Match Through the Looking Glass

Benjamin Moore Through the Looking Glass is a mid-tone shade, neutral in character with an LRV of 51. The matches below are the closest equivalents available across every brand on Pontata, ranked by ΔE — a perceptual color difference score. A ΔE under 3 is subtle; under 10 is noticeable but harmonious; above 25 means genuinely different colors.

View full Through the Looking Glass color page →
Through the Looking Glass
Benjamin Moore
Through the Looking Glass
CSP-495#C0BCBCLRV 51Neutral

Closest matches across every brand

One match per brand, ranked by ΔE — a perceptual color difference score calculated from Lab color space values. Lower is closer. Click any card to compare side by side in simulated rooms.

Through the Looking Glass
Through the Looking Glass
Silver Shores
Silver Shores
Through the Looking Glass vs Silver Shores
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51
Dulux
Silver Shores
50YR 53/011 · LRV 53

Their light reflectance is nearly identical (LRV 53 vs 51), so neither reads brighter in a room. A ΔE of 1.3 means the difference barely reads in a finished room.

Compare ↔ΔE 1.3Subtle
Through the Looking Glass
Through the Looking Glass
Fashionable Gray
Fashionable Gray
Through the Looking Glass vs Fashionable Gray
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51
Sherwin-Williams
Fashionable Gray
6275 · LRV 49

Their light reflectance is nearly identical (LRV 51 vs 49), so neither reads brighter in a room. A ΔE of 1.4 means the difference barely reads in a finished room.

Compare ↔ΔE 1.4Subtle
Through the Looking Glass
Through the Looking Glass
Gray Shadows
Gray Shadows
Through the Looking Glass vs Gray Shadows
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51
PPG
Gray Shadows
PPG1005-3 · LRV 52

Their light reflectance is nearly identical (LRV 52 vs 51), so neither reads brighter in a room. A ΔE of 1.7 means the difference barely reads in a finished room.

Compare ↔ΔE 1.7Subtle
Through the Looking Glass
Through the Looking Glass
North Island
North Island
Through the Looking Glass vs North Island
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51
Cloverdale Paint
North Island
0552 · LRV 50

Their light reflectance is nearly identical (LRV 51 vs 50), so neither reads brighter in a room. A ΔE of 2.0 means the difference barely reads in a finished room.

Compare ↔ΔE 2.0Subtle
Through the Looking Glass
Through the Looking Glass
RAL 830-1
RAL 830-1
Through the Looking Glass vs RAL 830-1
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51
RAL EffectEffect
RAL 830-1
RAL 830-1 · LRV 50

Their light reflectance is nearly identical (LRV 51 vs 50), so neither reads brighter in a room. A ΔE of 2.5 means the difference barely reads in a finished room.

Compare ↔ΔE 2.5Subtle
Piano Concerto
Through the Looking Glass
Through the Looking Glass
Piano Concerto vs Through the Looking Glass
Benjamin Moore
Piano Concerto
1445 · LRV 51
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51

With LRVs of 51 and 51, the two reflect almost the same amount of light. At ΔE 2.6 you'd need them side by side to tell them apart.

Compare ↔ΔE 2.6Subtle
Through the Looking Glass
Through the Looking Glass
K496
Through the Looking Glass vs K496
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51
Tikkurila
K496
K496 · LRV 50

Their light reflectance is nearly identical (LRV 51 vs 50), so neither reads brighter in a room. A ΔE of 2.7 means the difference barely reads in a finished room.

Compare ↔ΔE 2.7Subtle
Through the Looking Glass
Through the Looking Glass
Ganymede
Through the Looking Glass vs Ganymede
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51
Valspar
Ganymede
8006-12C · LRV 46

Through the Looking Glass reads slightly lighter (LRV 51 vs 46), a gap that shows most in low-lit rooms. At ΔE 2.9 you'd need them side by side to tell them apart.

Compare ↔ΔE 2.9Subtle
Natural Gray
Natural Gray
Through the Looking Glass
Through the Looking Glass
Natural Gray vs Through the Looking Glass
Behr
Natural Gray
PPU18-10 · LRV 53
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51

Their light reflectance is nearly identical (LRV 53 vs 51), so neither reads brighter in a room. A ΔE of 3.0 means the difference barely reads in a finished room.

Compare ↔ΔE 3.0Subtle
Through the Looking Glass
Through the Looking Glass
S 2502-Y50R
S 2502-Y50R
Through the Looking Glass vs S 2502-Y50R
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51
NCS
S 2502-Y50R
S 2502-Y50R · LRV 53

Their light reflectance is nearly identical (LRV 53 vs 51), so neither reads brighter in a room. The ΔE 3.4 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 3.4Noticeable
Through the Looking Glass
Through the Looking Glass
Silver Moon
Silver Moon
Through the Looking Glass vs Silver Moon
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51
Jotun
Silver Moon
5081 · LRV 52

With LRVs of 52 and 51, the two reflect almost the same amount of light. At ΔE 3.4 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 3.4Noticeable
Through the Looking Glass
Through the Looking Glass
Silk Grey
Silk Grey
Through the Looking Glass vs Silk Grey
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51
RAL ClassicClassic
Silk Grey
RAL 7044 · LRV 47

Through the Looking Glass reads slightly lighter (LRV 51 vs 47), a gap that shows most in low-lit rooms. At ΔE 4.0 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 4.0Noticeable
Through the Looking Glass
Through the Looking Glass
Dash of Soot
Dash of Soot
Through the Looking Glass vs Dash of Soot
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51
Little Greene
Dash of Soot
244 · LRV 54

With LRVs of 54 and 51, the two reflect almost the same amount of light. At ΔE 4.1 they're clearly different, yet close enough to share a room.

Compare ↔ΔE 4.1Noticeable
Through the Looking Glass
Through the Looking Glass
Pavilion Gray
Pavilion Gray
Through the Looking Glass vs Pavilion Gray
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51
Farrow & Ball
Pavilion Gray
242 · LRV 55

A 4-point LRV gap (55 vs 51) makes Pavilion Gray the marginally brighter of the two. The ΔE 4.5 gap is real but not dramatic — distinct as a choice, harmonious together.

Compare ↔ΔE 4.5Noticeable