Match Adobe Orange

Benjamin Moore Adobe Orange is a deep, low-reflectance shade, warm in character with an LRV of 25. The matches below are the closest equivalents available across every brand on Pontata, ranked by ΔE — a perceptual color difference score. A ΔE under 3 is subtle; under 10 is noticeable but harmonious; above 25 means genuinely different colors.

View full Adobe Orange color page →
Adobe Orange
Benjamin Moore
Adobe Orange
2171-30#D36651LRV 25Warm

Closest matches across every brand

One match per brand, ranked by ΔE — a perceptual color difference score calculated from Lab color space values. Lower is closer. Click any card to compare side by side in simulated rooms.

Adobe Orange
Adobe Orange
Emotional
Emotional
Adobe Orange vs Emotional
Benjamin Moore
Adobe Orange
2171-30 · LRV 25
Sherwin-Williams
Emotional
6621 · LRV 21

A 4-point LRV gap (25 vs 21) makes Adobe Orange the marginally brighter of the two. The ΔE 4.1 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 4.1Noticeable
Adobe Orange
Adobe Orange
Rich Coral
Rich Coral
Adobe Orange vs Rich Coral
Benjamin Moore
Adobe Orange
2171-30 · LRV 25
Benjamin Moore
Rich Coral
028 · LRV 24

Their light reflectance is nearly identical (LRV 25 vs 24), so neither reads brighter in a room. The ΔE 4.9 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 4.9Noticeable
Adobe Orange
Adobe Orange
Rustic Pottery
Adobe Orange vs Rustic Pottery
Benjamin Moore
Adobe Orange
2171-30 · LRV 25
PPG
Rustic Pottery
PPG1193-6 · LRV 28

Rustic Pottery reads slightly lighter (LRV 28 vs 25), a gap that shows most in low-lit rooms. At ΔE 5.1 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 5.1Noticeable
Watermelon Slice
Adobe Orange
Adobe Orange
Watermelon Slice vs Adobe Orange
Behr
Watermelon Slice
P180-5 · LRV 32
Benjamin Moore
Adobe Orange
2171-30 · LRV 25

A 8-point LRV gap (32 vs 25) makes Watermelon Slice the marginally brighter of the two. The ΔE 8.1 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 8.1Noticeable
Adobe Orange
Adobe Orange
Orange Aurora
Orange Aurora
Adobe Orange vs Orange Aurora
Benjamin Moore
Adobe Orange
2171-30 · LRV 25
Little Greene
Orange Aurora
21 · LRV 26

Their light reflectance is nearly identical (LRV 26 vs 25), so neither reads brighter in a room. The ΔE 9.4 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 9.4Noticeable
Adobe Orange
Adobe Orange
Best of the Bunch
Best of the Bunch
Adobe Orange vs Best of the Bunch
Benjamin Moore
Adobe Orange
2171-30 · LRV 25
Cloverdale Paint
Best of the Bunch
1068 · LRV 19

A 6-point LRV gap (25 vs 19) makes Adobe Orange the marginally brighter of the two. The ΔE 9.5 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 9.5Noticeable
Adobe Orange
Adobe Orange
RAL 410-1
RAL 410-1
Adobe Orange vs RAL 410-1
Benjamin Moore
Adobe Orange
2171-30 · LRV 25
RAL EffectEffect
RAL 410-1
RAL 410-1 · LRV 34

A 10-point LRV gap (34 vs 25) makes RAL 410-1 the marginally brighter of the two. The ΔE 9.9 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 9.9Noticeable
Adobe Orange
Adobe Orange
Charlotte's Locks
Charlotte's Locks
Adobe Orange vs Charlotte's Locks
Benjamin Moore
Adobe Orange
2171-30 · LRV 25
Farrow & Ball
Charlotte's Locks
268 · LRV 21

A 3-point LRV gap (25 vs 21) makes Adobe Orange the marginally brighter of the two. A ΔE of 10.4 puts them firmly in different territory — a strong contrast if combined.

Compare ↔ΔE 10.4Distinct
Adobe Orange
Adobe Orange
Rocket Fire
Adobe Orange vs Rocket Fire
Benjamin Moore
Adobe Orange
2171-30 · LRV 25
Dulux
Rocket Fire
34YR 23/583 · LRV 23

With LRVs of 25 and 23, the two reflect almost the same amount of light. At ΔE 12.6 these are two genuinely different directions, not variations on a theme.

Compare ↔ΔE 12.6Distinct
Adobe Orange
Adobe Orange
Flamingo
Adobe Orange vs Flamingo
Benjamin Moore
Adobe Orange
2171-30 · LRV 25
Tikkurila
Flamingo
K319 · LRV 34

Flamingo reads slightly lighter (LRV 34 vs 25), a gap that shows most in low-lit rooms. At ΔE 14.1 these are two genuinely different directions, not variations on a theme.

Compare ↔ΔE 14.1Distinct
Adobe Orange
Adobe Orange
Statement Red
Statement Red
Adobe Orange vs Statement Red
Benjamin Moore
Adobe Orange
2171-30 · LRV 25
Jotun
Statement Red
20207 · LRV 15

Adobe Orange reads slightly lighter (LRV 25 vs 15), a gap that shows most in low-lit rooms. At ΔE 17.2 these are two genuinely different directions, not variations on a theme.

Compare ↔ΔE 17.2Distinct
Adobe Orange
Adobe Orange
Orange brown
Orange brown
Adobe Orange vs Orange brown
Benjamin Moore
Adobe Orange
2171-30 · LRV 25
RAL ClassicClassic
Orange brown
RAL 8023 · LRV 18

Adobe Orange reads slightly lighter (LRV 25 vs 18), a gap that shows most in low-lit rooms. At ΔE 18.6 these are two genuinely different directions, not variations on a theme.

Compare ↔ΔE 18.6Distinct
Adobe Orange
Adobe Orange
Pinch of Clove
Pinch of Clove
Adobe Orange vs Pinch of Clove
Benjamin Moore
Adobe Orange
2171-30 · LRV 25
Valspar
Pinch of Clove
P082 · LRV 31

Pinch of Clove reads slightly lighter (LRV 31 vs 25), a gap that shows most in low-lit rooms. At ΔE 18.9 these are two genuinely different directions, not variations on a theme.

Compare ↔ΔE 18.9Distinct
Adobe Orange
Adobe Orange
S 5040-Y80R
S 5040-Y80R
Adobe Orange vs S 5040-Y80R
Benjamin Moore
Adobe Orange
2171-30 · LRV 25
NCS
S 5040-Y80R
S 5040-Y80R · LRV 7

Adobe Orange reflects far more light (LRV 25 vs 7), opening up a space where S 5040-Y80R encloses it. At ΔE 28.4 these are two genuinely different directions, not variations on a theme.

Compare ↔ΔE 28.4Very different