Through the Looking Glass featured
Benjamin MooreCSP-495

Through the Looking Glass

Through the Looking Glass begins as a gray color on paper, then shifts with every surface, shadow and neighboring material. Its grey classifications hint at the directions it may take as daylight, lamps and neighboring colors move around it. Treat the digital swatch as an opening note, then watch a physical sample from morning light through evening lamps.

LRV

51.04

Find matches across brands →
Light Reflectance Value
51.04
Medium
TemperatureNeutral
Tone
CalmingCharmingMoody
UseInterior Only
Collection

Coordinating Colors

Cloud Cover
Cloud Cover
Through the Looking Glass
Through the Looking Glass
Cloud Cover vs Through the Looking Glass
Benjamin Moore
Cloud Cover
OC-25 · LRV 80
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51

Cloud Cover reflects far more light (LRV 80 vs 51), opening up a space where Through the Looking Glass encloses it.

Paper Doll
Paper Doll
Through the Looking Glass
Through the Looking Glass
Paper Doll vs Through the Looking Glass
Benjamin Moore
Paper Doll
CSP-485 · LRV 80
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51

At LRV 80 vs 51, Paper Doll is decisively the brighter choice.

Indi Go-Go
Indi Go-Go
Through the Looking Glass
Through the Looking Glass
Indi Go-Go vs Through the Looking Glass
Benjamin Moore
Indi Go-Go
CSP-565 · LRV 11
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51

Through the Looking Glass reflects far more light (LRV 51 vs 11), opening up a space where Indi Go-Go encloses it.

Puritan Gray
Puritan Gray
Through the Looking Glass
Through the Looking Glass
Puritan Gray vs Through the Looking Glass
Benjamin Moore
Puritan Gray
HC-164 · LRV 34
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51

At LRV 51 vs 34, Through the Looking Glass is decisively the brighter choice.

Similar Colors

Piano Concerto
Piano Concerto
Through the Looking Glass
Through the Looking Glass
Piano Concerto vs Through the Looking Glass
Benjamin Moore
Piano Concerto
1445 · LRV 51
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51

With LRVs of 51 and 51, the two reflect almost the same amount of light.

Iced Mauve
Iced Mauve
Through the Looking Glass
Through the Looking Glass
Iced Mauve vs Through the Looking Glass
Benjamin Moore
Iced Mauve
2115-50 · LRV 51
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51

With LRVs of 51 and 51, the two reflect almost the same amount of light.

Nightingale
Nightingale
Through the Looking Glass
Through the Looking Glass
Nightingale vs Through the Looking Glass
Benjamin Moore
Nightingale
AF-670 · LRV 46
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51

Through the Looking Glass reads slightly lighter (LRV 51 vs 46), a gap that shows most in low-lit rooms.

After the Rain
After the Rain
Through the Looking Glass
Through the Looking Glass
After the Rain vs Through the Looking Glass
Benjamin Moore
After the Rain
1452 · LRV 50
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51

With LRVs of 51 and 50, the two reflect almost the same amount of light.

Complementary Colors

Aegean Teal
Aegean Teal
Through the Looking Glass
Through the Looking Glass
Aegean Teal vs Through the Looking Glass
Benjamin Moore
Aegean Teal
2136-40 · LRV 25
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51

Through the Looking Glass reflects far more light (LRV 51 vs 25), opening up a space where Aegean Teal encloses it.

Blue Lace
Blue Lace
Through the Looking Glass
Through the Looking Glass
Blue Lace vs Through the Looking Glass
Benjamin Moore
Blue Lace
1625 · LRV 66
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51

At LRV 66 vs 51, Blue Lace is decisively the brighter choice.

Providence Blue
Providence Blue
Through the Looking Glass
Through the Looking Glass
Providence Blue vs Through the Looking Glass
Benjamin Moore
Providence Blue
1636 · LRV 19
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51

At LRV 51 vs 19, Through the Looking Glass is decisively the brighter choice.

Through the Looking Glass
Through the Looking Glass
Van Courtland Blue
Van Courtland Blue
Through the Looking Glass vs Van Courtland Blue
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51
Benjamin Moore
Van Courtland Blue
HC-145 · LRV 31

Through the Looking Glass reflects far more light (LRV 51 vs 31), opening up a space where Van Courtland Blue encloses it.

Nocturnal Gray
Nocturnal Gray
Through the Looking Glass
Through the Looking Glass
Nocturnal Gray vs Through the Looking Glass
Benjamin Moore
Nocturnal Gray
2135-30 · LRV 14
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51

Through the Looking Glass reflects far more light (LRV 51 vs 14), opening up a space where Nocturnal Gray encloses it.

Blue Spruce
Blue Spruce
Through the Looking Glass
Through the Looking Glass
Blue Spruce vs Through the Looking Glass
Benjamin Moore
Blue Spruce
1637 · LRV 17
Benjamin Moore
Through the Looking Glass
CSP-495 · LRV 51

At LRV 51 vs 17, Through the Looking Glass is decisively the brighter choice.

Color Codes

RGB192, 188, 188
HSL0° 3% 75%
CMYK0 2 2 25
CIE LabL: 76.6 a: 1.4 b: 0.5
XYZX: 0.49 Y: 0.51 Z: 0.55

Manufacturer description

A misty gray, touched with silver, reminiscent of mirrored ballrooms from elegant days gone by.

Attributed to Benjamin Moore catalog data ↗