Positive Red vs Raging Sea paint color comparison

Positive Red vs Raging Sea

Positive RedSherwin-WilliamsvsRaging SeaSherwin-WilliamsΔE 73.4Very different colors

Both are Sherwin-Williams colors. Positive Red reads as pink-red, while Raging Sea reads as blue-green — two distinct hue families, not close cousins. At LRV 14 vs 11, Raging Sea will read as the brighter of the two — a 3-point gap that matters most in north-facing or low-light rooms. The tonal difference — Positive Red's warm character against Raging Sea's cool — becomes most visible against white trim or in morning light. At ΔE 73.4, these are genuinely distinct colors — a strong contrast if used together, or a meaningful choice between two different directions. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.

Positive Red vs Raging Sea in Real Spaces

1 real room side by side. Seeing Positive Red and Raging Sea in actual rooms makes the difference concrete; browse the spaces below to get a feel for how each color lives on a wall.

Front Door

Front doors are seen in isolation against the rest of the facade, which makes them a high-stakes surface where even subtle differences matter. Raging Sea reads more restrained here, while Positive Red adds a sense of enclosure and warmth.

Positive RedSherwin Williams Positive Red front door paint review

@campgilmore

Raging SeaDoor

@kathleenaanderson

Color Details

Positive Red
Sherwin-Williams · 6871
Hex#AD2C34
LRV10.9
BrandSherwin-Williams
Number6871
Undertone
TemperatureWarm
BrightnessDark
Raging Sea
Sherwin-Williams · 6474
Hex#476F65
LRV13.7
BrandSherwin-Williams
Number6474
Undertone
TemperatureCool
BrightnessDark

Positive Red vs Raging Sea Simulated Comparison

5 simulated room previews — drag the slider on each to see Positive Red on one side and Raging Sea on the other.

Bathroom
Bedroom
House
Kitchen Cabinets
Living Room

Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.

More Positive Red comparisons

See how Positive Red stacks up against other well-photographed colors across different brands and tones.

White Dove
Positive Red
White Dove
Positive Red
Sherwin-Williams
Positive Red
6871 · LRV 11

White Dove reflects far more light (LRV 83 vs 11), opening up a space where Positive Red encloses it.

Ammonite
Positive Red
Ammonite
Positive Red
Farrow & Ball
Ammonite
LRV 69
Sherwin-Williams
Positive Red
6871 · LRV 11

At LRV 69 vs 11, Ammonite is decisively the brighter choice.

Iron Ore
Positive Red
Iron Ore
Positive Red
Sherwin-Williams
Positive Red
6871 · LRV 11

Positive Red reads slightly lighter (LRV 11 vs 6), a gap that shows most in low-lit rooms.

Purbeck Stone
Positive Red
Purbeck Stone
Positive Red
Sherwin-Williams
Positive Red
6871 · LRV 11

At LRV 52 vs 11, Purbeck Stone is decisively the brighter choice.

Evergreen Fog
Positive Red
Evergreen Fog
Positive Red
Sherwin-Williams
Positive Red
6871 · LRV 11

At LRV 30 vs 11, Evergreen Fog is decisively the brighter choice.

Mizzle
Positive Red
Mizzle
Positive Red
Farrow & Ball
Mizzle
LRV 52
Sherwin-Williams
Positive Red
6871 · LRV 11

Mizzle reflects far more light (LRV 52 vs 11), opening up a space where Positive Red encloses it.

Agreeable Gray
Positive Red
Agreeable Gray
Positive Red
Sherwin-Williams
Positive Red
6871 · LRV 11

At LRV 60 vs 11, Agreeable Gray is decisively the brighter choice.

Accessible Beige
Positive Red
Accessible Beige
Positive Red
Sherwin-Williams
Positive Red
6871 · LRV 11

Accessible Beige reflects far more light (LRV 58 vs 11), opening up a space where Positive Red encloses it.

Denim Drift
Positive Red
Denim Drift
Positive Red
Sherwin-Williams
Positive Red
6871 · LRV 11

Denim Drift reflects far more light (LRV 27 vs 11), opening up a space where Positive Red encloses it.

French Gray
Positive Red
French Gray
Positive Red
Sherwin-Williams
Positive Red
6871 · LRV 11

At LRV 43 vs 11, French Gray is decisively the brighter choice.

Naval
Positive Red
Naval
Positive Red
Sherwin-Williams
Naval
LRV 4
Sherwin-Williams
Positive Red
6871 · LRV 11

A 6-point LRV gap (11 vs 4) makes Positive Red the marginally brighter of the two.

Tranquil Dawn
Positive Red
Tranquil Dawn
Positive Red
Sherwin-Williams
Positive Red
6871 · LRV 11

Tranquil Dawn reflects far more light (LRV 55 vs 11), opening up a space where Positive Red encloses it.

Bancha
Positive Red
Bancha
Positive Red
Farrow & Ball
Bancha
LRV 13
Sherwin-Williams
Positive Red
6871 · LRV 11

With LRVs of 13 and 11, the two reflect almost the same amount of light.

Hardwick White
Positive Red
Hardwick White
Positive Red
Sherwin-Williams
Positive Red
6871 · LRV 11

Hardwick White reflects far more light (LRV 44 vs 11), opening up a space where Positive Red encloses it.

Positive Red
Pure White
Positive Red
Pure White
Sherwin-Williams
Positive Red
6871 · LRV 11

At LRV 84 vs 11, Pure White is decisively the brighter choice.

Artichoke
Positive Red
Artichoke
Positive Red
Sherwin-Williams
Artichoke
LRV 21
Sherwin-Williams
Positive Red
6871 · LRV 11

A 11-point LRV gap (21 vs 11) makes Artichoke the marginally brighter of the two.

Balboa Mist
Positive Red
Balboa Mist
Positive Red
Sherwin-Williams
Positive Red
6871 · LRV 11

Balboa Mist reflects far more light (LRV 66 vs 11), opening up a space where Positive Red encloses it.

Positive Red
Shoji White
Positive Red
Shoji White
Sherwin-Williams
Positive Red
6871 · LRV 11

Shoji White reflects far more light (LRV 74 vs 11), opening up a space where Positive Red encloses it.

Positive Red
Snowbound
Positive Red
Snowbound
Sherwin-Williams
Positive Red
6871 · LRV 11
Sherwin-Williams
Snowbound
LRV 83

Snowbound reflects far more light (LRV 83 vs 11), opening up a space where Positive Red encloses it.

Pewter Green
Positive Red
Pewter Green
Positive Red
Sherwin-Williams
Positive Red
6871 · LRV 11

With LRVs of 12 and 11, the two reflect almost the same amount of light.

Skimming Stone
Positive Red
Skimming Stone
Positive Red
Sherwin-Williams
Positive Red
6871 · LRV 11

Skimming Stone reflects far more light (LRV 68 vs 11), opening up a space where Positive Red encloses it.

Dix Blue
Positive Red
Dix Blue
Positive Red
Farrow & Ball
Dix Blue
LRV 41
Sherwin-Williams
Positive Red
6871 · LRV 11

At LRV 41 vs 11, Dix Blue is decisively the brighter choice.

Calamine
Positive Red
Calamine
Positive Red
Farrow & Ball
Calamine
LRV 68
Sherwin-Williams
Positive Red
6871 · LRV 11

At LRV 68 vs 11, Calamine is decisively the brighter choice.

Treron
Positive Red
Treron
Positive Red
Farrow & Ball
Treron
LRV 25
Sherwin-Williams
Positive Red
6871 · LRV 11

At LRV 25 vs 11, Treron is decisively the brighter choice.

Vintage Vogue
Positive Red
Vintage Vogue
Positive Red
Sherwin-Williams
Positive Red
6871 · LRV 11

With LRVs of 12 and 11, the two reflect almost the same amount of light.

Saybrook Sage
Positive Red
Saybrook Sage
Positive Red
Sherwin-Williams
Positive Red
6871 · LRV 11

Saybrook Sage reflects far more light (LRV 45 vs 11), opening up a space where Positive Red encloses it.

Pale Green
Positive Red
Pale Green
Positive Red
RAL ClassicClassic
Pale Green
LRV 31
Sherwin-Williams
Positive Red
6871 · LRV 11

At LRV 31 vs 11, Pale Green is decisively the brighter choice.

Pine Needle
Positive Red
Pine Needle
Positive Red
Sherwin-Williams
Positive Red
6871 · LRV 11

A 4-point LRV gap (11 vs 7) makes Positive Red the marginally brighter of the two.

Cement grey
Positive Red
Cement grey
Positive Red
RAL ClassicClassic
Cement grey
LRV 24
Sherwin-Williams
Positive Red
6871 · LRV 11

At LRV 24 vs 11, Cement grey is decisively the brighter choice.

Guilford Green
Positive Red
Guilford Green
Positive Red
Sherwin-Williams
Positive Red
6871 · LRV 11

At LRV 57 vs 11, Guilford Green is decisively the brighter choice.