Granite Peak vs Slate Tile
Both are Sherwin-Williams colors. Both sit in the blue-grey family, which is useful context if you're narrowing within a single hue direction. With LRVs of 14 and 15, they'll behave almost identically in terms of how much light they reflect back into a room. They share a cool quality — useful to know if you're layering them in the same space. With a ΔE of 2.9, the difference is subtle — you'd need them side by side to reliably tell them apart. Below you'll find 5 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Granite Peak vs Slate Tile in Real Spaces
5 real rooms side by side. Granite Peak and Slate Tile are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
Living rooms test a color across a full range of conditions — morning sun, afternoon shade, and evening lamp light all shift how both of these read. In photos like these you're seeing the difference at its most direct. In a finished room, the distinction is there but not dramatic.
Bathroom
Bathrooms amplify color — the enclosed space and reflective surfaces make what reads subtle elsewhere feel more present here. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Home Office
In a home office, wall color sits in your peripheral vision for hours at a time, so temperature and undertone matter more than you might expect. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
House
At full exterior scale, the difference between these two colors becomes much easier to judge than from a small chip. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Kitchen Cabinets
On cabinetry, undertone and temperature become more pronounced against countertops and hardware. The two are close enough that the choice comes down to finer qualities — undertone, texture, what the color sits next to.
Color Details
Granite Peak vs Slate Tile Simulated Comparison
5 simulated room previews — drag the slider on each to see Granite Peak on one side and Slate Tile on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Granite Peak comparisons
See how Granite Peak stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 14, White Dove is decisively the brighter choice.
Ammonite reflects far more light (LRV 69 vs 14), opening up a space where Granite Peak encloses it.
A 9-point LRV gap (14 vs 6) makes Granite Peak the marginally brighter of the two.
Purbeck Stone reflects far more light (LRV 52 vs 14), opening up a space where Granite Peak encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 14), opening up a space where Granite Peak encloses it.
At LRV 52 vs 14, Mizzle is decisively the brighter choice.
Agreeable Gray reflects far more light (LRV 60 vs 14), opening up a space where Granite Peak encloses it.
At LRV 58 vs 14, Accessible Beige is decisively the brighter choice.
At LRV 27 vs 14, Denim Drift is decisively the brighter choice.
French Gray reflects far more light (LRV 43 vs 14), opening up a space where Granite Peak encloses it.
Granite Peak reads slightly lighter (LRV 14 vs 4), a gap that shows most in low-lit rooms.
At LRV 55 vs 14, Tranquil Dawn is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 14 vs 13), so neither reads brighter in a room.
At LRV 44 vs 14, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 14), opening up a space where Granite Peak encloses it.
Artichoke reads slightly lighter (LRV 21 vs 14), a gap that shows most in low-lit rooms.
At LRV 66 vs 14, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 14, Shoji White is decisively the brighter choice.
At LRV 83 vs 14, Snowbound is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 14 vs 12), so neither reads brighter in a room.
At LRV 68 vs 14, Skimming Stone is decisively the brighter choice.
Dix Blue reflects far more light (LRV 41 vs 14), opening up a space where Granite Peak encloses it.
Calamine reflects far more light (LRV 68 vs 14), opening up a space where Granite Peak encloses it.
Treron reads slightly lighter (LRV 25 vs 14), a gap that shows most in low-lit rooms.
Their light reflectance is nearly identical (LRV 14 vs 12), so neither reads brighter in a room.
At LRV 45 vs 14, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 14), opening up a space where Granite Peak encloses it.
Granite Peak reads slightly lighter (LRV 14 vs 7), a gap that shows most in low-lit rooms.
Cement grey reads slightly lighter (LRV 24 vs 14), a gap that shows most in low-lit rooms.
Guilford Green reflects far more light (LRV 57 vs 14), opening up a space where Granite Peak encloses it.