Match After Midnight

Benjamin Moore After Midnight is a deep, low-reflectance shade, cool in character with an LRV of 6. The matches below are ranked by ΔE, a perceptual color-difference score.

View full After Midnight color page →
After Midnight
Benjamin Moore
After Midnight
CSP-630#33383ELRV 6Cool

Closest matches across every brand

One match per brand, ranked by ΔE — a perceptual color difference score calculated from Lab color space values. Lower is closer. Click any card to compare side by side in simulated rooms.

After Midnight
After Midnight
Inkwell
Inkwell
After Midnight vs Inkwell
Benjamin Moore
After Midnight
CSP-630 · LRV 6
Sherwin-Williams
Inkwell
6992 · LRV 4

Their light reflectance is nearly identical (LRV 6 vs 4), so neither reads brighter in a room. A ΔE of 1.6 means the difference barely reads in a finished room.

Compare ↔ΔE 1.6Subtle
After Midnight
After Midnight
Soot
Soot
After Midnight vs Soot
Benjamin Moore
After Midnight
CSP-630 · LRV 6
Benjamin Moore
Soot
2129-20 · LRV 6

Their light reflectance is nearly identical (LRV 6 vs 6), so neither reads brighter in a room. A ΔE of 1.9 means the difference barely reads in a finished room.

Compare ↔ΔE 1.9Subtle
After Midnight
After Midnight
RAL 790-3
RAL 790-3
After Midnight vs RAL 790-3
Benjamin Moore
After Midnight
CSP-630 · LRV 6
RAL EffectEffect
RAL 790-3
RAL 790-3 · LRV 4

With LRVs of 6 and 4, the two reflect almost the same amount of light. At ΔE 2.4 you'd need them side by side to tell them apart.

Compare ↔ΔE 2.4Subtle
After Midnight
Evening in Paris
After Midnight
Benjamin Moore
After Midnight
CSP-630 · LRV 6

Evening in Paris reflects far more light (LRV 28 vs 6), opening up a space where After Midnight encloses it. At ΔE 2.7 you'd need them side by side to tell them apart.

Compare ↔ΔE 2.7Subtle
After Midnight
After Midnight
Anthracite grey
Anthracite grey
After Midnight vs Anthracite grey
Benjamin Moore
After Midnight
CSP-630 · LRV 6
RAL ClassicClassic
Anthracite grey
RAL 7016 · LRV 8

Their light reflectance is nearly identical (LRV 8 vs 6), so neither reads brighter in a room. A ΔE of 2.9 means the difference barely reads in a finished room.

Compare ↔ΔE 2.9Subtle
After Midnight
After Midnight
Midnight
Midnight
After Midnight vs Midnight
Benjamin Moore
After Midnight
CSP-630 · LRV 6
Cloverdale Paint
Midnight
CA210 · LRV 5

With LRVs of 6 and 5, the two reflect almost the same amount of light. At ΔE 3.5 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 3.5Noticeable
After Midnight
After Midnight
Dock Blue
Dock Blue
After Midnight vs Dock Blue
Benjamin Moore
After Midnight
CSP-630 · LRV 6
Little Greene
Dock Blue
252 · LRV 4

With LRVs of 6 and 4, the two reflect almost the same amount of light. At ΔE 3.7 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 3.7Noticeable
After Midnight
After Midnight
Nocturnal Green
Nocturnal Green
After Midnight vs Nocturnal Green
Benjamin Moore
After Midnight
CSP-630 · LRV 6
Valspar
Nocturnal Green
5011-1 · LRV 3

With LRVs of 6 and 3, the two reflect almost the same amount of light. At ΔE 4.1 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 4.1Noticeable
After Midnight
After Midnight
Starless Sky
Starless Sky
After Midnight vs Starless Sky
Benjamin Moore
After Midnight
CSP-630 · LRV 6
PPG
Starless Sky
PPG0995-7 · LRV 5

Their light reflectance is nearly identical (LRV 6 vs 5), so neither reads brighter in a room. The ΔE 4.9 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 4.9Noticeable
After Midnight
After Midnight
Sapphire Splendor
Sapphire Splendor
After Midnight vs Sapphire Splendor
Benjamin Moore
After Midnight
CSP-630 · LRV 6

Their light reflectance is nearly identical (LRV 6 vs 5), so neither reads brighter in a room. The ΔE 5.1 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 5.1Noticeable
After Midnight
After Midnight
Midnight
After Midnight vs Midnight
Benjamin Moore
After Midnight
CSP-630 · LRV 6
Tikkurila
Midnight
Y498 · LRV 6

Their light reflectance is nearly identical (LRV 6 vs 6), so neither reads brighter in a room. The ΔE 5.3 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 5.3Noticeable
After Midnight
After Midnight
Pitch Black
Pitch Black
After Midnight vs Pitch Black
Benjamin Moore
After Midnight
CSP-630 · LRV 6
Farrow & Ball
Pitch Black
256 · LRV 5

Their light reflectance is nearly identical (LRV 6 vs 5), so neither reads brighter in a room. The ΔE 5.6 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 5.6Noticeable
After Midnight
After Midnight
S 8000-N
S 8000-N
After Midnight vs S 8000-N
Benjamin Moore
After Midnight
CSP-630 · LRV 6
NCS
S 8000-N
S 8000-N · LRV 5

With LRVs of 6 and 5, the two reflect almost the same amount of light. At ΔE 6.8 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 6.8Noticeable
After Midnight
After Midnight
Blackened Black
Blackened Black
After Midnight vs Blackened Black
Benjamin Moore
After Midnight
CSP-630 · LRV 6
Jotun
Blackened Black
9938 · LRV 7

With LRVs of 7 and 6, the two reflect almost the same amount of light. At ΔE 9.2 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 9.2Noticeable