Flint vs Stonecutter
Both from Benjamin Moore's palette. Hue-wise, Flint belongs to the grey family and Stonecutter to the blue-grey family. Flint (LRV 12) reflects noticeably more light than Stonecutter (LRV 8), a difference of 4 points that becomes especially apparent in rooms with limited natural light. Both lean blue, so they'll behave similarly in mixed or changing light conditions. The ΔE 7.1 gap is real but not dramatic — close enough to use together, distinct enough to matter as a choice. Below you'll find 1 real-room photo comparison where both colors appear side by side, plus 5 simulated room previews.
Flint vs Stonecutter in Real Spaces
1 real room side by side. Flint and Stonecutter are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
In a living room, color works across both daylight and evening light — the same wall can read very differently at noon and at 8pm. The brightness difference is modest but present — Flint gives the walls a little more lift.
Color Details
Flint vs Stonecutter Simulated Comparison
5 simulated room previews — drag the slider on each to see Flint on one side and Stonecutter on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Flint comparisons
See how Flint stacks up against other well-photographed colors across different brands and tones.
At LRV 83 vs 12, White Dove is decisively the brighter choice.
Purbeck Stone reflects far more light (LRV 52 vs 12), opening up a space where Flint encloses it.
Evergreen Fog reflects far more light (LRV 30 vs 12), opening up a space where Flint encloses it.
Agreeable Gray reflects far more light (LRV 60 vs 12), opening up a space where Flint encloses it.
At LRV 58 vs 12, Accessible Beige is decisively the brighter choice.
At LRV 27 vs 12, Denim Drift is decisively the brighter choice.
French Gray reflects far more light (LRV 43 vs 12), opening up a space where Flint encloses it.
At LRV 55 vs 12, Tranquil Dawn is decisively the brighter choice.
At LRV 44 vs 12, Hardwick White is decisively the brighter choice.
Pure White reflects far more light (LRV 84 vs 12), opening up a space where Flint encloses it.
At LRV 66 vs 12, Balboa Mist is decisively the brighter choice.
At LRV 74 vs 12, Shoji White is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 12 vs 12), so neither reads brighter in a room.
At LRV 68 vs 12, Skimming Stone is decisively the brighter choice.
Their light reflectance is nearly identical (LRV 12 vs 12), so neither reads brighter in a room.
At LRV 45 vs 12, Saybrook Sage is decisively the brighter choice.
Pale Green reflects far more light (LRV 31 vs 12), opening up a space where Flint encloses it.
Flint reads slightly lighter (LRV 12 vs 7), a gap that shows most in low-lit rooms.
Cement grey reflects far more light (LRV 24 vs 12), opening up a space where Flint encloses it.
Guilford Green reflects far more light (LRV 57 vs 12), opening up a space where Flint encloses it.