Stonecutter
Benjamin Moore's Stonecutter is a blue shade whose quieter details emerge through comparison. A blue undertone may emerge most clearly where the paint meets a cleaner white, stone surface or contrasting textile. Because screens flatten both light and texture, sample the paint beside the finishes that will ultimately surround it.
Hex
#434C4FLRV
8.41
Stonecutter in Rooms
Follow Stonecutter from one space to another and watch how light, scale and surrounding materials reshape its character. 3 sourced room photos offer a closer look at the color in lived-in settings.
3 Living Room Photos
Across 3 living room images, Stonecutter (2135-20) meets the movement from window light to lamplight. Its cool classification can bring a composed, clean tension to warmer finishes.
An accent wall in Stonecutter anchors the living room seating arrangement.
@susanhoyles
Living room walls wrapped in Stonecutter establish a sophisticated, grounded atmosphere.
@studiom_interiors
Stonecutter paint on walls complements furnishings and natural light throughout the living space.
@punch_jones
Coordinating Colors
At LRV 56 vs 8, Smoke is decisively the brighter choice.
Snow White reflects far more light (LRV 87 vs 8), opening up a space where Stonecutter encloses it.
At LRV 80 vs 8, Cloud Cover is decisively the brighter choice.
Collingwood reflects far more light (LRV 62 vs 8), opening up a space where Stonecutter encloses it.
Similar Colors
Their light reflectance is nearly identical (LRV 8 vs 8), so neither reads brighter in a room.
Their light reflectance is nearly identical (LRV 8 vs 8), so neither reads brighter in a room.
Their light reflectance is nearly identical (LRV 9 vs 8), so neither reads brighter in a room.
Their light reflectance is nearly identical (LRV 9 vs 8), so neither reads brighter in a room.
Complementary Colors
Quietly Violet reflects far more light (LRV 22 vs 8), opening up a space where Stonecutter encloses it.
A 3-point LRV gap (12 vs 8) makes Desert Shadows the marginally brighter of the two.
Hint of Violet reflects far more light (LRV 66 vs 8), opening up a space where Stonecutter encloses it.
At LRV 72 vs 8, Antique Pearl is decisively the brighter choice.
With LRVs of 8 and 6, the two reflect almost the same amount of light.
With LRVs of 8 and 8, the two reflect almost the same amount of light.
Studio Clay reflects far more light (LRV 29 vs 8), opening up a space where Stonecutter encloses it.
Lighter Colors
Flint reads slightly lighter (LRV 12 vs 8), a gap that shows most in low-lit rooms.
Their light reflectance is nearly identical (LRV 9 vs 8), so neither reads brighter in a room.
A 5-point LRV gap (14 vs 8) makes Nocturnal Gray the marginally brighter of the two.
Blue Spruce reads slightly lighter (LRV 17 vs 8), a gap that shows most in low-lit rooms.
Their light reflectance is nearly identical (LRV 9 vs 8), so neither reads brighter in a room.
Darker Colors
With LRVs of 8 and 6, the two reflect almost the same amount of light.
Stonecutter reads slightly lighter (LRV 8 vs 5), a gap that shows most in low-lit rooms.
A 4-point LRV gap (8 vs 5) makes Stonecutter the marginally brighter of the two.
With LRVs of 8 and 6, the two reflect almost the same amount of light.
Color Codes
Manufacturer description
Tones of teal and slate define this beguiling dark hue.