Sun Dried Tomato
There is more to Sherwin-Williams Sun Dried Tomato (7585) than the swatch alone: its depth, undertones and setting all shape the final impression. Its pink and red classifications hint at the directions it may take as daylight, lamps and neighboring colors move around it. Its related shades below reveal where the color harmonizes—and where contrast brings it fully to life.
Hex
#692B2BLRV
4.94
Sun Dried Tomato's Color Strip
Sun Dried Tomato is the fourth shade on this 7-color strip, sitting between Wild Current and Crabby Apple. The strip spans from Stolen Kiss at the lightest end to Red Barn at the deepest. Color strip 275 groups these shades together so you can see how each reads next to its neighbors.
Sun Dried Tomato in Rooms
Follow Sun Dried Tomato from one space to another and watch how light, scale and surrounding materials reshape its character. 2 sourced room photos offer a closer look at the color in lived-in settings.
2 Front Door Photos
Sun Dried Tomato (7585) brings its red character into a small architectural moment with an outsized first impression. Its midtone saturation keeps the color expressive without letting it dominate every surface around it.
A front door in Sun Dried Tomato makes a bold welcome statement.
@franklyn.roy
This front door's warm Sun Dried Tomato color creates inviting curb appeal.
@franklyn.roy
Complementary Colors
With LRVs of 6 and 5, the two reflect almost the same amount of light.
A 11-point LRV gap (16 vs 5) makes Riverway the marginally brighter of the two.
Mountain Air reflects far more light (LRV 73 vs 5), opening up a space where Sun Dried Tomato encloses it.
Morning at Sea reflects far more light (LRV 29 vs 5), opening up a space where Sun Dried Tomato encloses it.
At LRV 53 vs 5, Silver Lake is decisively the brighter choice.
At LRV 77 vs 5, Glass Bead is decisively the brighter choice.
Niebla Azul reflects far more light (LRV 53 vs 5), opening up a space where Sun Dried Tomato encloses it.
Lighter Colors
With LRVs of 7 and 5, the two reflect almost the same amount of light.
A 7-point LRV gap (12 vs 5) makes Antique Red the marginally brighter of the two.
With LRVs of 7 and 5, the two reflect almost the same amount of light.
A 5-point LRV gap (10 vs 5) makes Flower Pot the marginally brighter of the two.
Their light reflectance is nearly identical (LRV 7 vs 5), so neither reads brighter in a room.
Darker Colors
With LRVs of 5 and 5, the two reflect almost the same amount of light.
Color Codes
Manufacturer description
This rich, deeply saturated red draws its character from earthy terracotta undertones, evoking the warmth of Mediterranean sun-baked landscapes and rustic kitchens. Bold enough to anchor a dining room or accent wall, it pairs beautifully with warm creams, deep golds, and natural wood finishes.
Attributed to Sherwin-Williams catalog data.