Hyacinth Tint vs Upward
Both from Sherwin-Williams's palette. Both sit in the blue family, which is useful context if you're narrowing within a single hue direction. They have nearly identical light reflectance values (60 vs 57), so they'll read as similarly Light in most lighting conditions. Both lean cool, so they'll behave similarly in mixed or changing light conditions. The ΔE 7.6 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Hyacinth Tint vs Upward Simulated Comparison
5 simulated room previews — drag the slider on each to see Hyacinth Tint on one side and Upward on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Hyacinth Tint comparisons
See how Hyacinth Tint stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 60, White Dove is decisively the brighter choice.
Ammonite reads slightly lighter (LRV 69 vs 60), a gap that shows most in low-lit rooms.
At LRV 60 vs 6, Hyacinth Tint is decisively the brighter choice.
Hyacinth Tint reads slightly lighter (LRV 60 vs 52), a gap that shows most in low-lit rooms.
Hyacinth Tint reflects far more light (LRV 60 vs 30), opening up a space where Evergreen Fog encloses it.
A 8-point LRV gap (60 vs 52) makes Hyacinth Tint the marginally brighter of the two.
With LRVs of 60 and 60, the two reflect almost the same amount of light.
Their light reflectance is nearly identical (LRV 60 vs 58), so neither reads brighter in a room.
At LRV 60 vs 27, Hyacinth Tint is decisively the brighter choice.
Hyacinth Tint reflects far more light (LRV 60 vs 43), opening up a space where French Gray encloses it.
Hyacinth Tint reflects far more light (LRV 60 vs 4), opening up a space where Naval encloses it.
A 5-point LRV gap (60 vs 55) makes Hyacinth Tint the marginally brighter of the two.
At LRV 60 vs 13, Hyacinth Tint is decisively the brighter choice.
At LRV 60 vs 44, Hyacinth Tint is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 60), opening up a space where Hyacinth Tint encloses it.
Hyacinth Tint reflects far more light (LRV 60 vs 21), opening up a space where Artichoke encloses it.
A 6-point LRV gap (66 vs 60) makes Balboa Mist the marginally brighter of the two.
At LRV 74 vs 60, Shoji White is decisively the brighter choice.
At LRV 83 vs 60, Snowbound is decisively the brighter choice.
At LRV 60 vs 12, Hyacinth Tint is decisively the brighter choice.
A 8-point LRV gap (68 vs 60) makes Skimming Stone the marginally brighter of the two.
Hyacinth Tint reflects far more light (LRV 60 vs 41), opening up a space where Dix Blue encloses it.
Calamine reads slightly lighter (LRV 68 vs 60), a gap that shows most in low-lit rooms.
Hyacinth Tint reflects far more light (LRV 60 vs 25), opening up a space where Treron encloses it.
At LRV 60 vs 12, Hyacinth Tint is decisively the brighter choice.
At LRV 60 vs 45, Hyacinth Tint is decisively the brighter choice.
Hyacinth Tint reflects far more light (LRV 60 vs 31), opening up a space where Pale Green encloses it.
Hyacinth Tint reflects far more light (LRV 60 vs 7), opening up a space where Pine Needle encloses it.
Hyacinth Tint reflects far more light (LRV 60 vs 24), opening up a space where Cement grey encloses it.
With LRVs of 60 and 57, the two reflect almost the same amount of light.