Sweet 16 featured
Benjamin Moore1310

Sweet 16

Often used for its versatile and reflective qualities, Sweet 16 remains a staple for Benjamin Moore designers. It is widely considered one of the best colors in its class to provide a clean, timeless feel that works across various lighting conditions. Use our expert data below to help you visualize this color in your home.

Hex

#F9C6CC

LRV

63.72

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Light Reflectance Value
63.72
Medium
TemperatureWarm
UseInterior Only

Coordinating Colors

Metropolitan
Metropolitan
Sweet 16
Sweet 16
Metropolitan vs Sweet 16
Benjamin Moore
Metropolitan
AF-690 · LRV 50
Benjamin Moore
Sweet 16
1310 · LRV 64

Sweet 16 reflects far more light (LRV 64 vs 50), opening up a space where Metropolitan encloses it.

Silver Dollar
Silver Dollar
Sweet 16
Sweet 16
Silver Dollar vs Sweet 16
Benjamin Moore
Silver Dollar
1460 · LRV 44
Benjamin Moore
Sweet 16
1310 · LRV 64

Sweet 16 reflects far more light (LRV 64 vs 44), opening up a space where Silver Dollar encloses it.

Oxford White
Oxford White
Sweet 16
Sweet 16
Oxford White vs Sweet 16
Benjamin Moore
Oxford White
869 · LRV 87
Benjamin Moore
Sweet 16
1310 · LRV 64

Oxford White reflects far more light (LRV 87 vs 64), opening up a space where Sweet 16 encloses it.

Gardenia
Gardenia
Sweet 16
Sweet 16
Gardenia vs Sweet 16
Benjamin Moore
Gardenia
AF-10 · LRV 85
Benjamin Moore
Sweet 16
1310 · LRV 64

At LRV 85 vs 64, Gardenia is decisively the brighter choice.

Similar Colors

Bed of Roses
Bed of Roses
Sweet 16
Sweet 16
Bed of Roses vs Sweet 16
Benjamin Moore
Bed of Roses
1318 · LRV 61
Benjamin Moore
Sweet 16
1310 · LRV 64

Sweet 16 reads slightly lighter (LRV 64 vs 61), a gap that shows most in low-lit rooms.

May Flowers
May Flowers
Sweet 16
Sweet 16
May Flowers vs Sweet 16
Benjamin Moore
May Flowers
1324 · LRV 64
Benjamin Moore
Sweet 16
1310 · LRV 64

Their light reflectance is nearly identical (LRV 64 vs 64), so neither reads brighter in a room.

Exotic Pink
Exotic Pink
Sweet 16
Sweet 16
Exotic Pink vs Sweet 16
Benjamin Moore
Exotic Pink
2003-60 · LRV 66
Benjamin Moore
Sweet 16
1310 · LRV 64

With LRVs of 66 and 64, the two reflect almost the same amount of light.

Pastel Pink
Pastel Pink
Sweet 16
Sweet 16
Pastel Pink vs Sweet 16
Benjamin Moore
Pastel Pink
2007-60 · LRV 66
Benjamin Moore
Sweet 16
1310 · LRV 64

Their light reflectance is nearly identical (LRV 66 vs 64), so neither reads brighter in a room.

Complementary Colors

Icy Blue
Icy Blue
Sweet 16
Sweet 16
Icy Blue vs Sweet 16
Benjamin Moore
Icy Blue
2057-70 · LRV 79
Benjamin Moore
Sweet 16
1310 · LRV 64

At LRV 79 vs 64, Icy Blue is decisively the brighter choice.

Green Gables
Green Gables
Sweet 16
Sweet 16
Green Gables vs Sweet 16
Benjamin Moore
Green Gables
2041-30 · LRV 19
Benjamin Moore
Sweet 16
1310 · LRV 64

Sweet 16 reflects far more light (LRV 64 vs 19), opening up a space where Green Gables encloses it.

Blue Diamond
Blue Diamond
Sweet 16
Sweet 16
Blue Diamond vs Sweet 16
Benjamin Moore
Blue Diamond
736 · LRV 69
Benjamin Moore
Sweet 16
1310 · LRV 64

Blue Diamond reads slightly lighter (LRV 69 vs 64), a gap that shows most in low-lit rooms.

Burbank Blue
Burbank Blue
Sweet 16
Sweet 16
Burbank Blue vs Sweet 16
Benjamin Moore
Burbank Blue
732 · LRV 46
Benjamin Moore
Sweet 16
1310 · LRV 64

At LRV 64 vs 46, Sweet 16 is decisively the brighter choice.

Sweet 16
Sweet 16
Un-Teal We Meet Again
Un-Teal We Meet Again
Sweet 16 vs Un-Teal We Meet Again
Benjamin Moore
Sweet 16
1310 · LRV 64

Sweet 16 reflects far more light (LRV 64 vs 50), opening up a space where Un-Teal We Meet Again encloses it.

Seabrook
Seabrook
Sweet 16
Sweet 16
Seabrook vs Sweet 16
Benjamin Moore
Seabrook
750 · LRV 68
Benjamin Moore
Sweet 16
1310 · LRV 64

A 5-point LRV gap (68 vs 64) makes Seabrook the marginally brighter of the two.

How Blue Am I?
How Blue Am I?
Sweet 16
Sweet 16
How Blue Am I? vs Sweet 16
Benjamin Moore
How Blue Am I?
752 · LRV 50
Benjamin Moore
Sweet 16
1310 · LRV 64

At LRV 64 vs 50, Sweet 16 is decisively the brighter choice.

Lighter Colors

Ribbon Pink
Ribbon Pink
Sweet 16
Sweet 16
Ribbon Pink vs Sweet 16
Benjamin Moore
Ribbon Pink
2087-60 · LRV 71
Benjamin Moore
Sweet 16
1310 · LRV 64

Ribbon Pink reads slightly lighter (LRV 71 vs 64), a gap that shows most in low-lit rooms.

Romantic Pink
Romantic Pink
Sweet 16
Sweet 16
Romantic Pink vs Sweet 16
Benjamin Moore
Romantic Pink
2004-70 · LRV 78
Benjamin Moore
Sweet 16
1310 · LRV 64

At LRV 78 vs 64, Romantic Pink is decisively the brighter choice.

Sweet 16
Sweet 16
Voile Pink
Voile Pink
Sweet 16 vs Voile Pink
Benjamin Moore
Sweet 16
1310 · LRV 64
Benjamin Moore
Voile Pink
2000-70 · LRV 77

At LRV 77 vs 64, Voile Pink is decisively the brighter choice.

Pastel Pink
Pastel Pink
Sweet 16
Sweet 16
Pastel Pink vs Sweet 16
Benjamin Moore
Pastel Pink
2007-60 · LRV 66
Benjamin Moore
Sweet 16
1310 · LRV 64

Their light reflectance is nearly identical (LRV 66 vs 64), so neither reads brighter in a room.

Darker Colors

Confetti
Confetti
Sweet 16
Sweet 16
Confetti vs Sweet 16
Benjamin Moore
Confetti
1311 · LRV 55
Benjamin Moore
Sweet 16
1310 · LRV 64

A 9-point LRV gap (64 vs 55) makes Sweet 16 the marginally brighter of the two.

Romance
Romance
Sweet 16
Sweet 16
Romance vs Sweet 16
Benjamin Moore
Romance
1333 · LRV 53
Benjamin Moore
Sweet 16
1310 · LRV 64

Sweet 16 reads slightly lighter (LRV 64 vs 53), a gap that shows most in low-lit rooms.

Sweet 16
Sweet 16
True Pink
True Pink
Sweet 16 vs True Pink
Benjamin Moore
Sweet 16
1310 · LRV 64
Benjamin Moore
True Pink
2003-40 · LRV 36

Sweet 16 reflects far more light (LRV 64 vs 36), opening up a space where True Pink encloses it.

Pink Popsicle
Pink Popsicle
Sweet 16
Sweet 16
Pink Popsicle vs Sweet 16
Benjamin Moore
Pink Popsicle
2001-40 · LRV 37
Benjamin Moore
Sweet 16
1310 · LRV 64

At LRV 64 vs 37, Sweet 16 is decisively the brighter choice.

Strawberry Sorbet
Strawberry Sorbet
Sweet 16
Sweet 16
Strawberry Sorbet vs Sweet 16
Benjamin Moore
Strawberry Sorbet
2087-50 · LRV 55
Benjamin Moore
Sweet 16
1310 · LRV 64

A 8-point LRV gap (64 vs 55) makes Sweet 16 the marginally brighter of the two.

Color Codes

HEX#F9C6CC
RGB249, 198, 204
HSL353° 81% 88%
CMYK0 20 18 2
CIE LabL: 84.4 a: 19.0 b: 3.9
XYZX: 0.70 Y: 0.65 Z: 0.66