Stained Glass vs Studio Clay
Both from Benjamin Moore's palette. Stained Glass reads as blue, while Studio Clay reads as greige-grey — two distinct hue families, not close cousins. Studio Clay (LRV 29) reflects noticeably more light than Stained Glass (LRV 13), a difference of 16 points that becomes especially apparent in rooms with limited natural light. Stained Glass runs blue while Studio Clay is decidedly red, which means they'll respond very differently to warm vs cool light sources. With a ΔE of 29.2, the contrast is hard to miss. These aren't variations on a theme — they're two different answers to the same question. Below, 5 simulated room previews show how each color reads at scale — real-room photos will be added as they become available.
Color Details
Stained Glass vs Studio Clay Simulated Comparison
5 simulated room previews — drag the slider on each to see Stained Glass on one side and Studio Clay on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Stained Glass comparisons
See how Stained Glass stacks up against other well-photographed colors across different brands and tones.
