
Adriatic Sea vs Amalfi
Adriatic Sea and Amalfi come from the same Sherwin-Williams collection. These are both blues, so the question isn't which hue to choose — it's where within blue to land. The 3-point LRV gap — 12 for Amalfi vs 9 for Adriatic Sea — means Amalfi will open up a space more effectively. Both share a cool character, which means they'll respond to light and surrounding materials in similar ways. ΔE 9.5 means they're clearly different, but not dramatically so — they'd pair well in the same room. Below you'll find 10 real-room photo comparisons where both colors appear side by side, plus 5 simulated room previews.
Adriatic Sea vs Amalfi in Real Spaces
10 real rooms side by side. Adriatic Sea and Amalfi are close enough that the difference can be hard to judge from a chip alone — these photos show how each reads at scale, across different spaces and lighting conditions.
Living Room
A living room wall sees more varied light than almost any other surface in the house, which makes the choice between these two more nuanced than a chip suggests. The distinction reads clearly at room scale, making the choice between them concrete.
Bedroom
Bedrooms are typically lit with warmer, lower light than the rest of the house — a condition that flatters warm tones and deepens cool ones. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Kitchen
Kitchens often have the harshest, most revealing light in the house — under-cabinet LEDs and overhead fixtures that strip away subtlety. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Dining Room
Dining rooms often rely on warm incandescent or candlelight, which flatters warm undertones and mutes cool ones. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Bathroom
Small bathrooms intensify color. A shade that seems quiet in a larger room can feel immersive when you're surrounded by it on four walls. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Home Office
Home office walls matter more than most — you're looking at them all day, and a color that reads fine at first can become tiring over time. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Mudroom
In a hardworking space like a mudroom, the depth and warmth of a color reads differently than in a quieter room. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
Patio
Exterior colors look different in open light — both tend to read lighter outside than on an interior swatch, and shadows read more strongly. Side by side like this, the difference is easy to read — which is exactly why seeing them in a real space is more useful than comparing chips.
House
A full exterior is the most demanding test for a paint color — scale and outdoor light both amplify differences that seem small on a swatch. At this scale, the choice between them becomes clear in a way that a swatch alone can't communicate.
Front Door
On a front door, the color is both the first and last thing you see — a context where even a modest tonal difference reads clearly. The distinction reads clearly at room scale, making the choice between them concrete.
Color Details
Adriatic Sea vs Amalfi Simulated Comparison
5 simulated room previews — drag the slider on each to see Adriatic Sea on one side and Amalfi on the other.
Digital color is approximate. These simulations are generated from the manufacturer's hex values and overlaid on grayscale room photos — your screen's calibration, brightness, and viewing angle all affect how they render. Before committing to either color, test physical samples in your own space under the light you actually live with.
More Adriatic Sea comparisons
See how Adriatic Sea stacks up against other well-photographed colors across different brands and tones.


White Dove reflects far more light (LRV 83 vs 9), opening up a space where Adriatic Sea encloses it.


At LRV 69 vs 9, Ammonite is decisively the brighter choice.


Adriatic Sea reads slightly lighter (LRV 9 vs 6), a gap that shows most in low-lit rooms.


At LRV 52 vs 9, Purbeck Stone is decisively the brighter choice.


At LRV 30 vs 9, Evergreen Fog is decisively the brighter choice.


Mizzle reflects far more light (LRV 52 vs 9), opening up a space where Adriatic Sea encloses it.


At LRV 60 vs 9, Agreeable Gray is decisively the brighter choice.


Accessible Beige reflects far more light (LRV 58 vs 9), opening up a space where Adriatic Sea encloses it.


Denim Drift reflects far more light (LRV 27 vs 9), opening up a space where Adriatic Sea encloses it.


At LRV 43 vs 9, French Gray is decisively the brighter choice.


A 5-point LRV gap (9 vs 4) makes Adriatic Sea the marginally brighter of the two.


Tranquil Dawn reflects far more light (LRV 55 vs 9), opening up a space where Adriatic Sea encloses it.


Bancha reads slightly lighter (LRV 13 vs 9), a gap that shows most in low-lit rooms.


Hardwick White reflects far more light (LRV 44 vs 9), opening up a space where Adriatic Sea encloses it.


At LRV 84 vs 9, Pure White is decisively the brighter choice.


At LRV 21 vs 9, Artichoke is decisively the brighter choice.


Balboa Mist reflects far more light (LRV 66 vs 9), opening up a space where Adriatic Sea encloses it.


Shoji White reflects far more light (LRV 74 vs 9), opening up a space where Adriatic Sea encloses it.


Snowbound reflects far more light (LRV 83 vs 9), opening up a space where Adriatic Sea encloses it.


With LRVs of 12 and 9, the two reflect almost the same amount of light.


Skimming Stone reflects far more light (LRV 68 vs 9), opening up a space where Adriatic Sea encloses it.


At LRV 41 vs 9, Dix Blue is decisively the brighter choice.


At LRV 68 vs 9, Calamine is decisively the brighter choice.


At LRV 25 vs 9, Treron is decisively the brighter choice.


With LRVs of 12 and 9, the two reflect almost the same amount of light.


Saybrook Sage reflects far more light (LRV 45 vs 9), opening up a space where Adriatic Sea encloses it.


At LRV 31 vs 9, Pale Green is decisively the brighter choice.


Their light reflectance is nearly identical (LRV 9 vs 7), so neither reads brighter in a room.


At LRV 24 vs 9, Cement grey is decisively the brighter choice.


At LRV 57 vs 9, Guilford Green is decisively the brighter choice.




























