Stained Glass featured
Benjamin MooreCSP-685

Stained Glass

With a focus on genuinely dark tones, Stained Glass (CSP-685) is a standout Blue in our database. It was selected for this featured gallery for its ability to anchor a room without demanding the spotlight. Find professional pairing data and full color details below.

Hex

#44646D

LRV

13.15

Find matches across brands →
Light Reflectance Value
13.15
Dark
TemperatureCool
Tone
BrightCharmingGroundingMoodyRichTimeless
UseInterior Only
Collection

Coordinating Colors

Cloud White
Cloud White
Stained Glass
Stained Glass
Cloud White vs Stained Glass
Benjamin Moore
Cloud White
OC-130 · LRV 85
Benjamin Moore
Stained Glass
CSP-685 · LRV 13

At LRV 85 vs 13, Cloud White is decisively the brighter choice.

Paper Doll
Paper Doll
Stained Glass
Stained Glass
Paper Doll vs Stained Glass
Benjamin Moore
Paper Doll
CSP-485 · LRV 80
Benjamin Moore
Stained Glass
CSP-685 · LRV 13

At LRV 80 vs 13, Paper Doll is decisively the brighter choice.

Lilac Hush
Lilac Hush
Stained Glass
Stained Glass
Lilac Hush vs Stained Glass
Benjamin Moore
Lilac Hush
CSP-490 · LRV 64
Benjamin Moore
Stained Glass
CSP-685 · LRV 13

At LRV 64 vs 13, Lilac Hush is decisively the brighter choice.

Sag Harbor Gray
Sag Harbor Gray
Stained Glass
Stained Glass
Sag Harbor Gray vs Stained Glass
Benjamin Moore
Sag Harbor Gray
HC-95 · LRV 42
Benjamin Moore
Stained Glass
CSP-685 · LRV 13

At LRV 42 vs 13, Sag Harbor Gray is decisively the brighter choice.

Similar Colors

Fair Isle Blue
Fair Isle Blue
Stained Glass
Stained Glass
Fair Isle Blue vs Stained Glass
Benjamin Moore
Fair Isle Blue
CSP-715 · LRV 16
Benjamin Moore
Stained Glass
CSP-685 · LRV 13

With LRVs of 16 and 13, the two reflect almost the same amount of light.

Spellbound
Spellbound
Stained Glass
Stained Glass
Spellbound vs Stained Glass
Benjamin Moore
Spellbound
1659 · LRV 13
Benjamin Moore
Stained Glass
CSP-685 · LRV 13

With LRVs of 13 and 13, the two reflect almost the same amount of light.

Stained Glass
Stained Glass
Vermont Slate
Vermont Slate
Stained Glass vs Vermont Slate
Benjamin Moore
Stained Glass
CSP-685 · LRV 13
Benjamin Moore
Vermont Slate
1673 · LRV 13

Their light reflectance is nearly identical (LRV 13 vs 13), so neither reads brighter in a room.

Lucerne
Lucerne
Stained Glass
Stained Glass
Lucerne vs Stained Glass
Benjamin Moore
Lucerne
AF-530 · LRV 14
Benjamin Moore
Stained Glass
CSP-685 · LRV 13

Their light reflectance is nearly identical (LRV 14 vs 13), so neither reads brighter in a room.

Complementary Colors

Quietly Violet
Quietly Violet
Stained Glass
Stained Glass
Quietly Violet vs Stained Glass
Benjamin Moore
Quietly Violet
CSP-415 · LRV 22
Benjamin Moore
Stained Glass
CSP-685 · LRV 13

A 9-point LRV gap (22 vs 13) makes Quietly Violet the marginally brighter of the two.

Desert Shadows
Desert Shadows
Stained Glass
Stained Glass
Desert Shadows vs Stained Glass
Benjamin Moore
Desert Shadows
2114-30 · LRV 12
Benjamin Moore
Stained Glass
CSP-685 · LRV 13

With LRVs of 13 and 12, the two reflect almost the same amount of light.

Hint of Violet
Hint of Violet
Stained Glass
Stained Glass
Hint of Violet vs Stained Glass
Benjamin Moore
Hint of Violet
2114-60 · LRV 66
Benjamin Moore
Stained Glass
CSP-685 · LRV 13

At LRV 66 vs 13, Hint of Violet is decisively the brighter choice.

Antique Pearl
Antique Pearl
Stained Glass
Stained Glass
Antique Pearl vs Stained Glass
Benjamin Moore
Antique Pearl
2113-70 · LRV 72
Benjamin Moore
Stained Glass
CSP-685 · LRV 13

Antique Pearl reflects far more light (LRV 72 vs 13), opening up a space where Stained Glass encloses it.

Night Shade
Night Shade
Stained Glass
Stained Glass
Night Shade vs Stained Glass
Benjamin Moore
Night Shade
2116-10 · LRV 6
Benjamin Moore
Stained Glass
CSP-685 · LRV 13

A 7-point LRV gap (13 vs 6) makes Stained Glass the marginally brighter of the two.

Brownstone
Brownstone
Stained Glass
Stained Glass
Brownstone vs Stained Glass
Benjamin Moore
Brownstone
CSP-240 · LRV 8
Benjamin Moore
Stained Glass
CSP-685 · LRV 13

A 5-point LRV gap (13 vs 8) makes Stained Glass the marginally brighter of the two.

Stained Glass
Stained Glass
Studio Clay
Studio Clay
Stained Glass vs Studio Clay
Benjamin Moore
Stained Glass
CSP-685 · LRV 13
Benjamin Moore
Studio Clay
CSP-380 · LRV 29

At LRV 29 vs 13, Studio Clay is decisively the brighter choice.

Lighter Colors

Bella Blue
Bella Blue
Stained Glass
Stained Glass
Bella Blue vs Stained Glass
Benjamin Moore
Bella Blue
720 · LRV 18
Benjamin Moore
Stained Glass
CSP-685 · LRV 13

A 4-point LRV gap (18 vs 13) makes Bella Blue the marginally brighter of the two.

Fair Isle Blue
Fair Isle Blue
Stained Glass
Stained Glass
Fair Isle Blue vs Stained Glass
Benjamin Moore
Fair Isle Blue
CSP-715 · LRV 16
Benjamin Moore
Stained Glass
CSP-685 · LRV 13

With LRVs of 16 and 13, the two reflect almost the same amount of light.

Buckland Blue
Buckland Blue
Stained Glass
Stained Glass
Buckland Blue vs Stained Glass
Benjamin Moore
Buckland Blue
HC-151 · LRV 23
Benjamin Moore
Stained Glass
CSP-685 · LRV 13

A 10-point LRV gap (23 vs 13) makes Buckland Blue the marginally brighter of the two.

Baltic Sea
Baltic Sea
Stained Glass
Stained Glass
Baltic Sea vs Stained Glass
Benjamin Moore
Baltic Sea
CSP-680 · LRV 22
Benjamin Moore
Stained Glass
CSP-685 · LRV 13

A 9-point LRV gap (22 vs 13) makes Baltic Sea the marginally brighter of the two.

Schooner
Schooner
Stained Glass
Stained Glass
Schooner vs Stained Glass
Benjamin Moore
Schooner
AF-520 · LRV 18
Benjamin Moore
Stained Glass
CSP-685 · LRV 13

A 5-point LRV gap (18 vs 13) makes Schooner the marginally brighter of the two.

Darker Colors

Everard Blue
Everard Blue
Stained Glass
Stained Glass
Everard Blue vs Stained Glass
Benjamin Moore
Everard Blue
CW-575 · LRV 10
Benjamin Moore
Stained Glass
CSP-685 · LRV 13

Their light reflectance is nearly identical (LRV 13 vs 10), so neither reads brighter in a room.

Color Codes

HEX#44646D
RGB68, 100, 109
HSL193° 23% 35%
CMYK38 8 0 57
CIE LabL: 40.3 a: -9.1 b: -8.8
XYZX: 0.10 Y: 0.11 Z: 0.16