more light (LRV 57 vs 22), opening up a space where Going Grey encloses it.