Match Antique Glass

Benjamin Moore Antique Glass is a mid-tone shade, cool in character with an LRV of 52. The matches below are ranked by ΔE, a perceptual color-difference score.

View full Antique Glass color page →
Antique Glass
Benjamin Moore
Antique Glass
CSP-695#A7C7BCLRV 52Cool

Closest matches across every brand

One match per brand, ranked by ΔE — a perceptual color difference score calculated from Lab color space values. Lower is closer. Click any card to compare side by side in simulated rooms.

Antique Glass
Antique Glass
Aloe
Aloe
Antique Glass vs Aloe
Benjamin Moore
Antique Glass
CSP-695 · LRV 52
Sherwin-Williams
Aloe
6464 · LRV 55

With LRVs of 55 and 52, the two reflect almost the same amount of light. At ΔE 2.0 you'd need them side by side to tell them apart.

Compare ↔ΔE 2.0Subtle
Antique Glass
Antique Glass
Warm Springs
Antique Glass vs Warm Springs
Benjamin Moore
Antique Glass
CSP-695 · LRV 52
Benjamin Moore
Warm Springs
682 · LRV 53

Their light reflectance is nearly identical (LRV 53 vs 52), so neither reads brighter in a room. A ΔE of 2.1 means the difference barely reads in a finished room.

Compare ↔ΔE 2.1Subtle
Antique Glass
Antique Glass
Copenhagen
Antique Glass vs Copenhagen
Benjamin Moore
Antique Glass
CSP-695 · LRV 52
PPG
Copenhagen
PPG1137-4 · LRV 53

With LRVs of 53 and 52, the two reflect almost the same amount of light. At ΔE 2.6 you'd need them side by side to tell them apart.

Compare ↔ΔE 2.6Subtle
Wintergreen Dream
Wintergreen Dream
Antique Glass
Antique Glass
Wintergreen Dream vs Antique Glass
Behr
Wintergreen Dream
M430-3 · LRV 55
Benjamin Moore
Antique Glass
CSP-695 · LRV 52

With LRVs of 55 and 52, the two reflect almost the same amount of light. At ΔE 2.8 you'd need them side by side to tell them apart.

Compare ↔ΔE 2.8Subtle
Antique Glass
Antique Glass
Plunge
Plunge
Antique Glass vs Plunge
Benjamin Moore
Antique Glass
CSP-695 · LRV 52
Cloverdale Paint
Plunge
0701 · LRV 52

Their light reflectance is nearly identical (LRV 52 vs 52), so neither reads brighter in a room. A ΔE of 3.0 means the difference barely reads in a finished room.

Compare ↔ΔE 3.0Subtle
Antique Glass
Antique Glass
Tiffany
Antique Glass vs Tiffany
Benjamin Moore
Antique Glass
CSP-695 · LRV 52
Tikkurila
Tiffany
X370 · LRV 54

With LRVs of 54 and 52, the two reflect almost the same amount of light. At ΔE 4.3 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 4.3Noticeable
Antique Glass
Antique Glass
Ancona Blue
Ancona Blue
Antique Glass vs Ancona Blue
Benjamin Moore
Antique Glass
CSP-695 · LRV 52
Farrow & Ball
Ancona Blue
9805 · LRV 48

Antique Glass reads slightly lighter (LRV 52 vs 48), a gap that shows most in low-lit rooms. At ΔE 4.9 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 4.9Noticeable
Antique Glass
Antique Glass
Imagine
Imagine
Antique Glass vs Imagine
Benjamin Moore
Antique Glass
CSP-695 · LRV 52
Jotun
Imagine
6383 · LRV 49

A 3-point LRV gap (52 vs 49) makes Antique Glass the marginally brighter of the two. The ΔE 5.0 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 5.0Noticeable
Antique Glass
Antique Glass
RAL 190-6
RAL 190-6
Antique Glass vs RAL 190-6
Benjamin Moore
Antique Glass
CSP-695 · LRV 52
RAL EffectEffect
RAL 190-6
RAL 190-6 · LRV 48

A 4-point LRV gap (52 vs 48) makes Antique Glass the marginally brighter of the two. The ΔE 5.3 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 5.3Noticeable
Antique Glass
Antique Glass
Mediterranean Dusk
Mediterranean Dusk
Antique Glass vs Mediterranean Dusk
Benjamin Moore
Antique Glass
CSP-695 · LRV 52
Valspar
Mediterranean Dusk
M313 · LRV 46

A 6-point LRV gap (52 vs 46) makes Antique Glass the marginally brighter of the two. The ΔE 6.5 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 6.5Noticeable
Antique Glass
Antique Glass
Brighton
Brighton
Antique Glass vs Brighton
Benjamin Moore
Antique Glass
CSP-695 · LRV 52
Little Greene
Brighton
203 · LRV 63

A 11-point LRV gap (63 vs 52) makes Brighton the marginally brighter of the two. The ΔE 6.8 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 6.8Noticeable
Antique Glass
Antique Glass
Mint Macaroon
Mint Macaroon
Antique Glass vs Mint Macaroon
Benjamin Moore
Antique Glass
CSP-695 · LRV 52
Dulux
Mint Macaroon
90GG 64/088 · LRV 64

Mint Macaroon reflects far more light (LRV 64 vs 52), opening up a space where Antique Glass encloses it. At ΔE 7.4 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 7.4Noticeable
Antique Glass
Antique Glass
S 2005-G10Y
S 2005-G10Y
Antique Glass vs S 2005-G10Y
Benjamin Moore
Antique Glass
CSP-695 · LRV 52
NCS
S 2005-G10Y
S 2005-G10Y · LRV 53

With LRVs of 53 and 52, the two reflect almost the same amount of light. At ΔE 9.1 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 9.1Noticeable
Antique Glass
Antique Glass
Agate Grey
Agate Grey
Antique Glass vs Agate Grey
Benjamin Moore
Antique Glass
CSP-695 · LRV 52
RAL ClassicClassic
Agate Grey
RAL 7038 · LRV 45

Antique Glass reads slightly lighter (LRV 52 vs 45), a gap that shows most in low-lit rooms. At ΔE 11.1 these are two genuinely different directions, not variations on a theme.

Compare ↔ΔE 11.1Distinct