Supple Pink featured
Benjamin Moore2007-50

Supple Pink

With a focus on versatile and reflective tones, Supple Pink (2007-50) is a standout Pink in our database. It was selected for this featured gallery for its ability to provide a clean, timeless feel that works across various lighting conditions. Find professional pairing data and full color details below.

Hex

#F2AAB3

LRV

50.19

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Light Reflectance Value
50.19
Medium
TemperatureWarm
UseInterior & Exterior
Collection

Coordinating Colors

Opulence
Opulence
Supple Pink
Supple Pink
Opulence vs Supple Pink
Benjamin Moore
Opulence
OC-69 · LRV 88
Benjamin Moore
Supple Pink
2007-50 · LRV 50

Opulence reflects far more light (LRV 88 vs 50), opening up a space where Supple Pink encloses it.

Maple Leaf Red
Maple Leaf Red
Supple Pink
Supple Pink
Maple Leaf Red vs Supple Pink
Benjamin Moore
Maple Leaf Red
2084-20 · LRV 11
Benjamin Moore
Supple Pink
2007-50 · LRV 50

Supple Pink reflects far more light (LRV 50 vs 11), opening up a space where Maple Leaf Red encloses it.

Frosted Petal
Frosted Petal
Supple Pink
Supple Pink
Frosted Petal vs Supple Pink
Benjamin Moore
Frosted Petal
2089-70 · LRV 82
Benjamin Moore
Supple Pink
2007-50 · LRV 50

Frosted Petal reflects far more light (LRV 82 vs 50), opening up a space where Supple Pink encloses it.

Atrium White
Atrium White
Supple Pink
Supple Pink
Atrium White vs Supple Pink
Benjamin Moore
Atrium White
OC-145 · LRV 85
Benjamin Moore
Supple Pink
2007-50 · LRV 50

Atrium White reflects far more light (LRV 85 vs 50), opening up a space where Supple Pink encloses it.

Similar Colors

Confetti
Confetti
Supple Pink
Supple Pink
Confetti vs Supple Pink
Benjamin Moore
Confetti
1311 · LRV 55
Benjamin Moore
Supple Pink
2007-50 · LRV 50

A 5-point LRV gap (55 vs 50) makes Confetti the marginally brighter of the two.

Romance
Romance
Supple Pink
Supple Pink
Romance vs Supple Pink
Benjamin Moore
Romance
1333 · LRV 53
Benjamin Moore
Supple Pink
2007-50 · LRV 50

Romance reads slightly lighter (LRV 53 vs 50), a gap that shows most in low-lit rooms.

Coral Pink
Coral Pink
Supple Pink
Supple Pink
Coral Pink vs Supple Pink
Benjamin Moore
Coral Pink
2003-50 · LRV 52
Benjamin Moore
Supple Pink
2007-50 · LRV 50

With LRVs of 52 and 50, the two reflect almost the same amount of light.

Baby Girl
Baby Girl
Supple Pink
Supple Pink
Baby Girl vs Supple Pink
Benjamin Moore
Baby Girl
2004-50 · LRV 52
Benjamin Moore
Supple Pink
2007-50 · LRV 50

With LRVs of 52 and 50, the two reflect almost the same amount of light.

Complementary Colors

Juneau Spring
Juneau Spring
Supple Pink
Supple Pink
Juneau Spring vs Supple Pink
Benjamin Moore
Juneau Spring
2041-40 · LRV 39
Benjamin Moore
Supple Pink
2007-50 · LRV 50

A 11-point LRV gap (50 vs 39) makes Supple Pink the marginally brighter of the two.

Antiguan Sky
Antiguan Sky
Supple Pink
Supple Pink
Antiguan Sky vs Supple Pink
Benjamin Moore
Antiguan Sky
2040-60 · LRV 68
Benjamin Moore
Supple Pink
2007-50 · LRV 50

At LRV 68 vs 50, Antiguan Sky is decisively the brighter choice.

Kokopelli Teal
Kokopelli Teal
Supple Pink
Supple Pink
Kokopelli Teal vs Supple Pink
Benjamin Moore
Kokopelli Teal
648 · LRV 40
Benjamin Moore
Supple Pink
2007-50 · LRV 50

Supple Pink reads slightly lighter (LRV 50 vs 40), a gap that shows most in low-lit rooms.

Pine Green
Pine Green
Supple Pink
Supple Pink
Pine Green vs Supple Pink
Benjamin Moore
Pine Green
2051-20 · LRV 10
Benjamin Moore
Supple Pink
2007-50 · LRV 50

Supple Pink reflects far more light (LRV 50 vs 10), opening up a space where Pine Green encloses it.

Oceanic Teal
Oceanic Teal
Supple Pink
Supple Pink
Oceanic Teal vs Supple Pink
Benjamin Moore
Oceanic Teal
669 · LRV 50
Benjamin Moore
Supple Pink
2007-50 · LRV 50

Their light reflectance is nearly identical (LRV 50 vs 50), so neither reads brighter in a room.

Lighter Colors

Misted Rose
Misted Rose
Supple Pink
Supple Pink
Misted Rose vs Supple Pink
Benjamin Moore
Misted Rose
1339 · LRV 54
Benjamin Moore
Supple Pink
2007-50 · LRV 50

A 4-point LRV gap (54 vs 50) makes Misted Rose the marginally brighter of the two.

Early Sunrise
Early Sunrise
Supple Pink
Supple Pink
Early Sunrise vs Supple Pink
Benjamin Moore
Early Sunrise
2084-60 · LRV 68
Benjamin Moore
Supple Pink
2007-50 · LRV 50

At LRV 68 vs 50, Early Sunrise is decisively the brighter choice.

Gentle Blush
Gentle Blush
Supple Pink
Supple Pink
Gentle Blush vs Supple Pink
Benjamin Moore
Gentle Blush
2084-70 · LRV 80
Benjamin Moore
Supple Pink
2007-50 · LRV 50

At LRV 80 vs 50, Gentle Blush is decisively the brighter choice.

Authentic Pink
Authentic Pink
Supple Pink
Supple Pink
Authentic Pink vs Supple Pink
Benjamin Moore
Authentic Pink
2006-60 · LRV 64
Benjamin Moore
Supple Pink
2007-50 · LRV 50

Authentic Pink reflects far more light (LRV 64 vs 50), opening up a space where Supple Pink encloses it.

Bed of Roses
Bed of Roses
Supple Pink
Supple Pink
Bed of Roses vs Supple Pink
Benjamin Moore
Bed of Roses
1318 · LRV 61
Benjamin Moore
Supple Pink
2007-50 · LRV 50

Bed of Roses reads slightly lighter (LRV 61 vs 50), a gap that shows most in low-lit rooms.

Darker Colors

Cactus Flower
Cactus Flower
Supple Pink
Supple Pink
Cactus Flower vs Supple Pink
Benjamin Moore
Cactus Flower
1335 · LRV 28
Benjamin Moore
Supple Pink
2007-50 · LRV 50

Supple Pink reflects far more light (LRV 50 vs 28), opening up a space where Cactus Flower encloses it.

Autumn Red
Autumn Red
Supple Pink
Supple Pink
Autumn Red vs Supple Pink
Benjamin Moore
Autumn Red
2087-40 · LRV 38
Benjamin Moore
Supple Pink
2007-50 · LRV 50

A 12-point LRV gap (50 vs 38) makes Supple Pink the marginally brighter of the two.

Pretty in Pink
Pretty in Pink
Supple Pink
Supple Pink
Pretty in Pink vs Supple Pink
Benjamin Moore
Pretty in Pink
1334 · LRV 41
Benjamin Moore
Supple Pink
2007-50 · LRV 50

A 9-point LRV gap (50 vs 41) makes Supple Pink the marginally brighter of the two.

Spring Tulips
Spring Tulips
Supple Pink
Supple Pink
Spring Tulips vs Supple Pink
Benjamin Moore
Spring Tulips
2001-30 · LRV 22
Benjamin Moore
Supple Pink
2007-50 · LRV 50

At LRV 50 vs 22, Supple Pink is decisively the brighter choice.

Color Codes

HEX#F2AAB3
RGB242, 170, 179
HSL353° 73% 81%
CMYK0 30 26 5
CIE LabL: 76.6 a: 27.7 b: 6.0
XYZX: 0.59 Y: 0.51 Z: 0.49