Match Sweet 16

Benjamin Moore Sweet 16 is a light-reflective shade, warm in character with an LRV of 64. The matches below are ranked by ΔE, a perceptual color-difference score.

View full Sweet 16 color page →
Sweet 16
Benjamin Moore
Sweet 16
1310#F9C6CCLRV 64Warm

Closest matches across every brand

One match per brand, ranked by ΔE — a perceptual color difference score calculated from Lab color space values. Lower is closer. Click any card to compare side by side in simulated rooms.

Bed of Roses
Sweet 16
Sweet 16
Bed of Roses vs Sweet 16
Benjamin Moore
Bed of Roses
1318 · LRV 61
Benjamin Moore
Sweet 16
1310 · LRV 64

Sweet 16 reads slightly lighter (LRV 64 vs 61), a gap that shows most in low-lit rooms. At ΔE 1.9 you'd need them side by side to tell them apart.

Compare ↔ΔE 1.9Subtle
Sweet 16
Sweet 16
Pale Petunia
Pale Petunia
Sweet 16 vs Pale Petunia
Benjamin Moore
Sweet 16
1310 · LRV 64
Cloverdale Paint
Pale Petunia
1097 · LRV 63

Their light reflectance is nearly identical (LRV 64 vs 63), so neither reads brighter in a room. A ΔE of 2.1 means the difference barely reads in a finished room.

Compare ↔ΔE 2.1Subtle
Sweet 16
Sweet 16
Loveable
Sweet 16 vs Loveable
Benjamin Moore
Sweet 16
1310 · LRV 64
Sherwin-Williams
Loveable
6590 · LRV 61

Their light reflectance is nearly identical (LRV 64 vs 61), so neither reads brighter in a room. A ΔE of 2.7 means the difference barely reads in a finished room.

Compare ↔ΔE 2.7Subtle
Sweet 16
Sweet 16
RAL 450-1
RAL 450-1
Sweet 16 vs RAL 450-1
Benjamin Moore
Sweet 16
1310 · LRV 64
RAL EffectEffect
RAL 450-1
RAL 450-1 · LRV 66

Their light reflectance is nearly identical (LRV 66 vs 64), so neither reads brighter in a room. A ΔE of 2.7 means the difference barely reads in a finished room.

Compare ↔ΔE 2.7Subtle
Sweet 16
Sweet 16
Kendall Rose
Sweet 16 vs Kendall Rose
Benjamin Moore
Sweet 16
1310 · LRV 64
PPG
Kendall Rose
PPG1185-2 · LRV 66

Their light reflectance is nearly identical (LRV 66 vs 64), so neither reads brighter in a room. The ΔE 4.1 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 4.1Noticeable
Sweet 16
Sweet 16
Nancy's Blushes
Nancy's Blushes
Sweet 16 vs Nancy's Blushes
Benjamin Moore
Sweet 16
1310 · LRV 64
Farrow & Ball
Nancy's Blushes
278 · LRV 55

Sweet 16 reads slightly lighter (LRV 64 vs 55), a gap that shows most in low-lit rooms. At ΔE 6.1 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 6.1Noticeable
Sweet 16
Sweet 16
Pink Nevada 5
Pink Nevada 5
Sweet 16 vs Pink Nevada 5
Benjamin Moore
Sweet 16
1310 · LRV 64
Dulux
Pink Nevada 5
90RR 62/124 · LRV 62

Their light reflectance is nearly identical (LRV 64 vs 62), so neither reads brighter in a room. The ΔE 7.2 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 7.2Noticeable
Sweet 16
Sweet 16
Orchid
Sweet 16 vs Orchid
Benjamin Moore
Sweet 16
1310 · LRV 64
Tikkurila
Orchid
Y421 · LRV 67

Orchid reads slightly lighter (LRV 67 vs 64), a gap that shows most in low-lit rooms. At ΔE 7.4 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 7.4Noticeable
Noble Blush
Noble Blush
Sweet 16
Sweet 16
Noble Blush vs Sweet 16
Behr
Noble Blush
MQ4-04 · LRV 57
Benjamin Moore
Sweet 16
1310 · LRV 64

A 7-point LRV gap (64 vs 57) makes Sweet 16 the marginally brighter of the two. The ΔE 8.7 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 8.7Noticeable
Sweet 16
Sweet 16
Pocketful of Promise
Pocketful of Promise
Sweet 16 vs Pocketful of Promise
Benjamin Moore
Sweet 16
1310 · LRV 64
Valspar
Pocketful of Promise
V078-2 · LRV 62

Their light reflectance is nearly identical (LRV 64 vs 62), so neither reads brighter in a room. A ΔE of 10.0 puts them firmly in different territory — a strong contrast if combined.

Compare ↔ΔE 10.0Distinct
Sweet 16
Sweet 16
Confetti
Confetti
Sweet 16 vs Confetti
Benjamin Moore
Sweet 16
1310 · LRV 64
Little Greene
Confetti
274 · LRV 67

Confetti reads slightly lighter (LRV 67 vs 64), a gap that shows most in low-lit rooms. At ΔE 10.5 these are two genuinely different directions, not variations on a theme.

Compare ↔ΔE 10.5Distinct
Sweet 16
Sweet 16
Light pink
Light pink
Sweet 16 vs Light pink
Benjamin Moore
Sweet 16
1310 · LRV 64
RAL ClassicClassic
Light pink
RAL 3015 · LRV 44

Sweet 16 reflects far more light (LRV 64 vs 44), opening up a space where Light pink encloses it. At ΔE 13.5 these are two genuinely different directions, not variations on a theme.

Compare ↔ΔE 13.5Distinct
Sweet 16
Sweet 16
Khajal
Khajal
Sweet 16 vs Khajal
Benjamin Moore
Sweet 16
1310 · LRV 64
Jotun
Khajal
2782 · LRV 59

Sweet 16 reads slightly lighter (LRV 64 vs 59), a gap that shows most in low-lit rooms. At ΔE 14.6 these are two genuinely different directions, not variations on a theme.

Compare ↔ΔE 14.6Distinct
Sweet 16
Sweet 16
S 1005-Y60R
Sweet 16 vs S 1005-Y60R
Benjamin Moore
Sweet 16
1310 · LRV 64
NCS
S 1005-Y60R
S 1005-Y60R · LRV 70

A 6-point LRV gap (70 vs 64) makes S 1005-Y60R the marginally brighter of the two. A ΔE of 16.5 puts them firmly in different territory — a strong contrast if combined.

Compare ↔ΔE 16.5Distinct