Match Tudor Beige
PPG Tudor Beige is a mid-tone shade with an LRV of 32. The matches below are ranked by ΔE, a perceptual color-difference score.
View full Tudor Beige color page →Closest matches across every brand
One match per brand, ranked by ΔE — a perceptual color difference score calculated from Lab color space values. Lower is closer. Click any card to compare side by side in simulated rooms.


A 3-point LRV gap (35 vs 32) makes Caramelized the marginally brighter of the two. A ΔE of 1.8 means the difference barely reads in a finished room.

Their light reflectance is nearly identical (LRV 32 vs 31), so neither reads brighter in a room. A ΔE of 2.1 means the difference barely reads in a finished room.
With LRVs of 32 and 30, the two reflect almost the same amount of light. At ΔE 2.2 you'd need them side by side to tell them apart.


With LRVs of 32 and 32, the two reflect almost the same amount of light. At ΔE 3.4 they're clearly different, yet close enough to share a room.

A 5-point LRV gap (37 vs 32) makes Toffee the marginally brighter of the two. The ΔE 4.3 gap is real but not dramatic — distinct as a choice, harmonious together.


A 3-point LRV gap (32 vs 29) makes Tudor Beige the marginally brighter of the two. The ΔE 5.3 gap is real but not dramatic — distinct as a choice, harmonious together.

A 6-point LRV gap (38 vs 32) makes Masala the marginally brighter of the two. The ΔE 6.4 gap is real but not dramatic — distinct as a choice, harmonious together.


Their light reflectance is nearly identical (LRV 33 vs 32), so neither reads brighter in a room. The ΔE 6.5 gap is real but not dramatic — distinct as a choice, harmonious together.

The ΔE 7.2 gap is real but not dramatic — distinct as a choice, harmonious together.

Bombolone reads slightly lighter (LRV 36 vs 32), a gap that shows most in low-lit rooms. At ΔE 9.0 they're clearly different, yet close enough to share a room.


Tudor Beige reads slightly lighter (LRV 32 vs 26), a gap that shows most in low-lit rooms. At ΔE 9.1 they're clearly different, yet close enough to share a room.


A 7-point LRV gap (32 vs 25) makes Tudor Beige the marginally brighter of the two. The ΔE 9.4 gap is real but not dramatic — distinct as a choice, harmonious together.


A 4-point LRV gap (32 vs 28) makes Tudor Beige the marginally brighter of the two. The ΔE 10.0 gap is real but not dramatic — distinct as a choice, harmonious together.


Summer In The City reads slightly lighter (LRV 39 vs 32), a gap that shows most in low-lit rooms. At ΔE 10.7 these are two genuinely different directions, not variations on a theme.

